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# Langridge Artist Colours

Handmade Oil Colour

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## Posts

- [Cochineal](https://langridgecolours.com/cochineal/) - Cochineal Cochineal is a natural red pigment derived from the dried bodies of the female Dactylopius coccus insect, which lives on nopal (Opuntia) cacti, primarily in Mexico and South America. The pigment’s colour comes from carminic acid, a glycosylated anthraquinone compound, which serves as a chemical defense against predators. Its chemical formula is approximately C₂₂H₂₀O₁₃,
- [Orpiment pigment](https://langridgecolours.com/orpiment-pigment/) - Orpiment pigment ORPIMENT WAS THE CLOSEST IMITATION TO GOLD. Its Latin name is auripigmentum (gold paint) and in the classical world, it was believed that this resemblance had deeper alchemical roots. It was even said that the Roman emperor Caligula could extract gold from the mineral. In fact, orpiment carries a much more dangerous substance.
- [Phthalocyanine pigments](https://langridgecolours.com/phthalocyanine-pigment/) - Phthalocyanine pigments Phthalocyanine pigments are a class of modern synthetic organic pigments prized for their exceptional chroma, chemical stability, and versatility. Developed in the 20th century, they transformed artists’ palettes, providing vivid blues and greens with unparalleled lightfastness and consistency compared to historic inorganic and organic pigments. Chemical Basis Phthalocyanine pigments are macrocyclic, planar molecules
- [Realgar pigment](https://langridgecolours.com/realgar-pigment/) - Realgar pigment THIS PIGMENT IS AS DEADLY AS IT IS BEAUTIFUL. Known as the ‘ruby of arsenic’, realgar is extremely toxic. The red crystals of the mineral yield a rich orange pigment, but it is made of arsenic disulphide. Realgar is found in the same deposits as the yellow, arsenic-containing mineral orpiment. It mostly occurs
- [Potters Pink pigment](https://langridgecolours.com/potters-pink-pigment/) - Potters Pink pigment Also known historically as tin pink, nelkenfarbe (carnation colour), or simply pinkcolour, Potter’s Pink emerged in the early 19th century as a reliable pigment for ceramics and, subsequently, for artists’ media. Unlike organic lake pigments such as madder, which suffered from fugitive colour and poor lightfastness, Potter’s Pink is an inorganic, metal-oxide-based
- [Smalt pigment](https://langridgecolours.com/smalt-pigment/) - Smalt pigment The name “smalt” derives from the Italian term smaltere, meaning “to melt,” reflecting the pigment’s origin as a ground cobalt-containing glass. Like Egyptian blue, smalt is produced by heating a mixture of silica (SiO₂), lime (CaO), and an alkali flux—traditionally potash (K₂CO₃). Its vivid blue colour arises from the incorporation of cobalt oxide
- [Kermes](https://langridgecolours.com/kermes/) - Kermes Kermes (Kermes vermilio), is a wingless scale insect that produces a deep red dye used extensively throughout Europe prior to the importation of cochineal from the Americas. The insect inhabits the branches of the kermes oak (Quercus coccifera) native to southern and eastern Europe. The crimson pigment is derived exclusively from the resin-encrusted female
- [Ochre pigment](https://langridgecolours.com/ochre-pigment/) - Ochre pigment The oldest surviving human artworks are vivid depictions of animals, humans, and spiritual motifs, created using ochres. Archaeological evidence suggests their use as far back as 250,000 years ago, making ochres the earliest known colourants employed by our species. Ancient ochre artworks appear across the globe—from early sites in India and Australia to
- [Naples Yellow pigment](https://langridgecolours.com/naples-yellow-pigment/) - Red Lead pigment Naples Yellow, historically attributed—without evidence—to Mount Vesuvius, is a pigment whose true origins lie in early metallurgical experimentation rather than in volcanic deposits. While yellowish minerals such as orpiment and sulphur compounds do occur in volcanic regions, no verifiable trace of lead antimonate has ever been found on Vesuvius. The earliest known
- [Pyrrole Red pigment](https://langridgecolours.com/pyrrole-red-pigment/) - Pyrrole Red pigment Pyrrole Red is a synthetic organic pigment belonging to the diketo-pyrrolo-pyrrole (DPP) family, developed in the late 20th century to provide an opaque, non-toxic, highly durable alternative to traditional inorganic reds such as cadmium, cinnabar, and red lead. Its molecular structure, a conjugated heterocyclic system, produces a vivid, pure red with exceptional
- [Pyrrole Orange pigment](https://langridgecolours.com/pyrrole-orange-pigment/) - Pyrrole Orange pigment Pyrrole Orange is a modern organic pigment engineered for stability and chroma. Belonging to the diketo-pyrrolo-pyrrole (DPP) family of pigments, pyrrole orange is a synthetic organic compound developed in the late 20th century for industrial coatings before being adopted by artists’ colourmen. Its chemistry is based on a highly conjugated heterocyclic structure
- [Emerald Green pigment](https://langridgecolours.com/emerald-green-pigment/) - Emerald Green pigment This deadly green pigment contains copper and arsenic. Discovered in 1775 and named after its inventor, the Swedish chemist Carl Wilhelm Scheele, Scheele’s green is copper hydrogen arsenite, with the approximate chemical composition CuHAsO₃. It is an opaque yellow-green pigment developed in an attempt to replace the historic copper-based greens of verdigris
- [Verdigris pigment](https://langridgecolours.com/verdigris-pigment/) - Verdigris pigment This blue-green pigment is formed by corrosion. Sheets of copper are suspended over a bath of vinegar, wine, or sour grape must, and the acetic acid vapours react with the metal to form a crust of copper acetates. These corrosion products are periodically scraped off, re-exposed to the vapours, and harvested again, producing
- [Azurite pigment](https://langridgecolours.com/azurite-pigment/) - Azurite pigment Purchasers of Azurite had to be extremely wary. It is visually similar to lapis lazuli—an ore of vastly greater value—that buyers could easily be deceived. A conscientious apothecary or colourman would test a suspected sample by heating it until it was red-hot. Azurite decomposes on heating, losing carbon dioxide and water to form
- [Red Lead pigment](https://langridgecolours.com/red-lead-pigment/) - Red Lead pigment Red lead was used extensively in medieval manuscripts to paint small illuminations. The Latin word for red lead is minium, and miniare means “to colour with minium”. Artists who painted with red lead were known as miniator, which is the source of our English word miniature. The term minium is now confined
- [Home manufacture of oil paint](https://langridgecolours.com/home-manufacture-of-oil-paint/) - Home manufacture of oil paint Making Your Own Oil Paint: A Studio Guide Materials needed: Pigment, Drying Oil (Linseed Oil, Walnut Oil, Poppy Oil or Safflower Oil), etched glass muller, etched glass sheet or unpolished marble slab, palette knife, empty collapsible tubes or jars. Making your own oil paint is an intimate studio practice. Hand-made
- [Rules for Permanent Painting](https://langridgecolours.com/rules-for-permanent-painting/) - Rules for Permanent Painting Underpainting, Mediums, and Varnishing Oil painting is a dialogue between intention and material. Each decision; every pigment chosen, every medium applied, shapes not only the immediate appearance but the long-term life of the work. Understanding how paint behaves beneath the surface is as crucial as the brushwork itself, and nowhere is
- [Distemper Recipe](https://langridgecolours.com/distemper-recipe/) - Distemper Recipe Soft Distemper Also known as Size Paint or Calcimine Distemper it is made from a mixture of Gilders’ Whiting (Calcium Carbonate), pigment, water and an animal glue size as binder. It gives a smooth, matte finish, which, although having no shine, avoids a dull, lifeless look and is particularly suitable for use on
- [Casein recipes](https://langridgecolours.com/casein-recipes/) - Formulations for Casein paints Manufacture of Borax-Casein Binder (Wehlte) Ingredients 40 gm Casein powder 16 gm Borax 125 ml cold water 125 ml hot water Process 1: Soak 40 gm of casein powder for approximately 12 hours in 125 ml of cold water. 16 gm crystalline Borax is dissolved in 125 ml of hot water.
- [Traditional Gesso Recipe](https://langridgecolours.com/traditional-gesso-recipe/) - Traditional Gesso Recipe Ingredients 80 gm Rabbit Skin Glue 1100 ml Water 450 gm Calcium Carbonate (Gilders Whiting) 50 gm Titanium White pigment Process Take 80gm of Rabbit Skin Glue and add 1.1 Litres of water. Leave to swell for approximately 2 hours until it is a uniform beige colour. Keep the lid on this
- [Oil Mediums Flow Chart](https://langridgecolours.com/oil-mediums-flow-chart/)
- [How oil paint is made](https://langridgecolours.com/how-oil-paint-is-made/) - How oil paint is made: making colour Throughout history, people have found ways to permanently ‘fix’ colour to create lasting images of the most exquisite beauty. For instance, the binding of pigments in Neolithic cave paintings was probably serendipitous; cave walls containing silicas or limestone trapped the pigment and locked it to the surface over
- [Indigo dye](https://langridgecolours.com/indigo-dye/) - Indigo FOR MANY CENTURIES, INDIGO WAS THE MOST IMPORTANT DYE IN THE WORLD. Indigo has been used either as a pigment or a dye from very early times in India and in Egypt. It is referred to under the name of indicum by Pliny; later on the Byzantine writers called it azorium Romanum. ‘Indigo bagadel’
- [Malachite Green pigment](https://langridgecolours.com/malachite-green-pigment/) - Malachite Green pigment Green Verditer – Green Bice – Mountain Green – Green Carbonate Of Copper – Vert De Montagne – Berg-GrüN – MalachitgrüN History, chemistry and application This green copper mineral was employed as a paint by the ancients. It occurs in many European, Asiatic, African, and American localities. The mines at Ekaterinburg and
- [Drawing Ink recipes](https://langridgecolours.com/drawing-ink-recipes/) - Drawing Ink – Frequently used recipes Gum Arabic Ink Recipe. The Gum Arabic powder should be dissolved by leaving it overnight in fifteen times its’ weight of distilled water. The gum will dissolve between 12 and 24 hours. The solution should then be strained through a cloth to remove impurities. Preservative should be added to
- [Tyrian Purple dye](https://langridgecolours.com/tyrian-purple-dye/) - Tyrian Purple dye THIS PRESTIGIOUS PIGMENT COMES FROM A PREDATORY SEA SNAIL. Tyrian purple is extracted from Bolinus brandaris, a mollusc native to the ancient Phoenician city of Tyre (Phoenicia means ‘land of purple’) in what is now Lebanon. The production of Tyrian purple goes back at least 3500 years and Greek legends tell us
- [Lead White pigment](https://langridgecolours.com/lead-white-pigment/) - Lead White pigment THIS IS THE GREATEST – AND THE CRUELLEST – OF THE WHITES. Lead white has been in continuous production for at least 2000 years. It is basic lead carbonate, formed by the reaction of lead with vapours of vinegar (acetic acid) and carbon dioxide. The manufacturing process in the 19th century was relatively
- [Woad dye](https://langridgecolours.com/woad-dye/) - Woad dye WOAD WAS WIDELY USED AS A DYE IN EUROPE AS EARLY AS THE STONE AGE. Ancient Britons covered their bodies with woad to face the Roman legions and it is said that they struck fear into Julius Caesar himself. The first part of the woad-making process involved taking fresh leaves of the woad
- [Lamp Black pigment](https://langridgecolours.com/lamp-black-pigment/) - Lamp Black pigment LAMP BLACK HAS BEEN AROUND SINCE PREHISTORIC TIMES. This lightfast, permanent, opaque blue-black pigment was used by the Ancient Egyptians more than 4000 years ago for painting tombs and murals. They preferred its fineness and deep black colour to the grey-black of charcoal. As you’d expect from its name, lamp black is
- [Bone White pigment](https://langridgecolours.com/bone-white-pigment/) - Bone White pigment THE CREATION OF BONE WHITE IS AS LITERAL AS IT SOUNDS. Bone white was made by burning bones in open fires until all the organic material burned away and the bone was turned to ash. There is evidence of bone white’s use since Neolithic times, making it one of the very first
- [Bone Black pigment](https://langridgecolours.com/bone-black-pigment/) - Bone Black pigment BURNING BONES TO CREATE PIGMENTS IS AN ANCIENT PRACTICE. Like bone white, bone black is made by putting fragments of animal bones into a crucible and surrounding them with blazing coals. However, to prevent the bone turning to ash, the vessel is covered to stop air from getting in. Exposure to intense
- [Egyptian Blue pigment](https://langridgecolours.com/egyptian-blue-pigment/) - Egyptian Blue pigment THIS WAS THE FIRST SYNTHETICALLY PRODUCED COLOUR. Invented at around the same time as the Great Pyramids were being built, Egyptian blue’s creation dates back about 5000 years. The Ancient Egyptians believed blue was the colour of the heavens and because of the rarity of naturally occurring blue minerals like azurite and lapis
- [Colour Mixing for contemporary artists](https://langridgecolours.com/colour-mixing/) - Colour Mixing – a guide for contemporary artists The artists’ palette of colours is a rainbow, but unlike its sky-borne counterpart, our colours are constructed from pigments, fine grains of colour that must be bound together in order to become paint. The physical nature of pigments often interferes with the purity of perceived colour, but
- [8 new oil colours](https://langridgecolours.com/8-new-oil-colours/) - More colours in Langridge oil paint This book has looked at the origins of historical and contemporary pigments, but pigments are hardly ever used in their raw form. To be usefully employed as a colour, billions of individual grains of pigment must be glued together with a binder. This is, in essence, how you make paint. In

## Pages

- [Homepage](https://langridgecolours.com/) - Introducing Langridge Professional Fluid Acrylics See the full range . LANGRIDGE PROFESSIONAL OIL COLOUR High performance professional-grade oil paint developed to excel in saturation of colour and physical handling qualities. Pure and concentrated with the fullest chromatic strength for intense tinting power for clean, brilliant colour-mixing. Available in 80 colours, each fits a unique colour
- [Acrylic Paint](https://langridgecolours.com/acrylic-paint/) - Australian professional-grade fluid acrylic paints. Pure, highly pigmented colours built to excel in chromatic intensity. Constructed to deliver an even, flowing quality perfect for the application of flat, brush-free surfaces as well as for pouring, fine detail, spraying, staining techniques and many more. 100% built in Australia. Proudly made in Melbourne. ‘Here I Come’ film.
- [Resources](https://langridgecolours.com/resources/) - Langridge offers a range of resources for artists to help with their creative practice. Featuring a variety of content to provide valuable information that visitors can use to learn, solve problems and find answers to frequently asked questions. For the safety of all users of Langridge products, we provide a full range of GHS compliant
- [Raw Materials & Specialty](https://langridgecolours.com/raw-materials-and-specialty/) - All of the key raw materials that go into making premium quality Langridge products are also available to artists for their own studio practices. We offer are a wide range of gums, resins, waxes and other ancillary raw materials for the home manufacture of paints, varnishes and other coatings. At Langridge we encourage and support
- [Pigment](https://langridgecolours.com/pigments/) - Finely ground dry pigments suitable for artists who wish to prepare their own colours. Langridge, since its establishment, has supplied artists with highest specification pigments sourced from around the world. Every colour is verified for its origin and identified for its chemical characteristics to provide the artist with a range of pigments noted for their
- [Artist Paintmaker](https://langridgecolours.com/artist-paintmaker/) - Artist Paintmaker My commitment to making the highest quality painting materials is born out of my own experiences as an artist. It deeply informs my approach to paintmaking. To make paints that respond deftly under the brush, colours that sing; pure and unadulterated. My paintings explore the nature of the beautiful image and the objects
- [About David Coles](https://langridgecolours.com/about-david-coles/) - About David Coles I’ve spent my life neck-deep in colour. Not in some abstract sense, but in the real stuff: grit, oil, powdered minerals from the edge of the Earth. Looking back, it feels like destiny, but it wasn’t. It was more a surreal series of accidents, bloodlines, missteps, lucky breaks, and one stubborn obsession:
- [Oil Paint](https://langridgecolours.com/oil-paint/) - Oil ColourDrying OilsFluid MediumsBodied MediumsPrimersSolvent & SoapsDriersVarnishesSetsOil Colour High performance professional-grade oil paint developed to excel in saturation of colour and physical handling qualities. Pure and concentrated with the fullest chromatic strength for intense tinting power for clean, brilliant colour-mixing. All paints are made without opacifiers or fillers that can interfere with the clarity and
- [About Langridge Artist Colours](https://langridgecolours.com/about-langridge-artist-colours/) - Langridge Artist Colours: Born From Obsession It began in 1992. No funding. No business plan. Just myself, a painter with a fascination—bordering on obsession—for how colour was made and why the old ways mattered. I wasn’t interested in trends. I was drawn to the lineage: those European master paintmakers who understood that turning earth into
- [Stockists](https://langridgecolours.com/stockists/) - VictoriaNew South WalesQueenslandSouth AustraliaTasmaniaACTWestern AustraliaInternationalVictoria St Luke Artist Colourmen 47 Smith Street, Fitzroy. 3065 T: (03) 9486 9992 www.stlukeart.com LANGRIDGE FLAGSHIP STORE Artstore Online 77 Warrigal Rd, Hughedale. 3166 T: 1800 992 868 www.artstoreonline.com.au Art Stretchers 309-311 High St, Northcote. 3070 T: (03) 9486 4446 www.facebook.com/artstretchers Atelier Art Supplies 8/199 Champion Rd, Williamstown North. 3016
- [Fluid Acrylic](https://langridgecolours.com/fuild-acrylic/) - Australian professional-grade fluid acrylic paints. Pure, highly pigmented colours built to excel in chromatic intensity. Constructed to deliver an even, flowing quality perfect for the application of flat, brush-free surfaces as well as for pouring, fine detail, spraying, staining techniques and many more. 100% built in Australia. Proudly made in Melbourne. ‘Here I Come’ film.
- [Contact](https://langridgecolours.com/contact-langridge-artist-colours/) - Do you have a question or need help? Contact Langridge Artist Colours by filling out our simple online form.
- [Flagship Store](https://langridgecolours.com/flagship-store/) - Flagship Store Established in 1999 by Louise Blyton and David Coles. St. Luke Artist Colourmen is the official Langridge flagship store. Conceived to showcase the total offering of Langridge Artist Colours’ manufactured products, with dedicated technical advice derived from its direct relationship with the Langridge factory. Located in the inner-north Melbourne arts suburb of Fitzroy, St
- [Professional Oil Colour](https://langridgecolours.com/professional-oil-colour/) - High performance professional-grade oil paint developed to excel in saturation of colour and physical handling qualities. Pure and concentrated with the fullest chromatic strength for intense tinting power for clean, brilliant colour-mixing. All paints are made without opacifiers or fillers that can interfere with the clarity and true brightness of the pigment. Langridge Professional Oil
- [Fisher Wells](https://langridgecolours.com/fisher-wells/) - Fisher Wells create a range of panels and tools for artists. Their work centres around using traditional materials with the benefit of modern technology. Made in Melbourne by artists for artists, they have been producing art materials for sale for over a decade. TRADITIONAL GESSO PANELS: Fisher and Wells apply a traditional gesso ground made
- [Nitram Charcoal](https://langridgecolours.com/nitram-charcoal/) - Nitram charcoal is known for its quality, consistency and versatility. Created through a unique proprietary manufacturing process that maintains the wood’s cell structure to increase durability and prevent breakage. Unlike willow and vine, Nitram is not brittle and is less prone to breakage. resulting in a consistent texture and density. Unique to Nitram, the charcoal
- [Langridge Oil Mediums](https://langridgecolours.com/langridge-oil-mediums/) - Drying oils act as binding agents for artists’ oil paint and provide body to the brushstroke as the colours are spread out. Oil mediums are used for changing the consistency of the paint, rendering it more suitable for the artists’ particular technique. Thinning: Can be used to thin oil paints, making them more workable and
- [Waterborne](https://langridgecolours.com/waterborne/) - Waterborne Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo. Lorem ipsum
- [Langridge Raw Materials](https://langridgecolours.com/langridge-raw-materials/) - Raw Materials Langridge, since its establishment, has supplied artists with highest specification pigments sourced from around the world. Every colour is verified for its origin and identified for its chemical characteristics to provide the artist with a range of pigments noted for their quality of grade and fineness, ensuring the maximum benefit in tone and
- [Langridge Standard Pigment](https://langridgecolours.com/langridge-standard-pigment/) - Langridge Standard Pigment Ligendita volor alit, serumquam qui sit andam invelli busciumet est, ut liquis quiam, sus maiorum harchil icient, nonsequi offici nonectate sequi diae mincit lautemp orestru pictect atendent. Iqui andes mostrum asit ex ent, odit moluptiur aut qui natempo rempor architatius sandit omniminum ini as dolor arum ea quia poratione et este peritaeceati
- [Langridge Studio Soaps](https://langridgecolours.com/langridge-studio-soaps/) - Langridge Studio Soaps Ligendita volor alit, serumquam qui sit andam invelli busciumet est, ut liquis quiam, sus maiorum harchil icient, nonsequi offici nonectate sequi diae mincit lautemp orestru pictect atendent. Iqui andes mostrum asit ex ent, odit moluptiur aut qui natempo rempor architatius sandit omniminum ini as dolor arum ea quia poratione et este peritaeceati
- [Clear Acrylic Primer Product Information](https://langridgecolours.com/clear-acrylic-primer-product-information/) - Clear Acrylic Primer Product Information Product Application Permanently flexible and non-yellowing ground. No prior sizing needed. Can be applied to a wide range of surfaces including raw canvas, wood and paper. Can be used as rabbit skin glue substitute. A minimum of 2 coats are recommended prior to oil painting. Water content may swell canvas
- [Acrylic Primer Product Information](https://langridgecolours.com/acrylic-primer-product-information/) - Acrylic Primer Product Information Product Application Langridge Acrylic Primer may be applied to a wide range of surfaces including raw canvas, wood and paper. No prior sizing needed. Apply undiluted with a brush directly onto the support. Load the brush liberally and work in a systematic and even manner across the suport from one corner
- [Oil Primer Product Information](https://langridgecolours.com/oil-primer-product-information/) - Oil Primer Product Information Product Application Langridge Oil Primer needs further dilution for easy brushing out. Add Artists’ White Spirit to Oil Primer in proportions of 1:2 till a thin cream consistency is obtained. It is important not to use Langridge Oil Primer undiluted as the resulting film will be too fat and lacking proper
- [Wax Varnish Product Information](https://langridgecolours.com/wax-varnish-product-information/) - Wax Varnish Product Information Product Application Langridge Wax Varnish may be applied to fully dried oil and acrylic paintings as a final picture varnish. Lay the painting flat, face up, on a table. Position it so you can see light reflected from its surface. Take a clean, lint-free cloth (preferably white) and dip into the
- [Damar Varnish Product Information](https://langridgecolours.com/damar-varnish-product-information/) - Damar Varnish Product Information Product Application As an Ingredient in artists’ mediums Langridge Damar Varnish can be used as the varnish component in oil glaze mediums to add luminosity to oil colour. A basic formula for making a glaze medium is: 1 part each of Stand Oil, Distilled Gum Turpentine and Langridge Damar Varnish. Mix
- [Matte Varnish Product Information](https://langridgecolours.com/matte-varnish-product-information/) - Matte Varnish Product Information Product Application Langridge Matte Varnish may be applied to fully dried oil and acrylic paintings as a final picture varnish. Lay the painting flat, face up, on a table. Position it so you can see light reflected from its surface. Gently shake bottle or can to evenly disperse the matting agent
- [Satin Varnish Product Information](https://langridgecolours.com/satin-varnish-product-information/) - Satin Varnish Product Information Product Application Langridge Satin Varnish may be applied to fully dried oil and acrylic paintings as a final picture varnish. Lay the painting flat, face up, on a table. Position it so you can see light reflected from its surface. Gently sjake bottle or can to evenly disperse the matting agent
- [Gloss Varnish Product Information](https://langridgecolours.com/gloss-varnish-product-information/) - Gloss Varnish Product Information Product Application Langridge Gloss Varnish may be applied to fully dried oil and acrylic paintings as a final picture varnish. Lay the painting flat, face up, on a table. Position it so you can see light reflected from its surface. Pour some varnish solution into a clean cup. Load the varnish
- [Retouch Varnish Product Information](https://langridgecolours.com/retouch-varnish-product-information/) - Retouch Varnish Product Information Product Application Langridge Retouch Varnish may be applied to touch dry oil paintings Artists oil colours dry by absorbing oxygen. For full drying this process generally takes between 3-6 months although it can take longer with extremely thick paint films (5mm or thicker). When a painting has a dry surface film
- [Methylated Spirits (100%) Product Information](https://langridgecolours.com/methylated-spirits-product-information/) - Methylated Spirits Product Information Product Application Used for dissolving shellac resin or diluting shellac varnishes. Completely free of water. Water content in shellac varnishes can cause a white cloudy film, or bloom, to appear. This is created by the trapped moisture and destroys the clarity of varnish films. It is awkward to remove blooming without
- [Artists' White Spirit Product Information](https://langridgecolours.com/artists-white-spirit-product-information/) - Artists’ White Spirit Product Information Product Application Langridge Artists’ White Spirit may be added to oil colours, drying oils and compatible oil mediums in small quantities, used to dissolve and dilute artists’ synthetic varnish and used to clean brushes and painting equipment. Although not recommended, it can be used as to dilute small quantities of
- [Solvent 75 Product Information](https://langridgecolours.com/solvent-75-product-information/) - Solvent 75 Product Information Product Application Flashpoint 75oC (167oF) Permissible Exposure Level 300 parts per million parts. To be used as a diluent when used in small quantities with oil colours. Langridge Solvent 75 may be added to oil colours, drying oils and oil mediums in small quantities, used to clean dried paint films and
- [Low Toxic Solvent Product Information](https://langridgecolours.com/low-toxic-solvent-product-information/) - Low Toxic Solvent Product Information Product Application Langridge Low Toxic Solvent may be added to oil colours, drying oils and oil mediums in small quantities, used to clean dried paint films and used to clean brushes and painting equipment. It can be used as a dilutent when used in small quantities with oil colours. Extreme
- [Distilled Gum Turpentine Product Information](https://langridgecolours.com/distilled-gum-turpentine-product-information/) - Distilled Gum Turpentine Product Information Product Application Langridge Distilled Gum Turpentine may be added to oil colours, drying oils and oil mediums in small quantities, used to dissolve and dilute damar resin/varnish and used to clean brushes and painting equipment. Natural dilutent when used in small quantities with oil colours. Unlike petroleum distillate based solvents
- [Stand Oil Product Information](https://langridgecolours.com/stand-oil-product-information/) - Stand Oil Product Information Product Application Langridge Stand Oil is diluted with Distilled Gum Turpentine or another appropriate Artists’ Solvent to produce Oil Mediums. A unique quality of Stand Oil compared to all other natural artists drying oils is it is virtually non-yellowing. The process of polymerisation, however, makes Stand Oil thick and honey-like which
- [Cold Pressed Safflower Oil Product Information](https://langridgecolours.com/cold-pressed-safflower-oil-product-information/) - Cold Pressed Safflower Oil Product Information Product Application Langridge Cold Pressed Safflower Oil may be used for the grinding of oil colours. It may also be added to oil colours and oil mediums at the discretion of the artist. Safflower oil is used extensively for grinding pale pigments because of its’ very light colour that
- [Refined Safflower Oil Product Information](https://langridgecolours.com/refined-safflower-oil-product-information/) - Refined Safflower Oil Product Information Product Application Langridge Refined Safflower Oil may be used for the grinding of oil colours. It may also be added to oil colours and oil mediums at the discretion of the artist. Refined Safflower Oil is used extensively for grinding pale pigments because of its’ very light colour that will
- [Cold Pressed Walnut Oil Product Information](https://langridgecolours.com/cold-pressed-walnut-oil-product-information/) - Cold Pressed Walnut Oil Product Information Product Application xxxx The Drying of linseed oil films xxx Thinning xxxx
- [Cold Pressed Linseed Oil Product Information](https://langridgecolours.com/cold-pressed-linseed-oil-product-information/) - Cold Pressed Linseed Oil Product Information Product Application Langridge Cold Pressed Linseed Oil is recommended for the grinding of oil colours. It may also be added to oil colours and oil mediums at the discretion of the artist. Cold Pressed Linseed Oil has greater wetting power than refined linseed oils and is therefore recommended for
- [Refined Linseed Oil Product Information](https://langridgecolours.com/refined-linseed-oil-product-information/) - Refined Linseed Oil Product Information Product Application Langridge Refined Linseed Oil may be used for the grinding of oil colours. It may also be added to oil colours and oil mediums at the discretion of the artist. Alkali refined linseed oil is the most frequently employed oil for manufacturing artists’ oil colours. It does not
- [Calcium Driers Product Information](https://langridgecolours.com/calcium-driers-product-information/) - Calcium Driers Product Information Product Application Langridge Calcium Driers may be added to cobalt driers prior to being added to oil colours, oil mediums and drying oils in recommended measured quantities. Calcium driers should be measured prior to use and used in trusted recipes as to avoid overuse and embrittlement of paint films. Langridge recommends
- [Cobalt Driers Product Information](https://langridgecolours.com/cobalt-driers-product-information/) - Cobalt Driers Product Information Product Application Cobalt driers may be added to oil and alkyd colours, oil mediums and drying oils in recommended measured quantities. Cobalt driers are known as ‘surface’ siccatives (driers) and will only speed the drying of the surface of the paint film. They are not ‘through-film’ siccatives and do not perform
- [Wax Paint Paste Product Information](https://langridgecolours.com/wax-paint-paste-product-information/) - Wax Paint Paste Product Information Product Application Langridge Wax Painting Paste may be added to oil colour at the discretion of the artist. Mixed with oil colours, it will add body or thickness. It has been formulated to be added in any proportion desired but is highly effective as an impasto medium for extending oil
- [Impasto Medium Product Information](https://langridgecolours.com/impasto-medium-product-information/) - Impasto Medium Product Information Product Application Langridge Impasto Medium should be added to oil colours in quantities no more than 25%. Mixed with oil colours, it may be applied with a brush or palette knife in thicker films than any other Langridge medium. Initially small additions will stiffen the handling of existing oil colours. As
- [Oil Glazing Gel Product Information](https://langridgecolours.com/oil-glazing-gel-product-information/) - Oil Glazing Gel Product Information Product Application Langridge Oil Glazing Gel may to be added to oil colours in quantities at the discretion of the artist. It can be used as an all-round flow medium for extending colours. Fast drying to allow for the rapid build up of paint layers. Oil Glazing Gel is a
- [Oleogel Product Information](https://langridgecolours.com/oleogel-product-information/) - Oleogel Product Information Product Application Langridge Oleogel may be added to oil colours to aid paint flow and brush handling. Langridge recommends no more than one-third addition of Oleogel to pale colours, especially whites, to prevent any observable potential discolouration of the paint film upon ageing. Very small additions will enhance brush strokes and aid
- [Isolating Medium Product Information](https://langridgecolours.com/isolating-medium-product-information/) - Isolating Medium Product Information Product Application xxxx A Low Toxic Alternative xxxx Thinning xxxx
- [Flow Medium Product Information](https://langridgecolours.com/flow-medium-product-information/) - Flow Medium Product Information Product Application Langridge Flow Medium may be added to oil colours in quantities at the discretion of the artist. Initially small additions will purely aid the flow qualities of existing oil colours. As more medium is added to the oil colour, the transparency will be increased due to the further dispersion
- [Glaze Medium Product Information](https://langridgecolours.com/glaze-medium-product-information/) - Glaze Medium Product Information Product Application Langridge Glaze Medium may be added to oil colours in quantities at the discretion of the artist. Initially small additions will purely aid the flow qualities of existing oil colours. As more medium is added to the oil colour, the transparency will be increased due to the further dispersion
- [Matte Medium Product Information](https://langridgecolours.com/matte-medium-product-information/) - Matte Medium Product Information Product Application Shake well before use. Langridge Matte Medium may be added to oil colours in quantities at the discretion of the artist. Initially small additions will purely aid the flow qualities of existing oil colours. As more medium is added to the oil colour, the transparency will be increased due
- [Painting Medium product Information](https://langridgecolours.com/painting-medium-product-information/) - Painting Medium Product Information Product Application Langridge Painting Medium may be added to oil colours in quantities at the discretion of the artist. Initially small additions will purely aid the flow qualities of existing oil colours. As more medium is added to the oil colour, the transparency will be increased due to the further dispersion
- [Low Toxic Underpainting Medium product Information](https://langridgecolours.com/low-toxic-underpainting-medium-product-information/) - Low Toxic Underpainting Medium Product Information Product Application Langridge Low Toxic Underpainting Medium may be added to oil colours in quantities at the discretion of the artist. Initially small additions will purely aid the flow qualities of existing oil colours. As more medium is added to the oil colour, the transparency will be increased due
- [Low Toxic painting Medium product Information](https://langridgecolours.com/low-toxic-painting-medium-product-information/) - Low Toxic Painting Medium Product Information Product Application Langridge Low Toxic Painting Medium may be added to oil colours in quantities at the discretion of the artist. Initially small additions will purely aid the flow qualities of existing oil colours. As more medium is added to the oil colour, the transparency will be increased due
- [Underpainting Medium product Information](https://langridgecolours.com/underpainting-medium-product-information/) - Underpainting Medium Product Information Product Application Langridge Underpainting Medium may be added to oil colours in quantities at the discretion of the artist. Initially small additions will purely aid the flow qualities of existing oil colours. As more medium is added to the oil colour, the transparency will be increased due to the further dispersion of
- [Langridge Speciality Finishes](https://langridgecolours.com/langridge-speciality-finishes/) - Langridge Speciality Finishes Ligendita volor alit, serumquam qui sit andam invelli busciumet est, ut liquis quiam, sus maiorum harchil icient, nonsequi offici nonectate sequi diae mincit lautemp orestru pictect atendent. Iqui andes mostrum asit ex ent, odit moluptiur aut qui natempo rempor architatius sandit omniminum ini as dolor arum ea quia poratione et este peritaeceati
- [Langridge Primers](https://langridgecolours.com/langridge-primers/) - Langridge Primers Ligendita volor alit, serumquam qui sit andam invelli busciumet est, ut liquis quiam, sus maiorum harchil icient, nonsequi offici nonectate sequi diae mincit lautemp orestru pictect atendent. Iqui andes mostrum asit ex ent, odit moluptiur aut qui natempo rempor architatius sandit omniminum ini as dolor arum ea quia poratione et este peritaeceati ut
- [Langridge Varnishes](https://langridgecolours.com/langridge-varnishes/) - Langridge Varnishes Ligendita volor alit, serumquam qui sit andam invelli busciumet est, ut liquis quiam, sus maiorum harchil icient, nonsequi offici nonectate sequi diae mincit lautemp orestru pictect atendent. Iqui andes mostrum asit ex ent, odit moluptiur aut qui natempo rempor architatius sandit omniminum ini as dolor arum ea quia poratione et este peritaeceati ut
- [Langridge Solvents](https://langridgecolours.com/langridge-solvents/) - Langridge Solvents Ligendita volor alit, serumquam qui sit andam invelli busciumet est, ut liquis quiam, sus maiorum harchil icient, nonsequi offici nonectate sequi diae mincit lautemp orestru pictect atendent. Iqui andes mostrum asit ex ent, odit moluptiur aut qui natempo rempor architatius sandit omniminum ini as dolor arum ea quia poratione et este peritaeceati ut
- [Langridge Oils](https://langridgecolours.com/langridge-oils/) - Langridge Oils Ligendita volor alit, serumquam qui sit andam invelli busciumet est, ut liquis quiam, sus maiorum harchil icient, nonsequi offici nonectate sequi diae mincit lautemp orestru pictect atendent. Iqui andes mostrum asit ex ent, odit moluptiur aut qui natempo rempor architatius sandit omniminum ini as dolor arum ea quia poratione et este peritaeceati ut
- [Langridge Natural Dyes](https://langridgecolours.com/langridge-natural-dyes/) - Langridge Natural Dyes Ligendita volor alit, serumquam qui sit andam invelli busciumet est, ut liquis quiam, sus maiorum harchil icient, nonsequi offici nonectate sequi diae mincit lautemp orestru pictect atendent. Iqui andes mostrum asit ex ent, odit moluptiur aut qui natempo rempor architatius sandit omniminum ini as dolor arum ea quia poratione et este peritaeceati
- [Langridge Paint Making Equipment](https://langridgecolours.com/langridge-paint-making-equipment/) - Langridge Paint Making Equipment Ligendita volor alit, serumquam qui sit andam invelli busciumet est, ut liquis quiam, sus maiorum harchil icient, nonsequi offici nonectate sequi diae mincit lautemp orestru pictect atendent. Iqui andes mostrum asit ex ent, odit moluptiur aut qui natempo rempor architatius sandit omniminum ini as dolor arum ea quia poratione et este
- [Langridge Spirit Dyes](https://langridgecolours.com/langridge-spirit-dyes/) - Langridge Spirit Dyes Ligendita volor alit, serumquam qui sit andam invelli busciumet est, ut liquis quiam, sus maiorum harchil icient, nonsequi offici nonectate sequi diae mincit lautemp orestru pictect atendent. Iqui andes mostrum asit ex ent, odit moluptiur aut qui natempo rempor architatius sandit omniminum ini as dolor arum ea quia poratione et este peritaeceati
- [Langridge Liquid Pigments](https://langridgecolours.com/langridge-liquid-pigments/) - Langridge Liquid Pigments Ligendita volor alit, serumquam qui sit andam invelli busciumet est, ut liquis quiam, sus maiorum harchil icient, nonsequi offici nonectate sequi diae mincit lautemp orestru pictect atendent. Iqui andes mostrum asit ex ent, odit moluptiur aut qui natempo rempor architatius sandit omniminum ini as dolor arum ea quia poratione et este peritaeceati
- [Langridge Fluorescent Pigments](https://langridgecolours.com/langridge-fluorescent-pigments/) - Langridge Fluorescent Pigments Ligendita volor alit, serumquam qui sit andam invelli busciumet est, ut liquis quiam, sus maiorum harchil icient, nonsequi offici nonectate sequi diae mincit lautemp orestru pictect atendent. Iqui andes mostrum asit ex ent, odit moluptiur aut qui natempo rempor architatius sandit omniminum ini as dolor arum ea quia poratione et este peritaeceati
- [Langridge Metal/Mica Pigments](https://langridgecolours.com/langridge-metal-mica-pigments/) - Langridge Metal/Mica Pigments Ligendita volor alit, serumquam qui sit andam invelli busciumet est, ut liquis quiam, sus maiorum harchil icient, nonsequi offici nonectate sequi diae mincit lautemp orestru pictect atendent. Iqui andes mostrum asit ex ent, odit moluptiur aut qui natempo rempor architatius sandit omniminum ini as dolor arum ea quia poratione et este peritaeceati
- [Langridge Historic Pigments](https://langridgecolours.com/langridge-historic-pigments/) - Langridge Historic Pigments Ligendita volor alit, serumquam qui sit andam invelli busciumet est, ut liquis quiam, sus maiorum harchil icient, nonsequi offici nonectate sequi diae mincit lautemp orestru pictect atendent. Iqui andes mostrum asit ex ent, odit moluptiur aut qui natempo rempor architatius sandit omniminum ini as dolor arum ea quia poratione et este peritaeceati

## Portfolio

- [Yellow Ochre Fluid Acrylic](https://langridgecolours.com/products/yellow-ochre-fluid-acrylic/) - Yellow Ochre Genuine natural French golden ochre. Less opaque than Yellow Oxide, it has great versatility, moving from cool to warm. Pigment: Natural Iron Oxide Classification: Natural Inorganic CI Name: PY43 (77492) Vehicle: Acrylic Copolymer Hiding power: Semi-opaque Pigment Loading: High ASTM: I Product Code: 3020 Series: 1 Safety Data Sheet Based on available information,
- [Green Gold Fluid Acrylic](https://langridgecolours.com/products/green-gold-fluid-acrylic/) - Green Gold A modern, yellow-green of remarkable versatility. Slightly earthy mass tone, with excellent golden undertones perfect in mixes and glazes. Ideal for landscapes and clean contemporary glazing. Pigment: Prepared Iron Oxide/Arylide/Phthalocyanine Classification: Mixture CI Name: PY42/PY74/PG7 Vehicle: Acrylic Copolymer Hiding power: Transparent Pigment Loading: Medium ASTM: I Product Code: 3065 Series: 3 Safety Data
- [Quinacridone Red Gold Fluid Acrylic](https://langridgecolours.com/products/quinacridone-red-gold-fluid-acrylic/) - Quinacridone Red Gold An earthy red-gold reminiscent of the day’s final light. Rich and ruddy in full strength, it reveals glowing golden undertones as it is extended. Pigment: Quinacridone/Arylide/Prepared Iron Oxide Classification: Mixture CI Name: PR122/PY74/PY42 Vehicle: Acrylic Copolymer Hiding power: Transparent Pigment Loading: Medium ASTM: I Product Code: 3070 Series: 3 Safety Data Sheet
- [Cadmium Red Fluid Acrylic](https://langridgecolours.com/products/cadmium-red-fluid-acrylic/) - Cadmium Red A deep, velvety Cadmium Red shifting toward cherry. Supple in texture and strong in coverage, it remains an essential anchor in the contemporary palette. Pigment: Cadmium Sulphoselenide Classification: Synthetic Inorganic CI Name: PR108 (77202) Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: High ASTM: I Product Code: 3006 Series: 5 Safety Data Sheet
- [Transparent Red Oxide Fluid Acrylic](https://langridgecolours.com/products/transparent-red-oxide-fluid-acrylic/) - Transparent Red Oxide Superfine modern iron oxide pigment creates rich burnt treacle tones. Perfect for illuminated glazing and glowing mixes of colour. Pigment: Prepared Iron Oxide Classification: Synthetic Inorganic CI Name: PR101 (77491) Vehicle: Acrylic Copolymer Hiding power: Transparent Pigment Loading: Medium ASTM: I Product Code: 3067 Series: 3 Safety Data Sheet Based on available
- [Quinacridone Burnt Orange Fluid Acrylic](https://langridgecolours.com/products/quinacridone-burnt-orange-fluid-acrylic/) - Quinacridone Burnt Orange Rich mahogany in masstone a range of golds and yellows are revealed in undertones. Quinacridone Burnt Orange is complex and seductive and best employed in glazing technique.. Pigment: Prepared Iron Oxide/Quinacridone/Phthalocyanine Classification: Mixture CI Name: PR101/PR122/PG7 Vehicle: Acrylic Copolymer Hiding power: Transparent Pigment Loading: Medium ASTM: I Product Code: 3093 Series: 4
- [Raw Sienna Fluid Acrylic](https://langridgecolours.com/products/raw-sienna-fluid-acrylic/) - Raw Sienna A genuine Italian Raw Sienna of semi-transparent beauty. Brown-yellow in masstone, it releases a golden radiance in undertone and tints. Pigment: Natural Iron Oxide Classification: Natural Inorganic CI Name: PBr7 (77491) Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: High ASTM: I Product Code: 3053 Series: 1 Safety Data Sheet Based on available
- [Burnt Sienna Fluid Acrylic](https://langridgecolours.com/products/burnt-sienna-fluid-acrylic/) - Burnt Sienna Rich and warmly mahogany in masstone, with glowing red fire emerging in tints. In washes and glazes it reveals a luminous, distinctly reddish light. Pigment: Calcined Raw Sienna Classification: Natural Inorganic CI Name: PBr7 (77491) Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: High ASTM: I Product Code: 3023 Series: 1 Safety Data
- [Mars Orange Fluid Acrylic](https://langridgecolours.com/products/mars-orange-fluid-acrylic/) - Mars Orange Mars Orange is one of the unsung heroes of the Langridge oxides. An earthy orange that blends to create elegant muted tones. Combines beautifully with white to reveal a warm golden apricot. Pigment: Prepared Iron Oxide Classification: Synthetic Inorganic CI Name: PY42 (77492) Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: Medium ASTM:
- [Gold Oxide Fluid Acrylic](https://langridgecolours.com/products/gold-oxide-fluid-acrylic/) - Gold Oxide A richly opaque oxide glowing with golden earth tones. Gold Oxide brings warmth and depth essential to portraiture, landscape and contemporary practice. Pigment: Prepared Iron Oxide Classification: Synthetic Inorganic CI Name: PY42 (77492) Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: Medium ASTM: I Product Code: 3077 Series: 1 Safety Data Sheet Based
- [Transparent Yellow Oxide Fluid Acrylic](https://langridgecolours.com/products/transparent-yellow-oxide-fluid-acrylic/) - Transparent Red Oxide Manufactured with an extremely fine pigment particle size. Luminous and transparent with bright gold through to honey-like tones. Excellent for glazing technique. Pigment: Prepared Iron Oxide Classification: Synthetic Inorganic CI Name: PY42 (77492) Vehicle: Acrylic Copolymer Hiding power: Transparent Pigment Loading: Medium ASTM: I Product Code: 3072 Series: 3 Safety Data Sheet
- [Cadmium Green Fluid Acrylic](https://langridgecolours.com/products/cadmium-green-fluid-acrylic/) - Cadmium Green A sumptuous, high-key green built on Cadmium Yellow. Retaining the unmistakable brushable body of cadmiums, it offers greater vibrancy than Chromium Oxide — a natural choice for landscape painting. Pigment: Cadmium Sulphide/ Sodium Sulphosilcate Classification: Synthetic Inorganic CI Name: PY35/PB29 Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: High ASTM: I Product Code:
- [Brilliant Blue Fluid Acrylic](https://langridgecolours.com/products/brilliant-blue-fluid-acrylic/) - Brilliant Blue One of our signature mixed colours, this is a crisp, lucid blue — a pure azure straight from the bottle. Built on a Titanium White base for opacity and body, it is charged with Phthalo’s unmistakable intensity, delivering a clean, radiant blue of striking clarity. Pigment: Titanium Dioxide/Phthalocyanine Blue Classification: Mixture CI Name:
- [Phthalo Teal Fluid Acrylic](https://langridgecolours.com/products/phthalo-teal-fluid-acrylic/) - Phthalo Teal A soft, inviting blue with a clear green cast. Phthalo Teal carries a melting warmth, making it especially suited to skies and oceans. Pigment: Titanium Dioxide/Phthalocyanine Classification: Mixture CI Name: PW6/PB15.3/PG7 Vehicle: Acrylic Copolymer Hiding power: Semi-opaque Pigment Loading: Medium ASTM: I Product Code: 30217 Series: 3 Safety Data Sheet Based on available
- [Prussian Blue (Hue) Fluid Acrylic](https://langridgecolours.com/products/prussian-blue-hue-fluid-acrylic/) - Prussian Blue (Hue) Intensely dark and cool, Langridge Prussian Blue Hue is built around Phthalocyane blue pigment. Very deep and inky blue. Pigment: Phthalocyanine/Carbon/Dioxazine Classification: Mixture CI Name: PB15.3/PBk6/PV23 Vehicle: Acrylic Copolymer Hiding power: Semi-opaque Pigment Loading: Medium ASTM: I Product Code: 3012 Series: 3 Safety Data Sheet Based on available information, this material is
- [Ultramarine Violet Fluid Acrylic](https://langridgecolours.com/products/ultramarine-violet-fluid-acrylic/) - Ultramarine Violet Deep, mysterious and elusive colour, very delicate in tints. Semi-opaque, highly permanent delicate violet for use as a modulating colour. Pigment: Sodium Sulphosilicate Classification: Synthetic Inorganic CI Name: PV15 (77007) Vehicle: Acrylic Copolymer Hiding power: Semi-opaque Pigment Loading: High ASTM: I Product Code: 30100 Series: 3 Safety Data Sheet Based on available information,
- [Bismuth Vanadate Fluid Acrylic](https://langridgecolours.com/products/bismuth-vanadate-fluid-acrylic/) - Bismuth Vanadate Opaque, vibrant lemon-yellow pigment known for its intense luminosity. This pigment serves as an excellent alternative to Cadmium Yellow, providing similar boldness and brightness. Its high opacity ensures strong coverage, making it a versatile choice for artists seeking a vivid yellow with excellent lightfastness and colour stability. Pigment: Bismuth Vanadium Classification: Synthetic Inorganic
- [Arylide Lemon Fluid Acrylic](https://langridgecolours.com/products/arylide-lemon-fluid-acrylic/) - Arylide Lemon Arylide Lemon is a cooler, green-tinged modern yellow pigment, prized for its clarity and vibrancy. This yellow leans towards a green hue, making it particularly effective when mixed with blues to create clean, intensely vibrant greens. The pigment is highly saturated and pure, containing no fillers, which ensures that it delivers strong, consistent
- [Unbleached Titanium Pale Fluid Acrylic](https://langridgecolours.com/products/unbleached-titanium-pale-fluid-acrylic/) - Unbleached Titanium Pale Paler version of Unbleached Titanium. Colour-space closer to ivory. Interesting alternative to use of straight white colours for tinting. Pigment: Titanium Dioxide Classification: Synthetic Inorganic Colour Index: PW6.1/PW6 Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: High ASTM: I Product Code: 30223 Series: 1 Safety Data Sheet Based on available information, this
- [Algae Black Fluid Acrylic](https://langridgecolours.com/products/algae-black-fluid-acrylic/) - Algae Black Revolutionary carbon black pigment. Produced from transformation of algae bio-mass waste. Sequesters 200% more carbon than it emits during production, making it a carbon-negative product. Replaces carbon black pigments derived from petroleum, offering a plant-based and carbon-negative alternative. The pigment is a safe, inert form of carbon capture and thus is not biodegradable.
- [Unbleached Titanium Fluid Acrylic](https://langridgecolours.com/products/unbleached-titanium-fluid-acrylic/) - Unbleached Titanium Pale grey-brown hue of high opacity. An exceptional mid-value neutral for mixing and as a ground colour. Single pigment. Pigment: Titanium Dioxide Classification: Synthetic Inorganic Colour Index: PW6.1 (77891) Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: High ASTM: I Product Code: 3037 Series: 1 Safety Data Sheet Based on available information, this
- [Burnt Umber Fluid Acrylic](https://langridgecolours.com/products/burnt-umber-fluid-acrylic/) - Burnt Umber Deep, velvety and decidedly warm, darker in value than Mars Brown with generous red undertones. This genuine Italian Burnt Umber, naturally rich in iron and manganese oxides, dries rapidly and excels in traditional techniques. Pigment: Calcined Raw Umber Classification: Natural Inorganic CI Name: PBr7 (77491) Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading:
- [Raw Umber Fluid Acrylic](https://langridgecolours.com/products/raw-umber-fluid-acrylic/) - Raw Umber Crafted from genuine Italian earth. A faint cool green cast appears in tints, making it an indispensable studio colour. Pigment: Natural Iron Oxide Classification: Natural Inorganic CI Name: PBr7 (77491) Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: High ASTM: I Product Code: 3024 Series: 1 Safety Data Sheet Based on available information,
- [Titan Mars Pale Fluid Acrylic](https://langridgecolours.com/products/titan-mars-pale-fluid-acrylic/) - Titan Mars Pale Pale salmon pink tint with slightly earthy colourspace. Pigment: Titanium Dioxide/Prepared Iron Oxide Classification: Synthetic Inorganic CI Name: PW6/PY42/PR101 Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: High ASTM: I Product Code: 30220 Series: 1 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria
- [Chromium Oxide Fluid Acrylic](https://langridgecolours.com/products/chromium-oxide-fluid-acrylic/) - Chromium Oxide A densely opaque, earthy cool green. With its gentle hue and modest tinting strength, Chromium Oxide offers the quiet opposite of Phthalo’s intensity. Pigment: Chromium Sesquioxide Classification: Synthetic Inorganic CI Name: PG17 (77288) Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: Medium ASTM: I Product Code: 3014 Series: 3 Safety Data Sheet Based
- [Titan Green Pale Fluid Acrylic](https://langridgecolours.com/products/titan-green-pale-fluid-acrylic/) - Titan Green Pale Pale green tint with slightly earthy colourspace. Pigment: Titanium Dioxide/Iron Oxide/Phthalocyanine Classification: Mixture CI Name: PW6/PR101/PG7 Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: High ASTM: I Product Code: 30219 Series: 1 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work
- [Light Phthalo Green Fluid Acrylic](https://langridgecolours.com/products/light-phthalo-green-fluid-acrylic/) - Light Phthalo Green Clean mint green. Pale green tint with strange intensity. Pigment: Titanium Dioxide/Phthalocyanine Classification: Mixture CI Name: PW6/PG36 Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: High ASTM: I Product Code: 30218 Series: 1 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe
- [Titan Violet Pale Fluid Acrylic](https://langridgecolours.com/products/titan-violet-pale-fluid-acrylic/) - Titan Violet Pale Pale violet tint with slightly cool colourspace. Pigment: Titanium Dioxide/Ultramrine/Iron Oxide Classification: Synthetic Inorganic CI Name: PW6/PB29/PR101 Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: High ASTM: I Product Code: 30216 Series: 1 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe
- [Neon Magenta Fluid Acrylic](https://langridgecolours.com/products/neon-magenta-fluid-acrylic/) - Neon Magenta Contemporary, saturated mid-value pink with excellent opacity. The colour hovers between warm and cool. Versatile mixed pink. Pigment: Titanium Dioxide/Quinacridone Classification: Mixture CI Name: PW6/PR122/PV19 Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: Medium ASTM: I Product Code: 30192 Series: 3 Safety Data Sheet Based on available information, this material is not classified
- [Perylene Crimson Fluid Acrylic](https://langridgecolours.com/products/perylene-crimson-fluid-acrylic/) - Perylene Crimson In masstone, Perylene reveals a cold, deep crimson of high performance character. When in glaze or tint, its undertone reveals a cool, almost blue-brown heart. Pigment: Perylene/Phthalocyanine/Prepared Iron Oxide Classification: Mixture CI Name: PR123/PG7/PR101 Vehicle: Acrylic Copolymer Hiding power: Transparent Pigment Loading: Medium ASTM: I Product Code: 3059 Series: 5 Safety Data Sheet
- [Cadmium Red Light Fluid Acrylic](https://langridgecolours.com/products/cadmium-red-light-fluid-acrylic/) - Cadmium Red Light Fiercely bright and alive, yet capable of yielding subtle, muted blends. Decidedly opaque, Cadmium Red Light radiates energy and clarity. Pigment: Cadmium Sulphoselenide Classification: Synthetic Inorganic CI Name: PR108 (77202) Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: High ASTM: I Product Code: 3010 Series: 5 Safety Data Sheet Based on available
- [Cadmium Rose Fluid Acrylic](https://langridgecolours.com/products/cadmium-rose-fluid-acrylic/) - Cadmium Rose Glowing, pale coral colour. Based on Cadmium Orange this warm pink isn’t dusty or insipid. The colour keeps pushing forward without dominating. Pigment: Titanium Dioxide/Cadmium Sulphoselenide Classification: Synthetic Inorganic CI Name: PW6/PO20 Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: High ASTM: I Product Code: 30215 Series: 2 Safety Data Sheet Based on
- [Cadmium Orange Fluid Acrylic](https://langridgecolours.com/products/cadmium-orange-fluid-acrylic/) - Cadmium Orange A brilliant, optically charged mid-orange of impressive opacity and warmth. The sheer chromatic strength of Cadmium Orange is formidable. Pigment: Cadmium Sulphoselenide Classification: Synthetic Inorganic CI Name: PO20 (77202) Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: High ASTM: I Product Code: 3080 Series: 5 Safety Data Sheet Based on available information, this
- [Cadmium Yellow Deep Fluid Acrylic](https://langridgecolours.com/products/cadmium-yellow-deep-fluid-acrylic/) - Cadmium Yellow Deep Our warmest yellow, stepping confidently toward orange. Luminous and radiant, it balances strength with delicacy — a true studio favourite. Pigment: Cadmium Zinc Sulphide Classification: Synthetic Inorganic CI Name: PY35 (77205) Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: High ASTM: I Product Code: 3017 Series: 4 Safety Data Sheet Based on
- [Cadmium Yellow Fluid Acrylic](https://langridgecolours.com/products/cadmium-yellow-fluid-acrylic/) - Cadmium Yellow A pale-leaning yellow that avoids the sharpness of lemon, holding onto a gentle orange warmth. Generous pigment loading ensures the excellent opacity artists expected from a cadmium. Pigment: Cadmium Zinc Sulphide Classification: Synthetic Inorganic CI Name: PY35 (77205) Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: High ASTM: I Product Code: 3019 Series:
- [Brilliant Yellow Fluid Acrylic](https://langridgecolours.com/products/brilliant-yellow-fluid-acrylic/) - Brilliant Yellow A delicate blend of Titanium White and Cadmium Yellow, yielding a soft, light-filled hue. By incorporating Brilliant Yellow into the tinting process, the colour avoids the chalked, bleached character of pure white mixtures — instead preserving a warm, luminous radiance. Pigment: Titanium Dioxide/Cadmium Zinc Sulphide Classification: Synthetic Inorganic CI Name: PW6 / PY35
- [Carbon Black Fluid Acrylic](https://langridgecolours.com/products/carbon-black-fluid-acrylic/) - Carbon Black This is a super dark black that absorbs enormous amounts of light. Carbon Black is definitely our strongest black and much cooler than Mars Black. Slow drying due to its oily origins. Pigment: Amorphous Carbon Classification: Natural Organic CI Name: PBk6 (77266) Vehicle: Acrylic Copolymer Hiding power: Semi-opaque Pigment Loading: Low ASTM: I
- [Paynes Grey Fluid Acrylic](https://langridgecolours.com/products/paynes-grey-fluid-acrylic/) - Paynes Grey Master Paint maker David Coles’ favoured blend. Entering into the oil colour lexicon in the early to mid 19th century, Payne’s Grey has since been composed by combining various blues, reds, blacks or earths. This modern take has no ochre incorporated, producing a uniquely exquisite violet cast. Pigment: Sodium Sulphosilicate/Amorphous Carbon Classification: Mixture
- [Cold Brown Oxide Fluid Acrylic](https://langridgecolours.com/products/cold-brown-oxide-fluid-acrylic/) - Cold Brown Oxide An iron oxide with a cold bituminous hue equivalent to that of Cassel Earth. The undertone is almost completely lacking in red making this a magnificent colour for creating filled shadows. Pigment: Prepared Iron Oxide Classification: Synthetic Inorganic CI Name: PBr6/PBk11 Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: Medium ASTM: I
- [Mars Brown Fluid Acrylic](https://langridgecolours.com/products/mars-brown-fluid-acrylic/) - Mars Brown A rich chocolate brown oxide with a deep red undertone. A very opaque colour, it gives a good recession of space for shadows. Pigment: Prepared Iron Oxide Classification: Synthetic Inorganic CI Name: PBr6 (77492) Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: Medium ASTM: I Product Code: 3034 Series: 1 Safety Data Sheet
- [Brilliant Green Fluid Acrylic](https://langridgecolours.com/products/brilliant-green-fluid-acrylic/) - Brilliant Green A blended cool lemon chartreuse with incandescent qualities. Bright and clean making is a superior choice when mixing on the palette. Pigment: Arylide 10G/Phthalocyanine Classification: Synthetic Inorganic CI Name: PY3/PG7 Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: Medium ASTM: I Product Code: 0862 Series: 2 Safety Data Sheet Based on available information,
- [Phthalo Green Yellow Shade Fluid Acrylic](https://langridgecolours.com/products/phthalo-green-yellow-shade-fluid-acrylic/) - Phthalo Green Yellow Shade A brilliant emerald green. This yellow hued green is the perfect companion to our existing Phthalo Green (Blue Shade). More striking than viridian, this Phthalo is tinctorially less powerful than its blue-shade cousin. Pigment: Phthalocyanine Classification: Synthetic Organic CI Name: PG36 (74265) Vehicle: Acrylic Copolymer Hiding power: Transparent Pigment Loading: Medium
- [Video Green Fluid Acrylic](https://langridgecolours.com/products/video-green-fluid-acrylic/) - Video Green Using highest specification contemporary pigments Video Green is the cleanest & brightest green available to artists today. In masstone, Video Green is electric and vibrant, when spread thinly, lime yellows become apparent. Built around the idea of computer generated colour, Video Green can be succesfully used in both realist and non-objective painting. Pigment:
- [Neon Green Fluid Acrylic](https://langridgecolours.com/products/neon-green-fluid-acrylic/) - Neon Green Contemporary high chroma emerald-mint green with excellent opacity. Luminous colour that sits between blue and yellow biases. Strange synthetic colour-space. Pigment: Titanium/Phthalocyanine Classification: Mixture CI Name: PW6/PG7/PG36 Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: Normal ASTM: I Product Code: 08191 Series: 2 Safety Data Sheet Based on available information, this material is not
- [Phthalo Green Blue Shade Fluid Acrylic](https://langridgecolours.com/products/phthalo-green-blue-shade-fluid-acrylic/) - Phthalo Green Blue Shade A clean modern emerald green with intense tinting strength. Like Phthalo Blue we prepare this Phthalo Green as an unadulterated colour, without fillers, so that the artist can utilise the full potential of this strong pigment. Partner with Arylides and Whites for modern light greens. Pigment: Phthalocyanine Classification: Synthetic Organic CI
- [Turquoise Phthalo Fluid Acrylic](https://langridgecolours.com/products/turquoise-phthalo-fluid-acrylic/) - Turquoise Phthalo A deep blue-green turquoise with a powerful tint strength. Turquoise Phthalo is incredibly intense in masstone, but yields immaculate blends and flawless glazes. Pigment: Phthalocyanine Classification: Synthetic Organic CI Name: PB15.3/PG7 Vehicle: Acrylic Copolymer Hiding power: Transparent Pigment Loading: Medium ASTM: I Product Code: 3061 Series: 3 Safety Data Sheet Based on available
- [Video Blue Fluid Acrylic](https://langridgecolours.com/products/video-blue-fluid-acrylic/) - Video Blue Hot electric blue filled with light. Built around the idea of computer generated colour, Video Blue can also be successfully utilised in landscape painting. Video Blue has been specifically formulated to be a mid-value warm blue. By the addition of additional blues its hue can be shifted to create a wide range of
- [Phthalo Blue Green Shade Fluid Acrylic](https://langridgecolours.com/products/phthalo-blue-green-shade-fluid-acrylic/) - Phthalo Blue Green Shade A jewel-like versatile blue with green undertone, Mixed with whites, Phthalo Blue Green Shade makes vibrant aquamarine and azure blues. Many paint manufacturers try to tame Phthalos with fillers, but we at Langridge feel that our unadulterated Phthalo provides artists with a more powerful tool for painting. Fantastic for mixing and
- [Phthalo Blue Red Shade Fluid Acrylic](https://langridgecolours.com/products/phthalo-blue-red-shade-fluid-acrylic/) - Phthalo Blue Red Shade Red hued partner to our standard green hued Phthalo Blue. Very powerful colour. Tints can fill the colour-space of 19th Century cobalt and ultramarine blues but with far more intensity of chroma. Pigment: Phthalocyanine Classification: Synthetic Organic CI Name: PB15.1 (74160) Vehicle: Acrylic Copolymer Hiding power: Transparent Pigment Loading: Medium ASTM:
- [Dioxazine Violet Fluid Acrylic](https://langridgecolours.com/products/dioxazine-violet-fluid-acrylic/) - Dioxazine Violet With exceptional tinting strength and transparency, Dioxazine Violet is a very deep purple, almost black, in mass tone. However, when used in glazes it reveals its blueish violet undertones. Pigment: Dioxazine Classification: Synthetic Organic CI Name: PV23 (51319) Vehicle: Acrylic Copolymer Hiding power: Transparent Pigment Loading: Medium ASTM: I Product Code: 0892 Series:
- [Quinacridone Violet Fluid Acrylic](https://langridgecolours.com/products/quinacridone-violet-fluid-acrylic/) - Quinacridone Violet An elegant modern violet with a deep burgundy mass tone and sweet violet undertones. Quinacridone Violet mixes without dominating other colours and creates cool but not cold tints compared to Dioxazine Violet. Quinacridones are some of the most stable of all available pigments, tinting and glazing can be achieved with no loss of
- [Neon Violet Fluid Acrylic](https://langridgecolours.com/products/neon-violet-fluid-acrylic/) - Neon Violet Incredibly vibrant modern violet. Made from Quinacridone Magenta and Phthalocyanine Blue, this literally ‘pops’ off the canvas! Pigment: Quinacridone/Phthalocyanine Classification: Mixture CI Name: PR122/PB15.1 Vehicle: Acrylic Copolymer Hiding power: Transparent Pigment Loading: Normal ASTM: I Product Code: 08127 Series: 5 Safety Data Sheet Based on available information, this material is not classified as
- [Brilliant Magenta Fluid Acrylic](https://langridgecolours.com/products/brilliant-magenta-fluid-acrylic/) - Brilliant Magenta A blushed rose pink with a cool glow. Excellent for landscapes, portraits and contemporary palettes. Quinacridone in the mix ensures that Brilliant Pink will remain clean and vibrant in further tints and mixes. Pigment: Titanium Dioxide/Quinacridone Classification: Mixture CI Name: PW6/PR122 Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: High ASTM: I Product
- [Quinacridone Magenta Fluid Acrylic](https://langridgecolours.com/products/quinacridone-magenta-fluid-acrylic/) - Quinacridone Magenta Quinacridone Magenta is an essential pigment for any artist’s palette, renowned for its vibrant, pure colour. This hue excels in both blending and glazing techniques. Its clarity and relative transparency make it highly versatile, allowing for the creation of vivid fire engine reds when mixed with yellows, or deep violets when combined with
- [Quinacridone Crimson Fluid Acrylic](https://langridgecolours.com/products/quinacridone-crimson-fluid-acrylic/) - Quinacridone Crimson Quinacridone Crimson is a pigment with a cool masstone that reveals warm rose undertones when used in clear glazes. Developed as a modern alternative to Alizarin Crimson, it leans towards a violet or blueish red rather than an orange hue. Achieved through the blend of crimson Perylene, cool phthalocyanine and the vibrant, clear
- [Brilliant Pink Fluid Acrylic](https://langridgecolours.com/products/brilliant-pink-fluid-acrylic/) - Brilliant Pink Brilliant Pink is a modern, high-chroma ‘watermelon’ pink pigment with exceptional opacity. It combines the intense red hue of monoazo with a subtle hint of yellow for added warmth, while titanium enhances its strength and coverage. The result is a vibrant, clean colour that stands out for its clarity and boldness. Pigment: Titanium
- [Quinacridone Red Fluid Acrylic](https://langridgecolours.com/products/quinacridone-red-fluid-acrylic/) - Quinacridone Red Quinacridone Red is a fundamental pigment in paint colour mixing, biased toward neither yellow or blue. Deep, vibrant hue. An essential addition to the artist’s palette, this pigment excels in glazing, creating luminous, glowing layers of colour. Its versatility and brilliance make Quinacridone Red an indispensable tool for achieving deep, radiant blends. Pigment:
- [Naphthol Red Fluid Acrylic](https://langridgecolours.com/products/naphthol-red-fluid-acrylic/) - Naphthol Red Naphthol Red is a modern primary red pigment characterised by its impressively high chroma and vibrant, slightly orange-leaning hue, distinguishing it from the deeper tones of Quinacridones. This pigment has been embraced by artists for its clean brilliance in colour mixing. Pigment: Naphthol AS-D Classification: Synthetic Organic CI Name: PR112 (12370) Vehicle: Acrylic
- [Pyrrole Orange Fluid Acrylic](https://langridgecolours.com/products/pyrrole-orange-fluid-acrylic/) - Pyrrole Orange Pyrrole Orange is a highly opaque, modern organic orange pigment known for its strong tinting power and vibrant, high-chroma masstone. Pyrrole Orange reveals unexpectedly soft, fleshy pinks when mixed with whites. This non-toxic pigment offers the same level of opacity as cadmium-based colors but with enhanced resistance to strong UV light and moisture,
- [Pyrrole Red Fluid Acrylic](https://langridgecolours.com/products/pyrrole-red-fluid-acrylic/) - Pyrrole Red Pyrrole Red is a distinctive modern opaque pigment, renowned for its exceptionally high chroma and vibrant hue. Originally developed for automotive finishes, this pigment has been adopted by artists for its ability to produce clean, vivid mixes. Non-toxic and environmentally friendly, Pyrrole Red serves as an excellent alternative to traditional cadmium reds. It
- [Neon Orange Fluid Acrylic](https://langridgecolours.com/products/neon-orange-fluid-acrylic/) - Neon Orange Neon Orange is a specially formulated, semi-opaque colour that combines Pyrrole Orange and Diarylide Yellow to create a vibrant, medium-high value orange. Designed to deliver an intense, eye-catching hue, Neon Orange appears to radiate from the surface, almost as if it were illuminated by light. This bright, permanent yellow-orange colour effectively bridges the
- [Arylide Yellow Fluid Acrylic](https://langridgecolours.com/products/arylide-yellow-fluid-acrylic/) - Arylide Yellow Arylide Yellow, often referred to by its alias Hansa Yellow, is a modern pigment known for its strikingly clean and vibrant yellow hue with high chroma. This red-shade yellow stands out for its ability to produce intense, vivid secondary color mixtures, particularly when blended with reds to create brilliantly clear and lively oranges.
- [Diarylide Yellow Fluid Acrylic](https://langridgecolours.com/products/diarylide-yellow-fluid-acrylic/) - Diarylide Yellow Diarylide Yellow is a modern, transparent pigment known for its exceptionally high chroma and warm yellow hue. Originally developed for the printing industry, it has become popular among artists due to its outstanding stability and lightfastness. This pigment complements the arylide yellows with its warmer tone, making it ideal for creating clean, vibrant
- [Yellow Oxide Fluid Acrylic](https://langridgecolours.com/products/yellow-oxide-fluid-acrylic/) - Yellow Oxide A fiery yellow iron oxide. Synthetic iron oxides, as compared to the natural ochres, have superior tinting strength and good opacity. This Yellow Oxide is buttery, with a soft, brushable consistency. Pigment: Prepared Iron Oxide Classification: Synthetic Inorganic CI Name: PY42 (77492) Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: Medium ASTM: I
- [Ultramarine Blue Fluid Acrylic](https://langridgecolours.com/products/ultramarine-blue-fluid-acrylic/) - Ultramarine Blue Ultramarine is a beautifully bright blue with good tinting strength. Since the synthetic form became available in the 19th century, Ultramarine Blue has been the standard blue on many artists’ palettes. On the reddish side of blue, but not too violet, mixtures of Ultramarine tend to drop away and give airy depth. Pigment:
- [Red Oxide Fluid Acrylic](https://langridgecolours.com/products/red-oxide-fluid-acrylic/) - Red Oxide An essential for painters with an earth toned palette. Red oxide is opaque and fast drying, with an uncommonly high pigment load. A real workhorse. Pigment: Prepared Iron Oxide Classification: Synthetic Inorganic CI Name: PR101 (77491) Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: Medium ASTM: I Product Code: 0808 Series: 1 Safety
- [Titanium Grey Fluid Acrylic](https://langridgecolours.com/products/titanium-grey-fluid-acrylic/) - Titanium Grey A unique single-pigment grey. Offers clarity and balance as a mid-tone or neutral ground, with the sligthtest of green hue. Pigment: Titanium Dioxide Classification: Synthetic Inorganic Colour Index: PW6.1 (77891) Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: High ASTM: I Product Code: 3038 Series: 1 Safety Data Sheet Based on available information,
- [Titanium White Fluid Acrylic](https://langridgecolours.com/products/titanium-white-fluid-acrylic/) - Titanium White Titanium is the artist’s most opaque white with exceptional covering power. Langridge Titanium White has the highest pigment load providing maximum brightness. Highly permanent. Pigment: Titanium Dioxide Classification: Synthetic Inorganic Colour Index: PW6 (77891) Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: High ASTM: I Product Code: 3001 Series: 1 Safety Data Sheet
- [Tinting White Fluid Acrylic](https://langridgecolours.com/products/tinting-white-fluid-acrylic/) - Tinting White Unique mixing white. Tinting White is translucent by design, with carefully moderated Titanium Dioxide to reduce opacity — allowing clean tints without overwhelming accompanying colours. Pigment: Titanium Dioxide Classification: Synthetic Inorganic Colour Index: PW6 (77891) Vehicle: Acrylic Copolymer Hiding power: Transparent Pigment Loading: Low ASTM: I Product Code: 30125 Series: 1 Safety Data
- [Pumice Powder Medium](https://langridgecolours.com/products/pumice-powder-medium/) - Pumice Powder (Medium) 00 Grade Pumice Powder. Soft abrasive for cutting and polishing. Filler for timber grain. Can be added to paints or ground to give tooth. Product code: 124 Safety Data Sheet This material is hazardous according to health criteria of Safe Work Australia. Download full SDS
- [Marble Dust](https://langridgecolours.com/products/marble-dust/) - Marble Dust Calcium Carbonate. Dense, inert filler. May be used with acrylic paints and mediums to give tooth or impasto. Product code: 123 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Gilders Whiting](https://langridgecolours.com/products/gilders-whiting/) - Gilders Whiting Calcium Carbonate. Inert filler. Used with Rabbit Skin Glue to make traditional gesso. Also used for opacity in gouache and for white in soft pastels. Product code: 120 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Magnesium Carbonate](https://langridgecolours.com/products/magnesium-carbonate/) - Magnesium Carbonate Used to stiffen printing inks. Reduces gloss level. Becomes transparent once added to ink. Not recommended for addition to oil paint as it increases water-sensitivy of paint films. Product code: 126 Safety Data Sheet xxx Download full SDS
- [Pumice Powder Ultra Fine](https://langridgecolours.com/products/pumice-powder-ultra-fine/) - Pumice Powder (Ultra Fine) Extra fine Pumice Powder. Soft abrasive for cutting and polishing. Filler for timber grain. Product code: 141 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Bologna Chalk](https://langridgecolours.com/products/bologna-chalk/) - Bologna Chalk Natural mineral filler. Monoclinic prismatic crystals of hydrated calcium-sulfate carbonate. Superior whiting for traditional gesso. Easy to polish yet mechanically strong. Product code: 127 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Casein](https://langridgecolours.com/products/casein/) - Casein Milk protein. Makes a fast-drying waterproof tempera paint. Also used as a strong water based glue. To make as a binder for artists’ use (all measurements by weight): 3 parts Casein powder 20 parts cold water 1 part Borax 5 parts hot water Instructions Mix the casein powder and cold water in a bowl. Soak
- [Leaf Gelatine](https://langridgecolours.com/products/leaf-gelatine/) - Leaf Gelatine Very clear, pure form of natural glue derived from animal collagen. Used for sizing papers and panels. Soak 5 gms of gelatin in 100ml of water. Apply warm. Also used as adhesive for water gilding. Product code: 145 Safety Data Sheet Based on available information, this material is not classified as hazardous according
- [Pearl Glue](https://langridgecolours.com/products/pearl-glue/) - Pearl Glue Also known as Scotch glue or Joiners glue. Very strong traditional animal based adhesive for furniture construction. Product code: 138 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Castor Wax](https://langridgecolours.com/products/castor-wax/) - Castor Wax Hydrogenated Castor Oil. Non-yellowing, hard wax. Rheology modifier for oil paints and mediums. May be added to other waxes to increase hardness and durability. Melt point: 85oC (185oF). Product code: 109 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download
- [Encaustic Wax](https://langridgecolours.com/products/encaustic-wax/) - Encaustic Wax Encaustic is a beeswax-based painting medium. Heated till molten and coloured with pigment or oil colour, the wax is applied whilst hot to inflexible supports with an absorbent surface preparation. Application: . Break off desired quantity of wax and place in containers sitting on heating pan . Melt Encaustic Wax melt point =
- [Refined Beeswax](https://langridgecolours.com/products/refined-beeswax/) - Refined Beeswax 100% Pure Beeswax. Binder in Encaustic. Constituent of oil mediums and matt varnishes. The clarity of refined beeswax is important when using with pale colours. Product code: 114 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Gum Elemi](https://langridgecolours.com/products/gum-elemi/) - Gum Elemi Soft, vegetable oleoresin. Plasticizer. Improves flexibility and adhesion of varnishes. Completely soluble in Distilled Gum Turpentine and Artists White Spirit. High compatibility with oils, waxes and a wide range of natural and synthetic resins. Product code: 108 Safety Data Sheet Based on available information, this material is not classified as hazardous according to
- [Paraloid B67](https://langridgecolours.com/products/paraloid-b67/) - Paraloid B67 Synthetic acrylic resin used in solution as a final picture varnish. Dissolve 100gms of resin in 400mls of Artists White Spirit and agitate frequently till dissolved. Product code: 128 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Copal Resin](https://langridgecolours.com/products/copal-resin/) - Copal Resin Manila copal. Natural resin. Soluble in alcohol or hot oil. Constituent of 19th century artist’s painting mediums for oil and egg tempera. Also used in traditional timber varnishes. Product code: 108 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download
- [Mastic Resin](https://langridgecolours.com/products/mastic-resin/) - Mastic Resin Natural resin from Pistacia lentiscus. Dissolve 50gms of resin in 200mls of Distilled Gum Turpentine and agitate frequently till dissolved. Used as a traditional picture varnish, constituent in oil and tempera mediums. Product code: 148 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Damar Resin](https://langridgecolours.com/products/damar-resin/) - Damar Resin Natural resin. To make Damar varnish, dissolve 100gms of resin in 165mls of Distilled Gum Turpentine. Used as traditional picture varnish, constituent in oil and tempera mediums. Product code: 102 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full
- [Colophony](https://langridgecolours.com/products/colophony/) - Colophony Lump rosin. Distilled from natural oleoresin. Constituent of traditional timber varnishes. Can be powdered for use as an aquatint in print- making. Product code: 105 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Glycerin (vegetable)](https://langridgecolours.com/products/glycerin-vegetable/) - Glycerin (vegetable) Recommended for the home manufacture of watercolour and other water-based paints. Aids wetting out of pigments and increases moisture retention for easier rewetting. Add 10% by volume to gum arabic solution. Product code: 575 Safety Data Sheet xxx Download full SDS
- [Preservative](https://langridgecolours.com/products/preservative/) - Preservative Product Application Prevents bacterial spoilage. Recommended for home manufacture of gum arabic, ethyl cellelose, gum tragacanth and acrylic solutions. Add 5% by volume to aqueous solutions. Product code: 502 Safety Data Sheet xxx Download full SDS
- [Hydroxy Ethyl Cellulose](https://langridgecolours.com/products/ethyl-cellulose/) - Hydroxy Ethyl Cellulose Gelling agent. Highly recommended for altering the viscosity of water and water-based solutions. Easily disperses in hot or cold water. Mix 1:25 with water. Add preservative for longevity. Product code: 150 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia.
- [Indigo Pigment](https://langridgecolours.com/products/indigo-pigment/) - Indigo Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Ferric Ferrocyanide Classification: Synthetic Inorganic Colour Index: PB27 ASTM Lightfastness: I Hiding: Transparent Product Code: 412 Series: 2 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work
- [Extra Thick Glass Slab](https://langridgecolours.com/products/extra-thick-glass-slab/) - Extra Thick Glass Slab Safflower oil based flow medium. A very pale and non-yellowing medium to add to oil colours for a ‘slippery’ and wet quality. Unlike Stand Oil based mediums, Flow Medium will remain open and can be worked over an extended period of time without becoming tacky. The Safflower base ensures colours stay
- [Studio Glass Slab](https://langridgecolours.com/products/studio-glass-slab/) - Studio Glass Slab Safflower oil based flow medium. A very pale and non-yellowing medium to add to oil colours for a ‘slippery’ and wet quality. Unlike Stand Oil based mediums, Flow Medium will remain open and can be worked over an extended period of time without becoming tacky. The Safflower base ensures colours stay bright
- [Professional Muller Short](https://langridgecolours.com/products/professional-muller-short/) - Professional Muller Short Used in the process of dispersing pigments and binders to create a smooth, homogenous paint. Borosilicate glass. Dimensions: 8cm wide x 6cm high Oil paintmaking process: To create paint, pigments need to be dispersed (fully mixed) with a binder. On a glass milling slab mix together with a palette knife the pigment
- [Economy Muller](https://langridgecolours.com/products/economy-muller/) - Economy Muller Used in the process of dispersing pigments and binders to create a smooth, homogenous paint. Recycled glass. Dimensions: 8cm wide x 12cm high Oil paintmaking process: To create paint, pigments need to be dispersed (fully mixed) with a binder. On a glass milling slab mix together with a palette knife the pigment and
- [Smalt Blue Pigment](https://langridgecolours.com/products/smalt-blue-pigment/) - Smalt Blue Pigment xx Pigment: Potassium Cobaltous Silicate Classification: – Colour Index: PB32 ASTM Lightfastness: I Hiding: Semi Opaque Product Code: 4117 Series: 5 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Azurite Pieces](https://langridgecolours.com/products/azurite-pieces/) - Azurite Pieces xxx Pigment: 78-80% Lazurite xxx: Sodium Calcium Sulphosilicate Classification: Natural Inorganic Colour Index: PB29 ASTM Lightfastness: I Hiding: Semi-Opaque Product Code: 463 Series: 8 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Malachite Pieces](https://langridgecolours.com/products/malachite-pieces/) - Malachite Pieces xxx Pigment: 78-80% Lazurite xxx: Sodium Calcium Sulphosilicate Classification: Natural Inorganic Colour Index: PB29 ASTM Lightfastness: I Hiding: Semi-Opaque Product Code: 463 Series: 8 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Egyptian Blue Pigment](https://langridgecolours.com/products/egyptian-blue-pigment/) - Egyptian Blue Pigment xxx Pigment: Copper Calcium Silicate Classification: – Colour Index: PB31 ASTM Lightfastness: I Hiding: Semi-Opaque Product Code: 4118 Series: 6 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Naples Yellow Light Pigment](https://langridgecolours.com/products/naples-yellow-light-pigment/) - Naples Yellow Light Pigment Opaque, lemon yellow pigment. Chemical description: Lead antimonate (Pb₂Sb₂O₇). Used since antiquity, prized for its bright yellow tone, good covering power, and stability in oil, tempera, and fresco. It is relatively lightfast, though less so in acidic or sulphide-rich environments. Pigment: Lead Antimoniate Classification: Synthetic Inorganic Colour Index: PY41 ASTM Lightfastness:
- [Victoria Green Pigment](https://langridgecolours.com/products/victoria-green-pigment/) - Victoria Green Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Victoria Green Chemical Constituent: Calcium Chromium Silicate Classification: Synthetic Inorganic Colour Index: PG51 ASTM Lightfastness: I Hiding: Semi Opaque Product Code: 4134 Series: 7 Safety Data Sheet Based on available information, this material is not classified as
- [Cadmium Green Light Pigment](https://langridgecolours.com/products/cadmium-green-light-pigment/) - Cadmium Green Light Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Cadmium Green Light Chemical Constituent: Cadmium Sulphide/Cobaltous Aluminate Classification: Synthetic Inorganic Colour Index: PG14 ASTM Lightfastness: I Hiding: Opaque Product Code: 4133 Series: 8 Safety Data Sheet Based on available information, this material is not classified
- [Cobalt Green Light Pigment](https://langridgecolours.com/products/cobalt-green-light-pigment/) - Cobalt Green Light Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Cobalt Green Light Chemical Constituent: Cobalt Zinc Oxide Classification: Synthetic Inorganic Colour Index: PG19 ASTM Lightfastness: I Hiding: Semi Opaque Product Code: 4134 Series: 7 Safety Data Sheet Based on available information, this material is not
- [Cerulean Blue Genuine Pigment](https://langridgecolours.com/products/cerulean-blue-genuine-pigment/) - Cerulean Blue Genuine Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Cerulean Blue Genuine Chemical constituent: Cobalt Aluminate Blue Spinel Classification: Synthetic Inorganic Colour Index: PB28 ASTM Lightfastness: I Hiding: Semi Opaque Product Code: 4130 Series: 8 Safety Data Sheet Based on available information, this material is
- [Cobalt Violet Light Pigment](https://langridgecolours.com/products/cobalt-violet-light-pigment/) - Cobalt Violet Light Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Cobalt Violet Light Chemical constituent: Cobalt Phosphate Classification: Synthetic Inorganic Colour Index: PV14 ASTM Lightfastness: I Hiding: Semi Opaque Product Code: 4105 Series 6 Safety Data Sheet Based on available information, this material is not classified
- [Cobalt Violet Dark Pigment](https://langridgecolours.com/products/cobalt-violet-dark-pigment/) - Cobalt Violet Dark Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Cobalt Violet Dark Chemical constituent: Cobalt Phosphate Classification: Synthetic Inorganic Colour Index: PV14 ASTM Lightfastness: I Hiding: Semi Opaque Product Code: 4106 Series 6 Safety Data Sheet Based on available information, this material is not classified
- [Aureolin Pigment](https://langridgecolours.com/products/aureolin-pigment/) - Aureolin Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Aureolin (Cobalt Yellow) Chemical Constituent: Potassium Cobaltinitrite Classification: Synthetic Inorganic Colour Index: PY40 ASTM Lightfastness: I Hiding: Semi Opaque Product Code: 4107 Series 5 Safety Data Sheet Based on available information, this material is not classified as hazardous
- [Potters Pink Pigment](https://langridgecolours.com/products/potters-pink-pigment/) - Potter Pink Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Potters Pink Chemical Constituent: Tin Chromium Silicate Classification: Synthetic Inorganic Colour Index: PR233 ASTM Lightfastness: I Hiding: Semi Opaque Product Code: 4116 Series 6 Safety Data Sheet Based on available information, this material is not classified as
- [Slate Powder Pigment](https://langridgecolours.com/products/slate-powder-pigment/) - Slate Powder Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Slate Classification: – Colour Index: PBk19 ASTM Lightfastness: I Hiding: Opaque Product Code: 458 Series: 1 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia.
- [Van Dyke Brown Pigment](https://langridgecolours.com/products/van-dyke-brown-pigment/) - Van Dyke Brown Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Native Earth (Germany) Classification: Natural Inorganic Colour Index: PBr7 ASTM Lightfastness: I Hiding: Semi-Opaque Product Code: 429 Series: 2 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria
- [Savon 75 Gel](https://langridgecolours.com/products/savon-75-gel/) - Savon 75 Gel Dual-action cleaning gel. Unique blend of soap & Solvent 75. Removes stubborn oil colour from hands, brushes & equipment. Based on natural coconut oil soap and refined odourless mineral spirits (OMS). This product is not classified as Dangerous Goods and can be shipped by air, marine and road transport. Product code: 047
- [Savon 75 Scrub](https://langridgecolours.com/products/savon-75-scrub/) - Savon 75 Scrub Triple-action cleaning scrub. Unique blend of soap, Solvent 75 and soft-abrading perlite beads. Removes stubborn oil colour. Based on natural coconut oil soap and refined odourless mineral spirits (OMS). This product is not classified as Dangerous Goods and can be shipped by air, marine and road transport. Product code: 048 Safety Data
- [Methylated Spirits (100%)](https://langridgecolours.com/products/methylated-spirits/) - Methylated Spirits (100%) Completely anhydrous, or water-free. Ideal for the dissolving of shellac resins where water content must be avoided to prevent film ‘bloom’ or cloudiness in the finished lacquer. Constituents Methanol (denatured). Product code: 024 Methylated Spirits Product Information Product Application Used for dissolving shellac resin or diluting shellac varnishes. Completely free of water.
- [Artists' White Spirit](https://langridgecolours.com/products/artists-white-spirit/) - Artists’ White Spirit Economical all purpose solvent suitable for artistic use. Completely anhydrous, or water-free. Ideal for cleaning brushes as it has a strong detergent action. Distinctive petroleum odour. Constituents Refined distillate of petroleum. Product code: 013 Artists’ White Spirit Product Information Product Application Langridge Artists’ White Spirit may be added to oil colours, drying
- [Isolating Medium](https://langridgecolours.com/products/isolating-medium/) - Isolating Medium Isolates the paint film from subsequent varnish. Evens out the reflective quality to an equivalent gloss level. Dries to a non-yellowing permanent coat. Apply once existing paint film is touch dry. Ensure application as evenly and thin a coat as possible. Reduces the opportunity for paint-film destruction when varnishes are removed at a
- [Matte Medium](https://langridgecolours.com/products/matte-medium/) - Matte Medium Fluid matte medium for reducing the reflective quality of oil colours. Allows the artist control in adjusting the relative gloss/matt level of oil paint. Constituents Stand Oil, Gum Turpentine, Linseed Oil, Fumed Silica, Cobalt Drier. Product code: 005 Matte Medium Product Information Product Application Shake well before use. Langridge Matte Medium may be
- [Cold Pressed Linseed Oil](https://langridgecolours.com/products/cold-pressed-linseed-oil/) - Cold Pressed Linseed Oil Natural drying oil used as a traditional binder for grinding oil colours. Has increased wetting power and imparts flexibility to paint films. Made by crushing the flax seed under great pressure. Low yield of oil from the seed using this extraction method. Removes the pronounced stroke to the brushmark, so that
- [Cold Pressed Walnut Oil](https://langridgecolours.com/products/cold-pressed-walnut-oil/) - Cold Pressed Walnut Oil Natural drying oil used as a traditional binder for grinding oil colours. Has increased wetting power and imparts flexibility to paint films. Made by crushing the walnut seed under great pressure. Low yield of oil from the seed using this extraction method. Removes the pronounced stroke to the brushmark, so that
- [Cold Pressed Safflower Oil](https://langridgecolours.com/products/cold-pressed-safflower-oil/) - Cold Pressed Safflower Oil Natural drying oil used as a traditional binder for grinding oil colours. Has increased wetting power and imparts flexibility to paint films. Made by crushing the safflower seed under great pressure, Low yield of oil from the seed using this extraction method. Safflower, like all artists’ drying oils, harden by absorbing
- [Lead Tin Yellow Pigment](https://langridgecolours.com/products/lead-tin-yellow-pigment/) - Lead Tin Yellow Pigment Opaque bright slightly greenish-yellow pigment. Chemical description: Lead stannate (Pb₂SnO₄). Excellent opacity and stability in oil, tempera, and fresco. Widely used from the Renaissance through the 18th century but fell out of favour as modern yellows became available. It is chemically stable and lightfast, though acidic conditions can affect it. Pigment:
- [Naples Yellow Dark Pigment](https://langridgecolours.com/products/naples-yellow-dark-pigment/) - Naples Yellow Dark Pigment Opaque, warm deep yellow pigment. Chemical description: Lead antimonate (Pb₂Sb₂O₇). Used since antiquity, prized for its soft, muted, yellow tone, good covering power, and stability in oil, tempera, and fresco. It is relatively lightfast, though less so in acidic or sulphide-rich environments. Pigment: Lead Antimoniate Classification: Synthetic Inorganic Colour Index: PY41
- [Acrylic Binder](https://langridgecolours.com/products/acrylic-binder-2/) - Acrylic Binder Binding medium for the home manufacture of acrylic paints. Langridge recommends addition of pigments pre-dispersed in water rather than the incorporation of dry pigment directly into the binding medium. Transparent, permanently flexible medium with a high acrylic solids content. Dries to a gloss finish. Can also be used for thinning or extending acrylic
- [Neutral Grey Gesso](https://langridgecolours.com/products/neutral-grey-gesso/) - Neutral Grey Gesso Permanently flexible ground. Can be applied to a wide range of surfaces including raw canvas, wood and paper. No prior sizing needed. High pigment content. Excellent hiding power needing only one coat application. A second coat may be needed for extremely absorbant surfaces. Water content may swell canvas fibres and give the
- [Fluid Acrylic Selection Set](https://langridgecolours.com/products/fluid-acrylic-selection-set/) - Fluid Acrylic Selection Set ‘Big-boy’ colour selection of 125ml colours in the Langridge Professional Fluid Acrylics’ range. Highly pigmented fluid acrylic colours that are built to excel in saturation of colour and physical handling qualities. Ideal for the application of flat, brush-free surfaces, pouring, fine details, spraying and staining techniques. Set includes 125ml of each
- [Oil Mediums Essentials Kit](https://langridgecolours.com/products/oil-mediums-essentials-kit/) - Oil Mediums Essentials Kit Introduction for artists to key Langridge mediums for various painting techniques. Includes everything needed to start painting, clean-up & varnish finished work. Set includes: Refined Linseed Oil 50ml Low Toxic Paint Medium 50ml Oleogel 30ml Cold Wax Medium 30ml Solvent 75 50ml Gloss Varnish 50ml Oil Mediums Application mini-poster Product code:
- [Pigment Discovery Set](https://langridgecolours.com/products/pigment-discovery-set/) - Pigment Discovery Set Our introduction set offers primaries plus neutrals. Great starting point for artists working with pigments for the first time. Set include 30ml x 8 pigments: Arylide Yellow Pyrolle Red Ultramarine Blue Phthalo Green (Yellow Shade) Titanium White Raw Sienna Burnt Umber Carbon Black Product code: 00031 Safety Data Sheet Based on available information, this
- [Fluorescent Pigment Set](https://langridgecolours.com/products/fluorescent-pigment-set/) - Fluorescent Pigment Set Put your sunglasses on! Crazy fluorescent selection. Great for kids big and small. Set include 30ml x 8 pigments: Fluorescent Yellow Fluorescent Orange Fluorescent Red Fluorescent Pink Fluorescent Magenta Fluorescent Violet Fluorescent Blue Fluorescent Green Product code: 00038 Safety Data Sheet Based on available information, this material is not classified as hazardous
- [Pearl Lustre Pigment Set](https://langridgecolours.com/products/pearl-lustre-pigment-set/) - Pearl Lustre Pigment Set Weird and wonderful mica-based colours. 4 iridescent solid pearl colours plus 4 interference transparent ‘flip’ Set include 30ml x 8 pigments: Iridescent Teal Iridescent Blue Iridescent Violet Iridescent Pink Interference Green Interference Blue Interference Lilac Interference Red Product code: 00037 Safety Data Sheet Based on available information, this material is not
- [19th Century Pigment Set](https://langridgecolours.com/products/19th-century-pigment-set/) - 19th Century Pigment Set Become an Impressionist just like Monet, Renoir or Morisot. Important inorganic colours that revolutionised the world of art. Set include 30ml x 8 pigments: Cadmium Yellow Cadmium Orange Cadmium Red Cobalt Violet Pale Manganese Violet Ultramarine Blue Cobalt Blue Cobalt Green Light Product code: 00034 Safety Data Sheet Based on available
- [Metallic Pigment Set](https://langridgecolours.com/products/metallic-pigment-set/) - Metallic Pigment Set Gleaming powdered genuine metal pigments. Fantastic introduction to white, yellow and red metallics. Set include 30ml x 8 pigments: Aluminium Flake Silver Nickel Stainless Steel Lemon Gold Pale Gold Rich Gold Copper Product code: 00035 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria
- [Natural Earths Pigment Set](https://langridgecolours.com/products/natural-earths-pigment-set/) - Natural Earths Pigment Set Genuine ochres sourced from traditional European sites. Beautiful earth colours for landscape or portraiture. Set include 30ml x 8 pigments: Yellow Ochre Orange Ochre Burnt Sienna Red Ochre Burnt Umber Raw Umber Terre Verte Terre Verte Deep Product code: 00033 Safety Data Sheet Based on available information, this material is not classified
- [Natural Earths Compendium](https://langridgecolours.com/products/natural-earths-compendium/) - Natural Earths Compendium Even more colours in one box set! Make a real statement for the colour lover in your life with this expanded selection of 16 natural ochres. Set include 30ml x 16 pigments: Yellow Ochre Orange Ochre Ochre Avana Raw Sienna Terra Rossa Burnt Sienna Venetian Red Red Ochre Raw Umber Light Raw
- [Oil Paint High Chroma Box Set](https://langridgecolours.com/products/oil-paint-high-chroma-box-set/) - Oil Paint High Chroma Box Set A selection of modern highly chromatic colours. Intensely powerful bright palette that shows off Langridge’s commitment to contemporary colour. Set includes 40ml colours x 6: Arylide Lemon Arylide Yellow Pyrolle Red Quinacridone Magenta Phthalo Blue (Red Shade) Phthalo Blue (Green Shade) Product code: 00082 Safety Data Sheet Based on
- [Oil Paint Discovery Box Set](https://langridgecolours.com/products/oil-paint-discovery-box-set/) - Oil Paint Discovery Box Set A selection of modern highly chromatic colours. Intensely powerful bright palette that shows off Langridge’s commitment to contemporary colour. Set includes 40ml colours x 6: Arylide Yellow Cadmium Yellow Deep Naphthol Red Quinacridone Magenta Ultramarine Blue Phthalo Blue (Green Shade) Product code: 00081 Safety Data Sheet Based on available information,
- [Oil Paint Landscape Colours Set](https://langridgecolours.com/products/oil-paint-landscape-colours-set/) - Oil Paint Landscape Colours Set Classic Australian landscape colour selection. Built to reflect the light of our sunburnt country. Set includes 40ml colours x 6: Yellow Ochre Transparent Red Oxide Brilliant Blue Green Gold Cold Brown Oxide Unbleached Titanium Product code: 00086 Safety Data Sheet Based on available information, this material is not classified as
- [Oil Paint 19th Century Colour Set](https://langridgecolours.com/products/oil-paint-19th-century-colour-set/) - Oil Paint 19th Century Colour Set Traditional but still highly important colours famed for their use by the French Impressionists. Set includes 40ml colours x 6: Cadmium Yellow Cadmium Orange Cadmium Red Manganese Violet Ultramarine Blue Cobalt Blue Product code: 00088 Safety Data Sheet Based on available information, this material is not classified as hazardous
- [Oil Paint High Chroma Set](https://langridgecolours.com/products/oil-paint-high-chroma-set/) - Oil Paint High Chroma Set Sunglasses on! Super intense bright oil colour that makes clean, bright colour mixing a breeze. Set includes 40ml colours x 6: Arylide Lemon Arylide Yellow Naphthol Red Quinacridone Red Phthalo Blue (Red Shade) Phthalo Blue (Green Shade) Product code: 00087 Safety Data Sheet Based on available information, this material is
- [Oil Paint Natural Earths Set](https://langridgecolours.com/products/oil-paint-natural-earths-set/) - Oil Paint Natural Earths Set Beautiful genuine ochres from Italy and France are milled to enhance their individual subtle qualities. Set includes 40ml colours x 6: Yellow Ochre Raw Sienna Burnt Sienna Raw Umber Burnt Umber Terre Verte Product code: 00085 Safety Data Sheet Based on available information, this material is not classified as hazardous
- [Oil Paint Brilliant Colours Set](https://langridgecolours.com/products/oil-paint-brilliant-colours-set/) - Oil Paint Brilliant Colours Set Truly contemporary range of ‘pop’ colours that brings modern hues into the oil painter’s studio. Set includes 40ml colours x 6: Video Blue Brilliant Pink Brilliant Magenta Brilliant Green Neon Green Neon Violet Product code: 00084 Safety Data Sheet Based on available information, this material is not classified as hazardous
- [Oil Paint Discovery Colours Set](https://langridgecolours.com/products/oil-paint-discovery-colours-set/) - Oil Paint Discovery Colours Set Exploration selection of oil paints that showcases Langridge’s commitment to pure colour. Set includes 40ml colours x 6: Arylide Yellow Pyrolle Red Ultramarine Blue Titanium White Yellow Oxide Carbon Black Product code: 00083 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Gessos & Grounds Set](https://langridgecolours.com/products/gessos-and-grounds-set/) - Gessos & Grounds Set Explore Langridge’s range of coloured gessos and grounds that offer artists specific permanent, highly flexible bases. Highly effective for a variety of painting techniques, from traditional acrylic painting through to watercolour staining and multimedia approaches. Set includes 125ml of each of following ground: Multi Purpose Acrylic Sealer Gesso Neutral Grey Black
- [Fluid Acrylic Introduction Set](https://langridgecolours.com/products/fluid-acrylic-introduction-set/) - Fluid Acrylic Introduction Set Highly pigmented fluid acrylic colours that are built to excel in saturation of colour and physical handling qualities. Excellent colour selection for exploration of Langridge Professional Fluid Acrylics Ideal for the application of flat, brush-free surfaces, pouring, fine details, spraying and staining techniques. Set includes 30ml of each of following colour:
- [Fluid Acrylic Brilliants Set](https://langridgecolours.com/products/fluid-acrylic-brilliants-set/) - Fluid Acrylic Brilliants Set Highly pigmented fluid acrylic colours that are built to excel in saturation of colour and physical handling qualities. Excellent colour selection of unique ‘Brilliant’ colours in the Langridge Professional Fluid Acrylics’ range. Ideal for the application of flat, brush-free surfaces, pouring, fine details, spraying and staining techniques. Set includes 30ml of
- [Multi Purpose Acrylic Sealer](https://langridgecolours.com/products/multi-purpose-acrylic-sealer/) - Multi Purpose Acrylic Sealer Transparent, highly fluid, permanently flexible sealer that dramatically reduces the absorbency on a wide range of surfaces including raw canvas, wood, paper and plaster surfaces. 100% acrylic resin solids in aqueous dispersion. Provides protection from Support Induced Discolouration. Also recommended for thinning or extending colours. Wets out solids more readily than
- [Clear Gesso](https://langridgecolours.com/products/clear-gesso/) - Clear Gesso Clear, permanently flexible, non-yellowing ground. Can be applied to a wide range of surfaces including raw canvas, wood and paper. No prior sizing needed. A second coat may be needed for extremely absorbant surfaces. Water content may swell canvas fibres and give the surface a coarser surface. To smooth, lightly sand with flat-faced
- [Black Gesso](https://langridgecolours.com/products/black-gesso/) - Black Gesso Permanently flexible matte ground. Can be applied to a wide range of surfaces including raw canvas, wood and paper. No prior sizing needed. High carbon black pigment content. Excellent hiding power needing only one coat application. A second coat may be needed for extremely absorbant surfaces. Water content may swell canvas fibres and
- [Absorbent Ground](https://langridgecolours.com/products/absorbent-ground/) - Absorbent Ground Used as a high absorbancy surface for water-colour techniques such as washes and staining. Do not dilute. Apply two coats to sealed substrate. Seal substrate with Langridge Multi Purpose Acrylic Sealer. Langridge recommends application to inflexible supports such as timber or aluminium. If applied onto highly flexible support there is potential for cracking.
- [Gesso](https://langridgecolours.com/products/gesso/) - Gesso Permanently flexible non-yellowing opaque white ground. Can be applied to a wide range of surfaces including raw canvas, wood and paper. No prior sizing needed. Excellent hiding power needing only one coat application. Second coat may be needed for extremely absorbent surfaces. Water content may swell canvas fibres. To smooth, lightly sand with flat-faced
- [Zirconium Green Pigment](https://langridgecolours.com/products/zirconium-green-pigment/) - Zirconium Green Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Zirconium Green Chemical Constituent: Zirconium Dioxide-Cadmium sulphide-Selenium-Quartz complex Classification: Synthetic Inorganic Colour Index: N/A ASTM Lightfastness: I Hiding: Semi Opaque Product Code: 4134 Series: 7 Safety Data Sheet Based on available information, this material is not classified
- [Vermilion Genuine Pigment](https://langridgecolours.com/products/vermilion-genuine-pigment/) - Vermilion Genuine Pigment Classified as toxic due to its mercury content. Relatively stable and less soluble than other mercury compounds. Avoid inhalation of dust and exposure to skin. Langridge recommends the use of P2 respirator, chemical-resistant gloves, protective eyewear Pigment: Mercuric-Sulphide Classification: Synthetic Inorganic Colour Index: PR106 ASTM Lightfastness: I Hiding: Opaque Product Code: 464
- [Wax Paint Paste](https://langridgecolours.com/products/wax-paint-paste/) - Wax Paint Paste Wax medium with a thick, buttery consistency. Highly stable impasto medium that keeps colours bright. The surface has a lustrous physical quality with paint films of 2mm thick or more). Constituents Stand Oil (40 Poise), Refined Beeswax, Distilled Gum Turpentine, Damar Resin, Cobalt Drier. Product code: 006 Wax Paint Paste Product Information
- [Cold Wax Medium](https://langridgecolours.com/products/cold-wax-medium/) - Cold Wax Medium Beeswax based dense painting paste. Added to oil colours will accentuate texture for impasto applications. Constituents Refined Beeswax, Stand Oil (40 Poise), Solvent 75 Product code: 049 Cold Wax Medium Product Information Product Application Cold application wax medium added to oil colours. Dense buttery paste. For creating a variety of textures within
- [Phosphorescent Green Pigment](https://langridgecolours.com/products/phosphorescent-green-pigment/) - Phosphorescent Green Pigment xx Pigment: Resin Encapsulated Dye Classification: Synthetic Inorganic Colour Index: – ASTM Lightfastness: N/A Hiding: Transparent Product Code: 482 Series 6 Safety Data Sheet xxxxxx Download full SDS
- [Phosphorescent Blue Pigment](https://langridgecolours.com/products/phosphorescent-blue-pigment/) - Phosphorescent Blue Pigment xx Pigment: Resin Encapsulated Dye Classification: Synthetic Inorganic Colour Index: – ASTM Lightfastness: N/A Hiding: Transparent Product Code: 4189 Series 6 Safety Data Sheet xxxxxx Download full SDS
- [Gesso Panel 4"x5" (Pack of 6)](https://langridgecolours.com/products/gesso-panel-4x5/) - Gesso Panel 4″x5″ (Pack of 6) Traditional gesso panels have an ivory like painting and drawing surface for superior mark making. Panels are made with genuine traditional gesso using hide glue and English whiting. Product code: C807171
- [Gesso Panel 5"x7"](https://langridgecolours.com/products/gesso-panel-5x7/) - Gesso Panel 5″x7″ Traditional gesso panels have an ivory like painting and drawing surface for superior mark making. Panels are made with genuine traditional gesso using hide glue and English whiting. Product code: C807171
- [Verdigris Base](https://langridgecolours.com/products/verdigris-base/) - Verdigris Base Specialty paint used to create a genuine verdigris patinated finish. Made with real copper pigment. Replicates the patina that develops on copper and bronze over time due to oxidation. Often seen on old statues, rooftops, and decorative elements, giving them a distinctive greenish-blue appearance. The finish can range from matte to slightly metallic.
- [Rust Base](https://langridgecolours.com/products/rust-base/) - Rust Base Specialty paint used to create a genuine rust metal finish. Made with real iron pigment. Replicates the appearance of rusted metal, allowing the creation of realistic rust finish on various surfaces, such as canvas, wood, or even metal objects. Reacted by the application of Oxidising Patina converting the iron into rust. Usually has
- [Potassium Carbonate](https://langridgecolours.com/products/potassium-carbonate/) - Potassium Carbonate Potash. Water-soluble white salt used to form strongly alkaline solutions. For manufacture of lake pigments. Also used for wax saponification, hardening of rosin. Product code: 156 Safety Data Sheet Based on available information, this material is classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Sodium Carbonate](https://langridgecolours.com/products/sodium-carbonate/) - Sodium Carbonate Soda Ash. Strong alkali predominantly employed for the manufacture of lake pigments such as madder lake. Makes lye solutions. Product code: 130 Safety Data Sheet Based on available information, this material is classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Archival PVA](https://langridgecolours.com/products/archival-pva/) - Archival PVA pH neutral adhesive for paper, canvas and timber/timber composites. Binder for vinyl colours. Apply adhesive to both surfaces, wait till a tack forms and place the two faces together. If possible, the use of weights will bond the two faces more securely. Stays permanently flexible and will not stain or discolour materials to
- [Ultra Saturate Blue](https://langridgecolours.com/products/ultra-saturate-blue/) - Ultra Saturate Blue Langridge Ultra Saturate Blue is a highly pigmented acrylic paint that dries to a matte finish with incredible colour vibration as if looking directly at a pure pigmented surface. This powerful colour can be used in limitless ways from standard acrylic painting, wall coating, to application on sculptures. For best results, apply
- [Devils Pot Black Drawing Ink](https://langridgecolours.com/products/devils-pot-black-drawing-ink/) - Devils Pot Black Drawing Ink Known for its deep, intense black colour. Pitch-black hue with a rich, velvety finish. It is often described as one of the darkest blacks available, with an almost matte appearance when dry. The ink is highly pigmented, ensuring strong coverage and deep saturation even with a thin application. Smooth, fluid
- [Walnut Drawing Ink](https://langridgecolours.com/products/walnut-drawing-ink/) - Walnut Drawing Ink Walnut ink is a natural brown ink made from the husks of walnuts, rather than the nuts themselves. Historically, it has been used for writing, drawing, and calligraphy due to its rich, warm brown colour. The ink has a unique transparency and tonal variation, allowing artists and calligraphers to create depth and
- [Sepia Drawing Ink](https://langridgecolours.com/products/sepia-drawing-ink/) - Sepia Drawing Ink Sepia cuttlefish ink is a natural pigment historically derived from the ink sacs of the cuttlefish, specifically from the genus Sepia, which is where it gets its name. This ink has been used for centuries as a rich, dark brown pigment, prized for its warm, earthy tones. The color it produces ranges
- [Iron Gall Calligraphy Ink](https://langridgecolours.com/products/iron-gall-calligraphy-ink/) - Iron Gall Calligraphy Ink Iron gall ink is a historic ink that has been widely used since the Middle Ages for writing and drawing. It is made from a combination of gallo-tannic acid extracted from oak galls (small growths on oak trees caused by wasp larvae) and iron sulphate. The ink is initially pale when
- [Kings Blue Fluid Acrylic](https://langridgecolours.com/products/kings-blue-fluid-acrylic/) - Kings Blue Traditional formulation. Dreamy pale blue with a slight violet cast. Atmospheric light azure, perfect for both landscape and non-realist applications. Pigment: Titanium Dioxide / Sodium Sulphosilicate Classification: Synthetic Inorganic CI Name: PW6/PB29 Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: Medium ASTM: I Product Code: 08195 Series: 2 Safety Data Sheet Based on
- [Titanium White](https://langridgecolours.com/products/titanium-white/) - Titanium White Oil Colour Titanium is our most opaque white with exceptional covering power. Slightly long consistency but brushes out easily. Generally thought of as a warmer white than zinc. Langridge Titanium White is milled in pale Refined Safflower oil providing maximum brightness. Highly permanent. Pigment: Titanium Dioxide Classification: Synthetic Inorganic Colour Index: PW6 (77891)
- [Seamless Panel 10"x10"](https://langridgecolours.com/products/seamless-panel-10x10/) - Seamless Panel 10″x10″ A lightweight, contemporary panel for artists. The unique design ensures the panels are dimensionally stable & geometrically accurate, with a virtually invisible joint between the painting face & cradle. Ready for the artist to apply the ground of their choice. Product code: C807171 Safety Data Sheet Based on available information, this material
- [Seamless Panel 12"x12"](https://langridgecolours.com/products/seamless-panel-12x12/) - Seamless Panel 12″x12″ A lightweight, contemporary panel for artists. The unique design ensures the panels are dimensionally stable & geometrically accurate, with a virtually invisible joint between the painting face & cradle. Ready for the artist to apply the ground of their choice. Product code: C807171 Safety Data Sheet Based on available information, this material
- [Seamless Panel 14"x14"](https://langridgecolours.com/products/seamless-panel-14x14/) - Seamless Panel 14″x14″ A lightweight, contemporary panel for artists. The unique design ensures the panels are dimensionally stable & geometrically accurate, with a virtually invisible joint between the painting face & cradle. Ready for the artist to apply the ground of their choice. Product code: C807171 Safety Data Sheet Based on available information, this material
- [Seamless Panel 8"x10"](https://langridgecolours.com/products/seamless-panel-8x10/) - Seamless Panel 8″x10″ A lightweight, contemporary panel for artists. The unique design ensures the panels are dimensionally stable & geometrically accurate, with a virtually invisible joint between the painting face & cradle. Ready for the artist to apply the ground of their choice. Product code: C807171 Safety Data Sheet Based on available information, this material
- [Seamless Panel 12"x16"](https://langridgecolours.com/products/seamless-panel-12x16/) - Seamless Panel 12″x16″ A lightweight, contemporary panel for artists. The unique design ensures the panels are dimensionally stable & geometrically accurate, with a virtually invisible joint between the painting face & cradle. Ready for the artist to apply the ground of their choice. Product code: C807171 Safety Data Sheet Based on available information, this material
- [Seamless Panel 10"x12"](https://langridgecolours.com/products/seamless-panel-10x12/) - Seamless Panel 10″x12″ A lightweight, contemporary panel for artists. The unique design ensures the panels are dimensionally stable & geometrically accurate, with a virtually invisible joint between the painting face & cradle. Ready for the artist to apply the ground of their choice. Product code: C807171 Safety Data Sheet Based on available information, this material
- [French Cleats](https://langridgecolours.com/products/french-cleats/) - French Cleats French cleats are the simplest way to hang a Gesso Panel or any flat light panel onto a wall. Two French cleats are used in the process, one cleat is attached to the wall, and a second matching cleat is glued to the panel – gravity does the rest creating a snug, precise
- [Gesso Panel 9"x9"](https://langridgecolours.com/products/gesso-panel-9x9/) - Gesso Panel 9″x9″ Traditional gesso panels have an ivory like painting and drawing surface for superior mark making. Panels are made with genuine traditional gesso using hide glue and English whiting. Product code: C807171 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia.
- [Gesso Panel 7"x7"](https://langridgecolours.com/products/gesso-panel-7x7/) - Gesso Panel 7″x7″ Traditional gesso panels have an ivory like painting and drawing surface for superior mark making. Panels are made with genuine traditional gesso using hide glue and English whiting. Product code: C807171 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia.
- [Gesso Panel 5"x5"](https://langridgecolours.com/products/gesso-panel-5x5/) - Gesso Panel 5″x5″ Traditional gesso panels have an ivory like painting and drawing surface for superior mark making. Panels are made with genuine traditional gesso using hide glue and English whiting. Product code: C807171 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia.
- [Gesso Panel 8"x10"](https://langridgecolours.com/products/gesso-panel-8x10/) - Gesso Panel 8″x10″ Traditional gesso panels have an ivory like painting and drawing surface for superior mark making. Panels are made with genuine traditional gesso using hide glue and English whiting. Product code: C807171 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia.
- [Starter Kit](https://langridgecolours.com/products/starter-kit/) - Starter Kit Each package contains: 4 Sticks (1 each): H, HB, B, B+ Slim Sharpening Bloc Includes extra set of replacement pads Product code: Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Graphite - Bâton Refills (4mm)](https://langridgecolours.com/products/graphite-refills/) - Graphite – Baton Refills (4mm) Specifically made for the Nitram Bâton 2.0. These superior quality 3B hardness graphite sticks are perfect for expressive gestural strokes when drawing from life. Each package contains five (5) sticks of 4mm Nitram Graphite. Product code: Safety Data Sheet Based on available information, this material is not classified as hazardous
- [Bâton 2.0](https://langridgecolours.com/products/baton-2-0/) - Bâton 2.0 Charcoal & Graphite Holder Designed to hold Nitram Mignonette & 4mm graphite sticks This well made, functional charcoal and graphite holder is ideal for all forms of drawing and sketching in the studio or plein aire. It’s 8” length provides greater reach and allows the artist to stand back from their work while
- [Stylus](https://langridgecolours.com/products/stylus/) - Nitram Stylus Designed to Hold Nitram H, HB, B & 6mm Soft Round Charcoal Sticks. Perfect for all forms of charcoal drawing and sketching. Each Nitram Stylus package contains: Nitram Assortment (1 x H, HB, B, 6mm) Set of 4 colour coded end caps to identify which charcoal is in the holder Product code: C700334
- [Mignonette - Bâton Refills (4mm)](https://langridgecolours.com/products/mignonette/) - Mignonette – Bâton Refills 4mm Extra Soft. Each package contains seven (7) Mignonettes. Specifically designed to fit the Nitram Bâton. Product code: C700330 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Replacement Pads](https://langridgecolours.com/products/replacement-pads/) - Replacement Pads Designed as replacement pads specifically for the Nitram Sharpening Bloc. Each package contains five (5) replacement sharpening surfaces. Product code: C700328 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Sharpening Bloc](https://langridgecolours.com/products/sharpening-bloc/) - Sharpening Bloc Ideal for shaping & sharpening charcoal & other drawing media. Width: 8 cm Height: 23 cm Includes an extra set of sanding surfaces Product code: C700306 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Powdered Charcoal](https://langridgecolours.com/products/powdered-charcoal/) - Powdered Charcoal Nitram Extra Fine Powdered Charcoal comes in this sturdy, reusable aluminum tin, with a lid that can be sealed tightly to avoid messy leaks. The functional recessed reservoir insert allows you to control the amount of Nitram Charcoal Powder available. It can be easily removed to access and refill the tin. EXTRA FINE,
- [Liquid Charcoal](https://langridgecolours.com/products/liquid-charcoal/) - Liquid Charcoal Nitram Liquid Charcoal is water soluble, so you can adjust the values from very light to a deep, rich black. Straight out of the tube, it is as thick as oil paint – you could even use a palette knife. It dries very fast. INGREDIENTS: Water, gum arabic, Nitram Powdered Charcoal, hydroxyethyl cellulose,
- [Bloc De Saule](https://langridgecolours.com/products/bloc-de-saule/) - Bloc De Saule For the artist who works in the large Sold individually Length: 15 mm Width: 46 mm Height: 152 mm Product code: C700305 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Maxi Bâton de Saule](https://langridgecolours.com/products/maxi-baton-de-saule/) - Maxi Bâton de Saule For the artist who works in the large Sold individually Diameter: 50 mm Height: 152 mm Product code: C700303 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Demi Bâton de Saule](https://langridgecolours.com/products/demi-baton-de-saule/) - Demi Bâton de Saule For the artist who works in the large Each package contains two (2) batons. Diameter: 25 mm Height: 152 mm Product code: C700304 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Batons Epais 12mm](https://langridgecolours.com/products/batons-epais-12mm/) - Nitram Batons Epais 12mm Extra Soft Round (12mm) Each package contains five (5) batons For the artist who works in the large Nitram’s superb quality ensures that it does not crumble under pressure so you can express yourself with confidence. Product code: C700302 Safety Data Sheet Based on available information, this material is not classified
- [Batons Moyen 8mm](https://langridgecolours.com/products/batons-moyen-8mm/) - Nitram Batons Moyen 8mm Extra Soft Round (8 mm) Each package contains five (5) batons. Ideal for the visual artist Nitram Charcoal has the advantage of rich blacks and a wider range of shades. This helps the artist to refine the values that will later define the finished piece. Each package contains five (5) batons.
- [Petits Batons 6mm](https://langridgecolours.com/products/nitram-petits-batons-6-mm/) - Nitram Petits Batons 6mm Extra Soft Round (6 mm) Each package contains five (5) batons. Designed for use in figure drawing at the studio The advantage of Nitram is its ability to not crumble or skip when used expressively. Product code: C700300 Safety Data Sheet Based on available information, this material is not classified as
- [Assortment](https://langridgecolours.com/products/nitram-assortment/) - Nitram Assortment Each package contains: 2 x H (5mm) 2 x HB (5mm) 2 x B (5mm) 2 x B+ (6mm) H – Hard, perfect for fine lines and detail HB – Medium, for drawing and sketching B – Soft, for dark notes and shading B+ – Extra Soft, for rich blacks Product code: C700333
- [Académie Fusains B](https://langridgecolours.com/products/academie-fusains-b/) - Nitram Académie Fusains B (Soft) 5mm Each package contains five (5) batons. For the discerning artist that requires a rich black for drawing, then Nitram B is the answer. It is very soft, yet is still able to carry a point for working rich blacks into the paper or canvas. Product code: C807173 Safety Data
- [Académie Fusains HB](https://langridgecolours.com/products/academie-fusains-hb/) - Nitram Académie Fusains HB (Medium) 5mm Each package contains five (5) batons. This medium soft charcoal is the one most preferred for drawing and sketching. Nitram HB’s superior hold is perfect for homogenizing tones and retaining tonal detail. Product code: C807172 Safety Data Sheet Based on available information, this material is not classified as hazardous
- [Académie Fusains H](https://langridgecolours.com/products/academie-fusains-h/) - Nitram Académie Fusains H (Hard) 5mm Each package contains five (5) batons. Nitram H can be sharpened to an extra fine point for creating fine detail in your drawing. Also, the unique hardness of Nitram H makes lighter and mid tones easier to attain. Product code: C807171 Safety Data Sheet Based on available information, this
- [Charcoal Watercolour](https://langridgecolours.com/products/charcoal-watercolour/) - Charcoal Watercolour Create transparent washes or extra fine lines. Mix with water to paint directly onto paper or other absorbent substrate. Nitram Charcoal Watercolour is easily absorbed and dries quickly. The Nitram Watercolour easy to store tin travels well and keeps the contents in its place. Nitram Charcoal Watercolour is made with Nitram Powdered Charcoal
- [120ml Powder Glass Jar](https://langridgecolours.com/products/120ml-powder-glass-jar/) - 120ml Glass Jar 120ml tall clear glass jar for the storage of artist’s paints, mediums, pigments and raw materials. Black ABS cap with internal seal prevents leakage. Product code: 009 Safety Data Sheet This material is hazardous according to health criteria of Safe Work Australia. Download full SDS
- [120ml Glass Jar](https://langridgecolours.com/products/120ml-glass-jar/) - 120ml Glass Jar 120ml clear glass jar for the storage of artist’s paints, mediums, pigments and raw materials. Black ABS cap with internal seal prevents leakage. Product code: 009 Safety Data Sheet This material is hazardous according to health criteria of Safe Work Australia. Download full SDS
- [30ml Glass Jar](https://langridgecolours.com/products/30ml-glass-jar/) - 30ml Glass Jar 30ml clear glass jar for the storage of artist’s paints, mediums, pigments and raw materials. Black ABS cap with internal seal prevents leakage. Product code: 009 Safety Data Sheet This material is hazardous according to health criteria of Safe Work Australia. Download full SDS
- [110ml Empty Paint Tube](https://langridgecolours.com/products/110ml-empty-paint-tube/) - 110ml Empty Paint Tube Aluminium extruded collapsible paint tube for the storage of studio manufactured paint and bodied mediums. Zapon lacquer interior barrier coating prevents chemical reaction between pigments and oils with the aluminium casing. Product code: 009 Safety Data Sheet This material is hazardous according to health criteria of Safe Work Australia. Download
- [40ml Empty Paint Tube](https://langridgecolours.com/products/40ml-empty-paint-tube/) - 40ml Empty Paint Tube Aluminium extruded collapsible paint tube for the storage of studio manufactured paint and bodied mediums. Zapon lacquer interior barrier coating prevents chemical reaction between pigments and oils with the aluminium casing. Product code: 009 Safety Data Sheet This material is hazardous according to health criteria of Safe Work Australia. Download
- [Diarylide Yellow](https://langridgecolours.com/products/diarylide-yellow/) - Diarylide Yellow A contemporary transparent pigment with very high chroma originally used in the printing industry due to it’s high stability and lightfastness. Diarylide Yellow has a pronounced warm yellow hue to complement our existing Arylide yellows. Clean orange mixes are easily achieved with this extremely versatile pigment. A non-toxic alternative to cadmium and chrome
- [Liquid Pigment Burnt Sienna](https://langridgecolours.com/products/liquid-pigment-burnt-sienna/) - Liquid Pigment Burnt Sienna Artist’s pigment pre-milled in water. Mix with water-based binders for the manufacture of acrylic, watercolour, PVA and egg tempera paints. Must be added to binding material. Simply add desired amount and stir till fully mixed. Pigment: Natural Iron Oxide Classification: Processed Inorganic Colour Index: PBr7 ASTM Lightfastness: I Hiding: Opaque Product
- [Liquid Pigment Raw Sienna](https://langridgecolours.com/products/liquid-pigment-raw-sienna/) - Liquid Pigment Raw Sienna Artist’s pigment pre-milled in water. Mix with water-based binders for the manufacture of acrylic, watercolour, PVA and egg tempera paints. Must be added to binding material. Simply add desired amount and stir till fully mixed. Pigment: Natural Earth (Italy) Classification: Processed Inorganic Colour Index: PBr7 ASTM Lightfastness: I Hiding: Semi Opaque
- [Liquid Pigment Quinacridone Magenta](https://langridgecolours.com/products/liquid-pigment-quinacridone-magenta/) - Liquid Pigment Quinacridone Magenta Artist’s pigment pre-milled in water. Mix with water-based binders for the manufacture of acrylic, watercolour, PVA and egg tempera paints. Must be added to binding material. Simply add desired amount and stir till fully mixed. Pigment: Quinacridone Classification: Synthetic Organic Colour Index: PR112 ASTM Lightfastness: I Hiding: Transparent Product Code: 553
- [Liquid Pigment Titanium White](https://langridgecolours.com/products/liquid-pigment-titanium-white/) - Liquid Pigment Titanium White Artist’s pigment pre-milled in water. Mix with water-based binders for the manufacture of acrylic, watercolour, PVA and egg tempera paints. Must be added to binding material. Simply add desired amount and stir till fully mixed. Pigment: Titanium Dioxide Classification: Inorganic Colour Index: PW6 ASTM Lightfastness: 1 Hiding: Opaque Product Code: 550
- [Liquid Pigment Arylide Yellow](https://langridgecolours.com/products/liquid-pigment-arylide-yellow/) - Liquid Pigment Arylide Yellow Artist’s pigment pre-milled in water. Mix with water-based binders for the manufacture of acrylic, watercolour, PVA and egg tempera paints. Must be added to binding material. Simply add desired amount and stir till fully mixed. Pigment: Arylide Classification: – Colour Index: PY74 ASTM Lightfastness: II Hiding: Transparent Product Code: 562 Series
- [Liquid Pigment Arylide Lemon](https://langridgecolours.com/products/liquid-pigment-arylide-lemon/) - Liquid Pigment Arylide Lemon Artist’s pigment pre-milled in water. Mix with water-based binders for the manufacture of acrylic, watercolour, PVA and egg tempera paints. Must be added to binding material. Simply add desired amount and stir till fully mixed. Pigment: Arylide Classification: Organic Colour Index: PY3 ASTM Lightfastness: II Hiding: Transparent Product Code: 557 Series
- [Liquid Pigment Benzidine Orange](https://langridgecolours.com/products/liquid-pigment-benzidine-orange/) - Liquid Pigment Benzadine Orange Artist’s pigment pre-milled in water. Mix with water-based binders for the manufacture of acrylic, watercolour, PVA and egg tempera paints. Must be added to binding material. Simply add desired amount and stir till fully mixed. Pigment: Benzidine Classification: Synthetic Organic Colour Index: PO16 ASTM Lightfastness: II Hiding: Transparent Product Code: 564
- [Liquid Pigment Naphthol Red](https://langridgecolours.com/products/liquid-pigment-naphthol-red/) - Liquid Pigment Naphthol Red Artist’s pigment pre-milled in water. Mix with water-based binders for the manufacture of acrylic, watercolour, PVA and egg tempera paints. Must be added to binding material. Simply add desired amount and stir till fully mixed. Pigment: Monoazo Classification: Synthetic Organic Colour Index: PR112 ASTM Lightfastness: I Hiding: Transparent Product Code: 552
- [Liquid Pigment Dioxazine Violet](https://langridgecolours.com/products/liquid-pigment-dioxazine-violet/) - Liquid Pigment Dioxazine Violet Artist’s pigment pre-milled in water. Mix with water-based binders for the manufacture of acrylic, watercolour, PVA and egg tempera paints. Must be added to binding material. Simply add desired amount and stir till fully mixed. Pigment: Dioxazine Classification: Synthetic Organic Colour Index: PV23 ASTM Lightfastness: I Hiding: Transparent Product Code: 554
- [Liquid Pigment Ultramarine Blue](https://langridgecolours.com/products/liquid-pigment-ultramarine-blue/) - Liquid Pigment Ultramarine Blue Artist’s pigment pre-milled in water. Mix with water-based binders for the manufacture of acrylic, watercolour, PVA and egg tempera paints. Must be added to binding material. Simply add desired amount and stir till fully mixed. Pigment: Sodium Sulphosilicate Classification: – Colour Index: PB29 ASTM Lightfastness: I Hiding: Semi Opaque Product Code:
- [Liquid Pigment Phthalo Blue](https://langridgecolours.com/products/liquid-pigment-phthalo-blue/) - Liquid Pigment Phthalo Blue Artist’s pigment pre-milled in water. Mix with water-based binders for the manufacture of acrylic, watercolour, PVA and egg tempera paints. Must be added to binding material. Simply add desired amount and stir till fully mixed. Pigment: Phthalocyanine Classification: Synthetic Inorganic Colour Index: PB15 ASTM Lightfastness: I Hiding: Transparent Product Code: 565
- [Liquid Pigment Phthalo Green](https://langridgecolours.com/products/liquid-pigment-phthalo-green/) - Liquid Pigment Phthalo Green Artist’s pigment pre-milled in water. Mix with water-based binders for the manufacture of acrylic, watercolour, PVA and egg tempera paints. Must be added to binding material. Simply add desired amount and stir till fully mixed. Pigment: Phthalocyanine Classification: Synthetic Inorganic Colour Index: PG7 ASTM Lightfastness: I Hiding: Transparent Product Code: 556
- [Liquid Pigment Yellow Oxide](https://langridgecolours.com/products/liquid-pigment-yellow-oxide/) - Liquid Pigment Yellow Oxide Artist’s pigment pre-milled in water. Mix with water-based binders for the manufacture of acrylic, watercolour, PVA and egg tempera paints. Must be added to binding material. Simply add desired amount and stir till fully mixed. Pigment: Prepared Iron Oxide Classification: – Colour Index: PY42 ASTM Lightfastness: I Hiding: Opaque Product Code:
- [Liquid Pigment Red Oxide](https://langridgecolours.com/products/liquid-pigment-red-oxide/) - Liquid Pigment Red Oxide Artist’s pigment pre-milled in water. Mix with water-based binders for the manufacture of acrylic, watercolour, PVA and egg tempera paints. Must be added to binding material. Simply add desired amount and stir till fully mixed. Pigment: Prepared Iron Oxide Classification: Synthetic Inorganic Colour Index: PR101 ASTM Lightfastness: I Hiding: Opaque Product
- [Liquid Pigment Carbon Black](https://langridgecolours.com/products/liquid-pigment-carbon-black/) - Liquid Pigment Carbon Black Artist’s pigment pre-milled in water. Mix with water-based binders for the manufacture of acrylic, watercolour, PVA and egg tempera paints. Must be added to binding material. Simply add desired amount and stir till fully mixed. Pigment: Carbon Classification: Inorganic Colour Index: PBk7 ASTM Lightfastness: I Hiding: Semi-Opaque Product Code: 551 Series
- [Golden](https://langridgecolours.com/products/golden/) - Golden Artist Colors Renowned acrylic paints and mediums Highest quality Dutch linseed oil used as a medium for oil colours. Increases gloss and transparency. Adds a soft, ‘slippery’ quality when added to oil colours. Refined Linseed Oil Product Information Product Application Langridge Refined Linseed Oil may be used for the grinding of oil colours. It
- [Williamsburg](https://langridgecolours.com/products/williamsburg/) - Williamsburg Artist Colors Renowned acrylic paints and mediums Highest quality Dutch linseed oil used as a medium for oil colours. Increases gloss and transparency. Adds a soft, ‘slippery’ quality when added to oil colours. Refined Linseed Oil Product Information Product Application Langridge Refined Linseed Oil may be used for the grinding of oil colours. It
- [QoR](https://langridgecolours.com/products/qor/) - QoR Modern Watercolour Renowned acrylic paints and mediums Highest quality Dutch linseed oil used as a medium for oil colours. Increases gloss and transparency. Adds a soft, ‘slippery’ quality when added to oil colours. Refined Linseed Oil Product Information Product Application Langridge Refined Linseed Oil may be used for the grinding of oil colours. It
- [Clear Acrylic Primer](https://langridgecolours.com/products/clear-acrylic-primer/) - Clear Acrylic Primer Permanently flexible and non-yellowing ground. No prior sizing needed. Can be applied to a wide range of surfaces including raw canvas, wood and paper. Can be used as rabbit skin glue substitute. Constituents Acrylic copolymer, hydroxy ethylcellulose Product code: 042 Clear Acrylic Primer Product Information Product Application Permanently flexible and non-yellowing ground.
- [Acrylic Primer](https://langridgecolours.com/products/acrylic-primer/) - Acrylic Primer A superior acrylic resin, low chalk content primer with excellent hiding power. A fluid primer that does not need further dilution for easy brushing. Permanently flexible and non-yellowing. High Titanium White loading. Suitable for oils and acrylics. Constituents Acrylic CoPolymer Emulsion, Titanium Dioxide Pigment, Talc, Calcium Carbonate, Wetting Agent, Defoamer. Product code: 026 Acrylic
- [Oil Primer](https://langridgecolours.com/products/oil-primer/) - Oil Primer A traditional linseed oil based oil primer. Produces a high quality white surface with good tooth and flexibility for oil painting. Excellent hiding power. Constituents Titanium Dioxide Pigment, Refined Linseed Oil, Calcium Carbonate, Cobalt Octoate. Product code: 025 Oil Primer Product Information Product Application Langridge Oil Primer may need further dilution for ease
- [Terre Verte](https://langridgecolours.com/products/terre-verte/) - Terre Verte Genuine Italian green earth from Verona. Delicate tinting strength. Its natural composition lends a slightly gritty feel under the brush. Excellent for glazing and controlled tonal modulations. Pigment: Celadonite Classification: Natural Inorganic CI Name: PG23 (77009) Vehicle: Linseed Oil Hiding power: Transparent Pigment Loading: Medium Consistency: Soft Drying rate: 2-4 days ASTM: I Product
- [Phthalo Blue Green Shade](https://langridgecolours.com/products/phthalo-blue-green-shade/) - Phthalo Blue Green Shade A jewel-like versatile blue with green undertone, Mixed with whites, Phthalo Blue Green Shade makes vibrant aquamarine and azure blues. Many paint manufacturers try to tame Phthalos with fillers, but we at Langridge feel that our unadulterated Phthalo provides artists with a more powerful tool for painting. Fantastic for mixing and
- [Gum Arabic](https://langridgecolours.com/products/gum-arabic/) - Gum Arabic Makes Gum Arabic solution. Dissolve 1 part gum in 3 parts water (by weight). Add to watercolours to increase transparency. Binder in watercolours and gouache. Product code: 101 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Mars Black](https://langridgecolours.com/products/mars-black/) - Mars Black Dense and opaque. Mars Black is a faster drying alternative to the slow drying Carbon. Tints also reveal an oxide warmth that is absent from the oil and gas derived Carbon Blacks. Pigment: Prepared Iron Oxide Classification: Synthetic Inorganic CI Name: PBk11 (77499) Vehicle: Linseed Oil Hiding power: Opaque Pigment Loading: Medium Consistency:
- [Carbon Black](https://langridgecolours.com/products/carbon-black/) - Carbon Black This is a super dark black that absorbs enormous amounts of light. Carbon Black is definitely our strongest black and much cooler than Mars Black. Slow drying due to its oily origins. Pigment: Amorphous Carbon Classification: Natural Organic CI Name: PBk6 (77266) Vehicle: Linseed Oil Hiding power: Semi-opaque Pigment Loading: Low Consistency: Soft
- [Manganese Black](https://langridgecolours.com/products/manganese-black/) - Manganese Black Fast-drying black. Excellent underpainting black alternative to slow drying carbon-based blacks. Its particle size lends a slight gritty feel. When light catches the surface, it exhibits a graphite-like sheen. Pigment: Manganese Oxide Classification: Prepared Inorganic CI Name: PBk14 (77728) Vehicle: Linseed Oil Hiding power: Opaque Pigment Loading: Medium Consistency: Soft Drying rate: 1-3
- [Paynes Grey](https://langridgecolours.com/products/paynes-grey/) - Paynes Grey Master Paint maker David Coles’ favoured blend. Entering into the oil colour lexicon in the early to mid 19th century, Payne’s Grey has since been composed by combining various blues, reds, blacks or earths. This modern take has no ochre incorporated, producing a uniquely exquisite violet cast. Pigment: Sodium Sulphosilicate/Amorphous Carbon Classification: Mixture
- [Titanium Grey](https://langridgecolours.com/products/titanium-grey/) - Titanium Grey An unusual single pigment greenish grey. Titanium Grey is an excellent mid-tone and can be used as a neutral priming ground. Tends to have more clarity than mixed greys. Pigment: Titanium Dioxide Classification: Synthetic Inorganic CI Name: PW6.1 (77891) Vehicle: Linseed Oil Hiding power: Opaque Pigment Loading: High Consistency: Buttery Drying rate: 3-6
- [Cold Brown Oxide](https://langridgecolours.com/products/cold-brown-oxide/) - Cold Brown Oxide An iron oxide with a cold bituminous hue equivalent to that of Cassel Earth. The undertone is almost completely lacking in red making this a magnificent colour for creating filled shadows. Pigment: Prepared Iron Oxide Classification: Synthetic Inorganic CI Name: PBr6/PBk11 Vehicle: Linseed Oil Hiding power: Opaque Pigment Loading: Medium Consistency: Buttery
- [Burnt Umber](https://langridgecolours.com/products/burnt-umber/) - Burnt Umber Very warm and velvety. Deeper in tonal value than Mars Brown with warm red undertones. This genuine Italian Burnt Umber contains iron and manganese oxides which ensure rapid drying. Ideal for traditional painting techniques. Pigment: Calcined Raw Umber Classification: Natural Inorganic CI Name: PBr7 (77491) Vehicle: Linseed Oil Hiding power: Opaque Pigment Loading:
- [Mars Brown](https://langridgecolours.com/products/mars-brown/) - Mars Brown A rich chocolate brown oxide with a deep red undertone. A very opaque colour, it gives a good recession of space for shadows. Pigment: Prepared Iron Oxide Classification: Synthetic Inorganic CI Name: PBr6 (77492) Vehicle: Linseed Oil Hiding power: Opaque Pigment Loading: Medium Consistency: Soft Butter Drying rate: 2-4 days ASTM: I Product
- [Raw Umber](https://langridgecolours.com/products/raw-umber/) - Raw Umber Made with genuine Italian earth pigment, this relatively dark Raw Umber is rapid drying due to the natural presence of manganese in its make up. A slightly cool green cast especially evident in tints. An indispensable colour for all painters. Pigment: Native Iron Oxide Classification: Natural Inorganic CI Name: PBr7 (77491) Vehicle: Linseed
- [Caput Mortuum](https://langridgecolours.com/products/caput-mortuum/) - Caput Mortuum “Dead head” Caput Mortuum is a densely opaque iron oxide. A highly saturated red purple, essential for taking out into the landscape or for use with portraiture. Deep, earthy purples in masstone give way to more delicate mauves in tints. Pigment: Prepared Iron Oxide Classification: Synthetic Inorganic CI Name: PR101 (77491) Vehicle: Linseed
- [Burnt Sienna](https://langridgecolours.com/products/burnt-sienna/) - Burnt Sienna Genuine Italian sienna. Rich, warm, mahogany undertones with fiery reds glowing through in tints. Luminous and reddish in washes and glazing. Pigment: Calcined Raw Sienna Classification: Natural Inorganic CI Name: PBr7 (77491) Vehicle: Linseed Oil Hiding power: Opaque Pigment Loading: Medium Consistency: Soft Butter Drying rate: 2-5 days ASTM: I Product Code: 0823
- [Transparent Red Oxide](https://langridgecolours.com/products/transparent-red-oxide/) - Transparent Red Oxide A staff favourite at Langridge, this modern iron oxide exudes rich burnt treacle tones. Superfine pigment particles allow for illuminated glazing and glowing mixes of colour. A champion on the palette and especially useful for landscapes. Pigment: Prepared Iron Oxide Classification: Synthetic Inorganic CI Name: PR101 (77491) Vehicle: Linseed Oil Hiding power:
- [Red Oxide](https://langridgecolours.com/products/red-oxide/) - Red Oxide An essential for painters with an earth toned palette. Red oxide is opaque and fast drying, with an uncommonly high pigment load. A real workhorse. Pigment: Prepared Iron Oxide Classification: Synthetic Inorganic CI Name: PR101 (77491) Vehicle: Linseed Oil Hiding power: Opaque Pigment Loading: Medium Consistency: Dense butter Drying rate: 2-4 days ASTM:
- [Quinacridone Burnt Orange](https://langridgecolours.com/products/quinacridone-burnt-orange/) - Quinacridone Burnt Orange Quinacridone Burnt Orange varies from a rich mahogany in thicker passages to sweeping golds and yellows in its undertone. The clear red and yellow tones come from the combination of Quinacridone and Nickel Azo while a crimson richness is provided by the addition of Perylene. A delicate and seductive colour, especially in
- [Mars Orange](https://langridgecolours.com/products/mars-orange/) - Mars Orange Mars Orange is one of the unsung heroes of the Langridge oxides. An earthy orange that blends to create elegant muted tones. Combines beautifully with white to reveal a warm golden apricot. Pigment: Prepared Iron Oxide Classification: Synthetic Inorganic CI Name: PY42 (77492) Vehicle: Linseed Oil Hiding power: Opaque Pigment Loading: Medium Consistency:
- [Gold Oxide](https://langridgecolours.com/products/gold-oxide/) - Gold Oxide An oxide with superior opacity. Golden ochre radiates warm golden earth tones essential for portrait, landscape and contemporary techniques. Pigment: Prepared Iron Oxide Classification: Synthetic Inorganic CI Name: PY42 (77492) Vehicle: Linseed Oil Hiding power: Opaque Pigment Loading: Medium Consistency: Buttery Drying rate: 2-4 days ASTM: I Product Code: 0877 Series: 1 Safety
- [Raw Sienna](https://langridgecolours.com/products/raw-sienna/) - Raw Sienna Langridge Raw Sienna is a beautiful, genuine Italian semi-transparent ochre. Like all good siennas, raw or burnt, its masstone tends to reddish while in undertone and tints an almost golden radiance shines through. A very slight gritty quality allows for exquisite undertones. Pigment: Natural Iron Oxide Classification: Natural Inorganic CI Name: PY43 (77491)
- [Transparent Yellow Oxide](https://langridgecolours.com/products/transparent-yellow-oxide/) - Transparent Yellow Oxide Manufactured with an extremely fine pigment particle size, this iron oxide is luminous in its transparency with bright gold through to honey-like tones. Fantastic for mixing on the palette or for use in glazes. Pigment: Prepared Iron Oxide Classification: Synthetic Inorganic CI Name: PY42 (77492) Vehicle: Linseed Oil Hiding power: Transparent Pigment
- [Yellow Oxide](https://langridgecolours.com/products/yellow-oxide/) - Yellow Oxide A fiery yellow iron oxide. Synthetic iron oxides, as compared to the natural ochres, have superior tinting strength and good opacity. This Yellow Oxide is buttery, with a soft, brushable consistency. Pigment: Prepared Iron Oxide Classification: Synthetic Inorganic CI Name: PY42 (77492) Vehicle: Linseed Oil Hiding power: Opaque Pigment Loading: Medium Consistency: Buttery
- [Yellow Ochre](https://langridgecolours.com/products/yellow-ochre/) - Yellow Ochre Genuine natural Italian golden ochre. Less opaque than Yellow Oxide, it has great versatility, moving from cool to warm . Pigment: Natural Iron Oxide Classification: Natural Inorganic CI Name: PY43 (77492) Vehicle: Linseed Oil Hiding power: Semi-opaque Pigment Loading: Medium Consistency: Soft Drying rate: 2-4 days ASTM: I Product Code: 0820 Series: 2
- [Chromium Oxide Green](https://langridgecolours.com/products/chromium-oxide-green/) - Chromium Oxide Green A highly opaque warm earthy green. Chromium Oxide has a pleasing gentle hue with relatively low tinting strength. If you are looking for the opposite of a phthalo then Chromium Oxide is it. Pigment: Chromium Sesquioxide Classification: Synthetic Inorganic CI Name: PG17 (77288) Vehicle: Linseed Oil Hiding power: Opaque Pigment Loading: Medium-High
- [Green Gold](https://langridgecolours.com/products/green-gold/) - Green Gold Green Gold is a modern, earthy and warm yellow-green. The two yellows are really the heroes of this colour. Arylide provides the brightness and Nickel Azo the lingering yellow tones when extended in mixes and glazes. Perfect for landscape and contemporary clean glazes. Pigment: Nickel Azo/Arylide Phthalocyanine Classification: Mixture CI Name: PY150/PY74/PG7 Vehicle:
- [Brilliant Green](https://langridgecolours.com/products/brilliant-green/) - Brilliant Green A blended cool lemon chartreuse with incandescent qualities. Bright and clean making is a superior choice when mixing on the palette. Pigment: Arylide 10G/Phthalocyanine Classification: Synthetic Inorganic CI Name: PY3/PG7 Vehicle: Linseed Oil Hiding power: Opaque Pigment Loading: Medium Consistency: Buttery Drying rate: 3-6 days ASTM: I Product Code: 0862 Series: 2 Safety
- [Phthalo Green Yellow Shade](https://langridgecolours.com/products/phthalo-green-yellow-shade/) - Phthalo Green Yellow Shade A brilliant emerald green. This yellow hued green is the perfect companion to our existing Phthalo Green (Blue Shade). More striking than viridian, this Phthalo is tinctorially less powerful than its blue-shade cousin. Pigment: Phthalocyanine Classification: Synthetic Organic CI Name: PG36 (74265) Vehicle: Linseed Oil Hiding power: Transparent Pigment Loading: Medium
- [Video Green](https://langridgecolours.com/products/video-green/) - Video Green Using highest specification contemporary pigments Video Green is the cleanest & brightest green available to artists today. In masstone, Video Green is electric and vibrant, when spread thinly, lime yellows become apparent. Built around the idea of computer generated colour, Video Green can be succesfully used in both realist and non-objective painting. Pigment:
- [Cadmium Green](https://langridgecolours.com/products/cadmium-green/) - Cadmium Green A sumptuous bright green based on Cadmium Yellow. Cadmium Green retains the characteristic brushable consistency that makes cadmiums so easy to work with, whilst offering more vibrancy than Chromium Oxide. Excellent for landscape painting. Pigment: Cadmium Sulphide/Sodium Sulphosilicate Classification: Mixture CI Name: PY35/PB29 Vehicle: Linseed Oil Hiding power: Opaque Pigment Loading: Normal Consistency:
- [Neon Green](https://langridgecolours.com/products/neon-green/) - Neon Green Contemporary high chroma emerald-mint green with excellent opacity. Luminous colour that sits between blue and yellow biases. Strange synthetic colour-space. Pigment: Titanium/Phthalocyanine Classification: Mixture CI Name: PW6/PG7/PG36 Vehicle: Linseed Oil Hiding power: Opaque Pigment Loading: Normal Consistency: Buttery Drying rate: 3-6 days ASTM: I Product Code: 08191 Series: 2 Safety Data Sheet Based on
- [Phthalo Green Blue Shade](https://langridgecolours.com/products/phthalo-green-blue-shade/) - Phthalo Green Blue Shade A clean modern emerald green with intense tinting strength. Like Phthalo Blue we prepare this Phthalo Green as an unadulterated colour, without fillers, so that the artist can utilise the full potential of this strong pigment. Partner with Arylides and Whites for modern light greens. Pigment: Phthalocyanine Classification: Synthetic Organic CI
- [Turquoise Phthalo](https://langridgecolours.com/products/turquioise-phthalo/) - Turquoise Phthalo A deep blue-green turquoise with a powerful tint strength. Turquoise Phthalo is incredibly intense in masstone, but yields immaculate blends and flawless glazes. Pigment: Phthalocyanine Classification: Synthetic Organic CI Name: PB15.3/PG7 Vehicle: Linseed Oil Hiding power: Transparent Pigment Loading: Medium Consistency: Stiff Drying rate: 2-5 days ASTM: I Product Code: 0861 Series: 3
- [Cobalt Teal](https://langridgecolours.com/products/cobalt-teal/) - Cobalt Teal Cobalt Teal is a deliciously soft blue with a definite greenish cast. It has a melting warmth making it perfect for skies and oceans. Pigment: Cobalt Aluminate Classification: Synthetic Inorganic CI Name: PB28 (77346) Vehicle: Safflower Oil Hiding power: Semi-Opaque Pigment Loading: Medium Consistency: Buttery Drying rate: 2-4 days ASTM: I Product Code:
- [Brilliant Blue](https://langridgecolours.com/products/briliant-blue/) - Brilliant Blue One of our mixed colours in the range, this is a crisp, clean blue for a pure azure directly out of the tube. The Titanium White base ensures that the paint is opaque, while the Phthalo provides an intense, clear blue. Pigment: Titanium Dioxide/Phthalocyanine Classification: Mixture CI Name: PW6/PB15.3 Vehicle: Safflower Oil Hiding
- [Cerulean Blue](https://langridgecolours.com/products/cerulean-blue/) - Cerulean Blue From the cobalt family, our Cerulean Blue (Chromium) has more of a green shade than our Cobalt Blue. The velvety, muted tone of Cerulean Blue is very valuable as a pure hue, quickly becoming light and airy once diluted. Pigment: Oxides of Cobalt and Chromium Classification: Synthetic Inorganic CI Name: PB36 (77343) Vehicle:
- [Video Blue](https://langridgecolours.com/products/video-blue/) - Video Blue Hot electric blue filled with light. Built around the idea of computer generated colour, Video Blue can also be successfully utilised in landscape painting. Video Blue has been specifically formulated to be a mid-value warm blue. By the addition of additional blues its hue can be shifted to create a wide range of
- [Prussian Blue](https://langridgecolours.com/products/prussian-blue/) - Prussian Blue Prussian Blue is a very intense, cool blue. A perfect night sky starting point in landscape painting. Prussian Blue is historically significant as the first modern synthetic pigment and as such is still regarded as a must have by many artists. Its dark intensity and slightly greenish undertone distinguish it from the warmer
- [Cobalt Blue](https://langridgecolours.com/products/cobalt-blue/) - Cobalt Blue This beautiful semi-opaque Cobalt is a clean, rich blue with hints of warmth. Cobalt Blue has been a favourite with landscape painters since its discovery as a pigment in 1802. Pigment: Cobalt Aluminate Classification: Synthetic Inorganic CI Name: PB28 (77346) Vehicle: Safflower Oil Hiding power: Semi-Opaque Pigment Loading: Medium Consistency: Buttery Drying rate:
- [Phthalo Blue Red Shade](https://langridgecolours.com/products/phthalo-blue-red-shade/) - Phthalo Blue Red Shade Red hued partner to our standard green hued Phthalo Blue. Very powerful colour. Tints can fill the colour-space of 19th Century cobalt and ultramarine blues but with far more intensity of chroma. Pigment: Phthalocyanine Classification: Synthetic Organic CI Name: PB15.1 (74160) Vehicle: Linseed Oil Hiding power: Transparent Pigment Loading: Medium Consistency:
- [Kings Blue](https://langridgecolours.com/products/kings-blue/) - Kings Blue Traditional formulation. Dreamy pale blue with a slight violet cast. Atmospheric light azure, perfect for both landscape and non-realist applications. Pigment: Titanium Dioxide / Sodium Sulphosilicate Classification: Synthetic Inorganic CI Name: PW6/PB29 Vehicle: Linseed Oil Hiding power: Opaque Pigment Loading: Medium Consistency: Soft butter Drying rate: 3-6 days ASTM: I Product Code: 08195
- [Ultramarine Blue](https://langridgecolours.com/products/ultramarine-blue/) - Ultramarine Blue Ultramarine is a beautifully bright blue with good tinting strength. Since the synthetic form became available in the 19th century, Ultramarine Blue has been the standard blue on many artists’ palettes. On the reddish side of blue, but not too violet, mixtures of Ultramarine tend to drop away and give airy depth. Pigment:
- [Indanthrone Blue](https://langridgecolours.com/products/indanthrone-blue/) - Indanthrone Blue Extremely dark mysterious blue with a slight purple undertone. A modern alternative to indigo, it’s dark interior creates highly complex tints and glazes. Unlike Prussian Blue, this colour veers towards the reds rather than greens. Pigment: Indanthrone Classification: Synthetic Organic CI Name: PB60 (69800) Vehicle: Linseed Oil Hiding power: Transparent Pigment Loading: Medium
- [Dioxazine Violet](https://langridgecolours.com/products/dioxazine-violet/) - Dioxazine Violet With exceptional tinting strength and transparency, Dioxazine Violet is a very deep purple, almost black, in mass tone. However, when used in glazes it reveals its blueish violet undertones. Pigment: Dioxazine Classification: Synthetic Organic CI Name: PV23 (51319) Vehicle: Linseed Oil Hiding power: Transparent Pigment Loading: Medium Consistency: Buttery Drying rate: 2-5 days
- [Ultramarine Violet](https://langridgecolours.com/products/ultramarine-violet/) - Ultramarine Violet Ultramarine Blue’s violet counterpart, this colour is deep, mysterious and elusive. Ultramarine Violet is very delicate in tints. When mixed with white’s some of the most etherial lavender hues can be achieved. Semi-opaque, highly permanent but less strident than Dioxazine with a natural tendency for use as a modulating colour. Pigment: Sodium Aluminium
- [Manganese Violet](https://langridgecolours.com/products/manganese-violet/) - Manganese Violet Manganese Violet is a delicately rouged and opaque violet. Its buttery texture in oil makes it a joy to work with on the palette as well as on the canvas where it is excellent for luminous shadows in both landscape and portraiture. Pigment: Manganese Pyrophosphate Classification: Synthetic Inorganic CI Name: PV16 (77742) Vehicle:
- [Quinacridone Violet](https://langridgecolours.com/products/quinacridone-violet/) - Quinacridone Violet An elegant modern violet with a deep burgundy mass tone and sweet violet undertones. Quinacridone Violet mixes without dominating other colours and creates cool but not cold tints compared to Dioxazine Violet. Quinacridones are some of the most stable of all available pigments, tinting and glazing can be achieved with no loss of
- [Neon Violet](https://langridgecolours.com/products/neon-violet/) - Neon Violet Incredibly vibrant modern violet. Made from Quinacridone Magenta and Phthalocyanine Blue, this literally ‘pops’ off the canvas! Pigment: Quinacridone/Phthalocyanine Classification: Mixture CI Name: PR122/PB15.1 Vehicle: Linseed Oil Hiding power: Transparent Pigment Loading: Normal Consistency: Buttery Drying rate: 3-6 days ASTM: I Product Code: 08127 Series: 5 Safety Data Sheet Based on available information,
- [Brilliant Magenta](https://langridgecolours.com/products/brilliant-magenta/) - Brilliant Magenta A blushed rose pink with a cool glow. Excellent for landscapes, portraits and contemporary palettes. Quinacridone in the mix ensures that Brilliant Pink will remain clean and vibrant in further tints and mixes. Pigment: Titanium Dioxide/Phthalocyanine Classification: Mixture CI Name: PW6/PB15.3 Vehicle: Safflower Oil Hiding power: Opaque Pigment Loading: High Consistency: Buttery Drying
- [Neon Magenta](https://langridgecolours.com/products/neon-magenta/) - Neon Magenta Contemporary, saturated mid-value pink with excellent opacity. The colour hovers between warm and cool. Versatile mixed pink. Useful addition to our intense ‘neon’ colours. Pigment: Titanium/Quinacridone Classification: Mixture CI Name: PW6/PR122/PV19 Vehicle: Linseed Oil Hiding power: Opaque Pigment Loading: Normal Consistency: Short butter Drying rate: 3-6 days ASTM: I Product Code: 08192 Series: 2
- [Quinacridone Magenta](https://langridgecolours.com/products/quinacridone-magenta/) - Quinacridone Magenta A quintessential colour for every palette. Bursting with pure pigment, our Quinacridone Magenta is a favoured colour for blending and glazing. Because of its clarity and relative transparency the addition of yellows or blues brings about bright fire engine reds or deep meditative violets. A very versatile colour. Pigment: Quinacridone Classification: Synthetic Organic
- [Perylene Crimson](https://langridgecolours.com/products/perylene-crimson/) - Perylene Crimson Perylene is a high performance, very cold, dusty, deep crimson in masstone. When mixed with white Perylene Crimson reveals in its undertone its cool, almost blue, heart. Pigment: Perylene Classification: Synthetic Organic CI Name: PV179 (71130) Vehicle: Linseed Oil Hiding power: Transparent Pigment Loading: Medium Consistency: Buttery Drying rate: 2-5 days ASTM: I
- [Cadmium Red Deep](https://langridgecolours.com/products/cadmium-red-deep/) - Cadmium Red Deep Strong, deep crimson red with good tinting power. Very clean colour. Soft texture, good mark-holding, excellent coverage. Pigment: Cadmium Sulphoselenide Classification: Synthetic Inorganic CI Name: PR108 Vehicle: Linseed Oil Hiding power: Opaque Pigment Loading: Medium Consistency: Buttery Drying rate: 2-4 days ASTM: I Product Code: 0833 Series: 6 Safety Data Sheet Based
- [Quinacridone Crimson](https://langridgecolours.com/products/quinacridone-crimson/) - Quinacridone Crimson Cool in masstone but revealing warm rose undertones in clear glazes. Quinacridone Crimson was developed as a replacement to Alizarin Crimson and is therefore on the violet or blueish side of red rather than orange side. This is achieved by the deep dusty crimson of Perylene in combination with the clear magenta reds
- [Brilliant Pink](https://langridgecolours.com/products/brilliant-pink/) - Brilliant Pink A contemporary, high chroma deep pink with excellent opacity. The monoazo content offers an intense red and a slight hint of yellow for warmth while the titanium provides great strength and opacity. A very clean colour. Pigment: Titanium Dioxide/Monoazo Classification: Mixture CI Name: PW6/PR112 Vehicle: Linseed Oil Hiding power: Opaque Pigment Loading: High
- [Cadmium Red](https://langridgecolours.com/products/cadmium-red/) - Cadmium Red Langridge Cadmium Red is a deep velvety red with just a hint of purple. Soft in texture and with excellent covering power, Cadmium Red still holds its place well in a contemporary colour palette. Pigment: Cadmium Sulphoselenide Classification: Synthetic Inorganic CI Name: PR108 (77202) Vehicle: Linseed Oil Hiding power: Opaque Pigment Loading: Medium
- [Quinacridone Red](https://langridgecolours.com/products/quinacridone-red/) - Quinacridone Red A cornerstone of modern colour mixing theory, Quinacridones are fast becoming an indispensable addition to the artist’s palette. Quinacridone Red is beautiful in glazes and produces glowing blended colours. Pigment: Quinacridone Classification: Synthetic Organic CI Name: PV19 (73900) Vehicle: Linseed Oil Hiding power: Transparent Pigment Loading: Medium Consistency: Stiff-butter Drying rate: 2-5 days
- [Naphthol Red Deep](https://langridgecolours.com/products/naphthol-red-deep/) - Naphthol Red Deep Blue-hued Naphthol. Works as a perfect compliment to our current yellow-hued Naphthol Red . These classic workhorse pigments provide high chroma mixing useful when working with limited palettes. Pigment: Naphthol AS Classification: Synthetic Organic CI Name: PR112 (12370) Vehicle: Linseed Oil Hiding power: Semi-Opaque Pigment Loading: Medium Consistency: Stiff Drying rate: 2-4 days
- [Pyrrole Red](https://langridgecolours.com/products/quinacridone-pyrrole-red/) - Pyrrole Red Pyrrole Red is a unique modern opaque pigment with very high chroma. Originally developed for automotive finishes, Pyrrole Red yields cleaner mixes for artists wanting an opaque mixing red. Pyrrole Red is non-toxic and therefore is a perfect alternative to cadmium reds. Pyrrole has equal opacity but is superior to cadmiums especially for
- [Naphthol Red](https://langridgecolours.com/products/naphthol-red/) - Naphthol Red A modern primary red with an impressively high chroma, though much more orange than the Quinacridones. Adopted like many modern organics from the automotive industry, Naphthol is a clean alternative to cadmiums for mixing. Pigment: Naphthol AS-D Classification: Synthetic Organic CI Name: PR112 (12370) Vehicle: Linseed Oil Hiding power: Semi-Opaque Pigment Loading: Medium
- [Cadmium Red Light](https://langridgecolours.com/products/cadmium-red-light/) - Cadmium Red Light Intensely hot and bright, with an ability to create delicate muted blends of colour when mixed. Undeniably opaque, Cadmium Red Light is vibrant and full of life. Pigment: Cadmium Sulphoselenide Classification: Synthetic Inorganic CI Name: PR108 (77202) Vehicle: Linseed Oil Hiding power: Opaque Pigment Loading: Medium Consistency: Buttery Drying rate: 2-4 days
- [Nickel Azo Red Gold](https://langridgecolours.com/products/nickel-azo-red-gold/) - Nickel Azo Red Gold Our addition of Quinacridone to Nickel Azo has yielded an earthy red-gold reminiscent of the sun’s last rays. Very rich in stronger applications, however, as it is extended, more of the golden undertones start to make their way through. Pigment: Nickel Azo/Quinacridone Classification: Mixture CI Name: PY150/PV19 Vehicle: Linseed Oil Hiding
- [Azo Orange](https://langridgecolours.com/products/azo-orange/) - Azo Orange Next generation highly lightfast azo pigment. Transparent, cool glazing orange. When tinted with whites it exhibits beautiful apricot shades. Pigment: Benzimidazolone Classification: Synthetic Organic CI Name: PO36 (11780) Vehicle: Linseed Oil Hiding power: Transparent Pigment Loading: Medium Consistency: Soft Drying rate: 3-6 days ASTM: I Product Code: 08123 Series: 4 Safety Data Sheet
- [Pyrrole Orange](https://langridgecolours.com/products/pyrrole-orange/) - Pyrrole Orange Highly opaque modern organic orange with good tinting strength and high chroma masstone. Slightly cooler than Cadmium Orange, when mixed with whites Pyrrole Orange displays surprisingly fleshy pinks. Non-toxic Pyrrole Orange has equal opacity but superior resistance to strong UV and moisture in exterior application compared to cadmiums. Pigment: Diketopyrrolo Pyrrole Classification: Synthetic
- [Cadmium Orange](https://langridgecolours.com/products/cadmium-orange/) - Cadmium Orange A brilliant and optically powerful mid orange with excellent opacity and warmth. The formidable strength of Cadmium Orange is difficult to overstate. Pigment: Cadmium Sulphoselenide Classification: Synthetic Inorganic CI Name: PO20 (77202) Vehicle: Linseed Oil Hiding power: Opaque Pigment Loading: Medium-High Consistency: Short Butter Drying rate: 3-6 days ASTM: I Product Code: 0880
- [Neon Orange](https://langridgecolours.com/products/neon-orange/) - Neon Orange Specially formulated bright semi-opaque orange based on Pyrrole Orange and Diarylide Yellow. Neon Orange has been created to give artists a medium-high value orange that literally ‘pops’ off the surface and looks as though generated by light. A permanent, bright yellow-orange, this colour bridges the gap between our warm yellows and the deeper
- [Titanium Orange](https://langridgecolours.com/products/titanium-orange/) - Titanium Orange Langridge is the first manufacturer in the world to use this pigment as an oil colour. Opaque mid-chroma orange. Less outrageous intensity as our other offerings with a unique colour-space. Very dense. Long consistency. Pigment: Rutile Tin Zinc Complex Classification: Synthetic Inorganic CI Name: PY216 Vehicle: Linseed Oil Hiding power: Opaque Pigment Loading:
- [Cadmium Yellow Deep](https://langridgecolours.com/products/cadmium-yellow-deep/) - Cadmium Yellow Deep This is Langridge’s warmest yellow, taking a definite leap towards orange. Luminous and radiant, this colour is as tough as it is delicate, and definitely one of our favourites. Pigment: Cadmium Zinc Sulphide Classification: Synthetic Inorganic CI Name: PY35 (77205) Vehicle: Linseed Oil Hiding power: Opaque Pigment Loading: High Consistency: Buttery Drying
- [Nickel Azo Yellow](https://langridgecolours.com/products/nickel-azo-yellow/) - Nickel Azo Yellow Nickel Azo is an extraordinary modern yellow that has extreme ‘length’ when used for glazing. As the colour is extended more yellow tones reveal themselves from what can sometimes be a slightly underwhelming masstone. This is demonstrated rather dramatically even in the drawdown and paintout on this page. Perfect for mixing or
- [Arylide Yellow](https://langridgecolours.com/products/arylide-yellow/) - Arylide Yellow This modern colour is a beautiful clean yellow with high chroma. Often know by its alias, Hansa Yellow, Arylide makes intense secondary mixtures and magnificent transparent yellow glazes. As opposed to the greener shade Arylide Lemon, this red shade Arylide Yellow mixed beautifully with reds to make incredibly vibrant and clear oranges. Pigment:
- [Cadmium Yellow](https://langridgecolours.com/products/cadmium-yellow/) - Cadmium Yellow The Langridge Cadmium Yellow veers towards pale without being too lemon, retaining some of that orangey heat. A good pigment load gives this yellow the opacity and short, buttery consistency that artists have come to know and love from cadmiums. Pigment: Cadmium Zinc Sulphide Classification: Synthetic Inorganic CI Name: PY35 (77205) Vehicle: Linseed
- [Arylide Lemon](https://langridgecolours.com/products/arylide-lemon/) - Arylide Lemon Cooler, green-shade modern yellow. Mixes beautifully with blues for clean intensely vibrant greens. Full strength, no fillers. Pigment: Arylide Lemon Classification: Synthetic Organic CI Name: PY3 Vehicle: Refined Linseed Oil Hiding power: Transparent Pigment Loading: Medium Consistency: Buttery Drying rate: 3-6 days ASTM: I Product Code: 0816 Series: 2 Safety Data Sheet Based on
- [Bismuth Vanadate](https://langridgecolours.com/products/bismuth-vanadate/) - Bismuth Vanadate Opaque, bright lemon-yellow. Very luminous. Very good body, but its soft buttery consistency allows for ease of brushing out. Excellent alternative to Cadmium Yellow. Pigment: Bismuth Vanadium Classification: Synthetic Inorganic CI Name: PY184 Vehicle: Refined Linseed Oil Hiding power: Opaque Pigment Loading: High Consistency: Soft butter Drying rate: 2-4 days ASTM: I Product Code:
- [Brilliant Yellow](https://langridgecolours.com/products/brilliant-yellow/) - Brilliant Yellow A pale mixture of Titanium White and Cadmium Yellow. The use of Brilliant Yellow for tinting allows for less ‘bleached’ tints than mixing with pure whites, retaining a more luminous quality. Pigment: Titanium Dioxide/Cadmium Zinc Sulphide Classification: Synthetic Inorganic CI Name: PW6/PY35 Vehicle: Safflower Oil Hiding power: Opaque Pigment Loading: High Consistency: Buttery
- [Paliotan Lemon](https://langridgecolours.com/products/paliotan-lemon/) - Paliotan Lemon Acidic-hued lemon yellow. Hybrid pigment built from chemically bonded Bismuth Vanadate and Pyrrole pigments. Excellent opacity with magnificent bright clean chroma. Fills a colour-space previously held by Cadmium Lemon. Pigment: Hybrid Classification: N/A CI Name: N/A Vehicle: Linseed Oil Hiding power: Opaque Pigment Loading: Medium Consistency: Buttery Drying rate: 2-4 days ASTM: I
- [Titanate Yellow](https://langridgecolours.com/products/titanate-yellow/) - Titanante Yellow Nickel Titanate is opaque with a ‘sweet’ green cast making it hover on the surface. This oil colour is quite soft and brushes out to very smooth flat passages of colour. Pigment: Nickel Antimony Titanate Classification: Synthetic Inorganic CI Name: PY53 (77788) Vehicle: Linseed Oil Hiding power: Opaque Pigment Loading: Medium Consistency: Stiff
- [Unbleached Titanium](https://langridgecolours.com/products/unbleached-titanium/) - Unbleached Titanium A very unusual pigment. Looking almost like it belongs with the earth colours, this lovely Unbleached Titanium dioxide still retains some of its natural impurities. Highly opaque pale grey-brown and a superb mid-value mixing tone. Pigment: Titanium Dioxide Classification: Synthetic Inorganic CI Name: PW6.1 (77891) Vehicle: Linseed Oil Hiding power: Opaque Pigment Loading:
- [Tinting White](https://langridgecolours.com/products/tinting-white/) - Tinting White Tinting White is an excellent mixing white. A delicate combination of Synthetic Baryte transparency with a limited addition of Titanium Dioxide opacity creates a genuine tinting white that won’t overpower colours with which it is mixed. As with all Langridge whites, it is milled in non-yellowing Refined Safflower oil. Pigment: Titanium Dioxide/Barium Sulphate
- [Lithopone White](https://langridgecolours.com/products/lithopone-white/) - Lithopone White Soft white with good covering power. Excellent handling qualities. Slightly less opaque alternative to Zinc White. Useful as a mixing white. High pigment load with a moderate drying rate. Pigment: Lithopone Classification: Synthetic Inorganic CI Name: PW5 Vehicle: Safflower Oil Hiding power: Opaque Pigment Loading: High Consistency: Short butter Drying rate: 3-6 days
- [Zinc White](https://langridgecolours.com/products/zinc-white/) - Zinc White Zinc is our “coldest” white. The slight transparency of Zinc White makes it excellent for tinting and therefore a very useful white to have on the palette. It has a soft, buttery consistency and as such is often used as an additive to Titanium White oil paint (even if it not mentioned on
- [Carbon Black Pigment](https://langridgecolours.com/products/carbon-black-pigment/) - Carbon Black Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Carbon (Oil) Classification: Natural Organic Colour Index: PBk6 ASTM Lightfastness: I Hiding: Semi Opaque Product Code: 403 Series: 1 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Lamp Black Pigment](https://langridgecolours.com/products/lamp-black-pigment/) - Lamp Black Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Carbon (Oil) Classification: Natural Organic Colour Index: PBk6 ASTM Lightfastness: I Hiding: Semi Opaque Product Code: 457 Series: 1 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [German Black Pigment](https://langridgecolours.com/products/german-black-pigment/) - German Black Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Native Earth (Italy) Classification: Natural Inorganic Colour Index: PBk11 ASTM Lightfastness: I Hiding: Opaque Product Code: 498 Series: 2 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Mars Black Pigment](https://langridgecolours.com/products/mars-black-pigment/) - Mars Black Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Prepared Iron Oxide Classification: Synthetic Inorganic Colour Index: PBk11 ASTM Lightfastness: I Hiding: Opaque Product Code: 404 Series: 1 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Manganese Black Pigment](https://langridgecolours.com/products/manganese-black-pigment/) - Manganese Black Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Manganese Dioxide (Australian) Classification: – Colour Index: PBk14 ASTM Lightfastness: I Hiding: Transparent Product Code: 405 Series: 1 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe
- [Roman Black Pigment](https://langridgecolours.com/products/roman-black-pigment/) - Roman Black Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Native Earth (Italy) Classification: Natural Inorganic Colour Index: PBk11 ASTM Lightfastness: I Hiding: Opaque Product Code: 498 Series: 2 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Graphite Powder Pigment](https://langridgecolours.com/products/graphite-powder-pigment/) - Graphite Powder Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Graphite Classification: – Colour Index: PBk10 ASTM Lightfastness: I Hiding: Semi-Opaque Product Code: 485 Series: 2 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia.
- [Titanium Grey Pigment](https://langridgecolours.com/products/titanium-grey-pigment/) - Titanium Grey Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Titanium Dioxide Classification: Synthetic Inorganic Colour Index: PW6.1 ASTM Lightfastness: I Hiding: Opaque Product Code: 438 Series: 1 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe
- [Gilsonite](https://langridgecolours.com/products/gilsonite/) - Gilsonite Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Graphite Classification: – Colour Index: PBk10 ASTM Lightfastness: I Hiding: Semi-Opaque Product Code: 485 Series: 2 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full
- [Cassel Earth Pigment](https://langridgecolours.com/products/cassel-earth-pigment/) - Cassel Earth Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Native Earth (Germany) Classification: Natural Inorganic Colour Index: PBr7 ASTM Lightfastness: I Hiding: Semi-Opaque Product Code: 429 Series: 2 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Burnt Umber Pigment](https://langridgecolours.com/products/burnt-umber-pigment/) - Burnt Umber Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Native Earth (Cyprus) Classification: Natural Inorganic Colour Index: PBr7 ASTM Lightfastness: I Hiding: Semi-Opaque Product Code: 425 Series: 1 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Mars Brown Pigment](https://langridgecolours.com/products/mars-brown-pigment/) - Mars Brown Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Prepared Iron Oxide Classification: Synthetic Inrganic Colour Index: PBr6 ASTM Lightfastness: I Hiding: Opaque Product Code: 434 Series: 1 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Burnt Umber Light Pigment](https://langridgecolours.com/products/burnt-umber-light-pigment/) - Burnt Umber Light Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Native Earth (Cyprus) Classification: Natural Inorganic Colour Index: PBr7 ASTM Lightfastness: I Hiding: Semi-Opaque Product Code: 425 Series: 1 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria
- [Raw Umber Pigment](https://langridgecolours.com/products/raw-umber-pigment/) - Raw Umber Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Native Earth (Cyprus) Classification: Natural Inorganic Colour Index: PBr7 ASTM Lightfastness: I Hiding: Semi-Opaque Product Code: 424 Series: 1 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Raw Umber Grey Pigment](https://langridgecolours.com/products/raw-umber-grey-pigment/) - Raw Umber Grey Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Native Earth (Cyprus) Classification: Natural Inorganic Colour Index: PBr7 ASTM Lightfastness: I Hiding: Semi-Opaque Product Code: 468 Series: 2 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria
- [Raw Umber Light Pigment](https://langridgecolours.com/products/raw-umber-light-pigment/) - Raw Umber Light Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Native Earth (Cyprus) Classification: Natural Inorganic Colour Index: PBr7 ASTM Lightfastness: I Hiding: Semi-Opaque Product Code: 468 Series: 2 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria
- [Raw Umber Green Pigment](https://langridgecolours.com/products/raw-umber-green-pigment/) - Raw Umber Green Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Native Earth (Cyprus) Classification: Natural Inorganic Colour Index: PBr7 ASTM Lightfastness: I Hiding: Semi-Opaque Product Code: 468 Series: 2 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria
- [Caput Mortuum Pigment](https://langridgecolours.com/products/caput-mortuum-pigment/) - Caput Mortuum Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Prepared Iron Oxide Classification: Synthetic Inorganic Colour Index: PR101 ASTM Lightfastness: I Hiding: Opaque Product Code: 426 Series: 1 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Terra Rossa Pigment](https://langridgecolours.com/products/terra-rossa-pigment/) - Terra Rossa Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Native Earth (Italy) Classification: Natural Inorganic Colour Index: PR102 ASTM Lightfastness: I Hiding: Opaque Product Code: 494 Series: 2 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Red Ochre Pigment](https://langridgecolours.com/products/red-ochre-pigment/) - Red Ochre Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Native Iron Oxide (India) Classification: Natural Inorganic Colour Index: PR101 ASTM Lightfastness: I Hiding: Opaque Product Code: 408 Series: 1 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria
- [Transparent Red Oxide Pigment](https://langridgecolours.com/products/transparent-red-oxide-pigment/) - Transparent Red Oxide Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Prepared Iron Oxide Classification: Synthetic Inorganic Colour Index: PR101 ASTM Lightfastness: I Hiding: Transparent Product Code: 471 Series: 3 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria
- [Burnt Sienna Pigment](https://langridgecolours.com/products/burnt-sienna-pigment/) - Burnt Sienna Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Native Earth (Italy) Classification: Natural Inorganic Colour Index: PBr7 ASTM Lightfastness: I Hiding: Opaque Product Code: 423 Series: 1 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Venetian Red Pigment](https://langridgecolours.com/products/venetian-red-pigment-2/) - Venetian Red Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Native Earth (Italy) Classification: Natural Inorganic Colour Index: PR102 ASTM Lightfastness: I Hiding: Opaque Product Code: 499 Series: 2 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Red Oxide Pigment](https://langridgecolours.com/products/red-oxide-pigment/) - Red Oxide Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Prepared Iron Oxide Classification: Synthetic Inorganic Colour Index: PR101 ASTM Lightfastness: I Hiding: Opaque Product Code: 408 Series: 1 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Ercolano Red Pigment](https://langridgecolours.com/products/ercolano-pigment/) - Ercolano Red Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Native Earth (Italy) Classification: Natural Inorganic Colour Index: PR102 ASTM Lightfastness: I Hiding: Opaque Product Code: 496 Series: 2 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Mars Orange Pigment](https://langridgecolours.com/products/mars-orange-pigment/) - Mars Orange Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Prepared Iron Oxide Classification: Synthetic Inorganic Colour Index: PY42 ASTM Lightfastness: I Hiding: Opaque Product Code: 427 Series: 1 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Orange Ochre Pigment](https://langridgecolours.com/products/orange-ochre-pigment/) - Orange Ochre Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Native Earth (Italy) Classification: Natural Inorganic Colour Index: PY43 ASTM Lightfastness: I Hiding: Opaque Product Code: 495 Series: 2 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Ochre Avana Pigment](https://langridgecolours.com/products/ochre-avana-pigment/) - Ochre Avana Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Native Earth (Italy) Classification: Natural Inorganic Colour Index: PY43 ASTM Lightfastness: I Hiding: Opaque Product Code: 420 Series: 2 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Raw Sienna Pigment](https://langridgecolours.com/products/raw-sienna-pigment/) - Raw Sienna Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Native Earth (Italy) Classification: Natural Inorganic Colour Index: PBr7 ASTM Lightfastness: I Hiding: Opaque Product Code: 453 Series: 1 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Yellow Ochre Dark Pigment](https://langridgecolours.com/products/yellow-ochre-dark-pigment/) - Yellow Ochre Dark Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Native Earth (Italy) Classification: Natural Inorganic Colour Index: PY43 ASTM Lightfastness: I Hiding: Opaque Product Code: 420 Series: 2 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria
- [Transparent Yellow Oxide Pigment](https://langridgecolours.com/products/transparent-yellow-oxide-pigment/) - Transparent Yellow Oxide Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Prepared Iron Oxide Classification: Synthetic Inorganic Colour Index: PY42 ASTM Lightfastness: I Hiding: Transparent Product Code: 472 Series: 3 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria
- [Yellow Oxide Pigment](https://langridgecolours.com/products/yellow-oxide-pigment/) - Yellow Oxide Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Prepared Iron Oxide Classification: Synthetic Inorganic Colour Index: PY42 ASTM Lightfastness: I Hiding: Opaque Product Code: 421 Series: 1 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Yellow Ochre Pigment](https://langridgecolours.com/products/yellow-ochre-pigment/) - Yellow Ochre Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Native Earth (Italy) Classification: Natural Inorganic Colour Index: PY43 ASTM Lightfastness: I Hiding: Opaque Product Code: 420 Series: 2 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Golden Ochre Pigment](https://langridgecolours.com/products/golden-ochre-pigment/) - Golden Ochre Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Native Earth (Italy) Classification: Synthetic Inorganic Colour Index: PY43 ASTM Lightfastness: I Hiding: Opaque Product Code: 428 Series: 2 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Terre Verte Deep Pigment](https://langridgecolours.com/products/terre-verte-deep-pigment/) - Terre Verte Deep Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Native Earth (Italy) Classification: Natural Inorganic Colour Index: PG23 ASTM Lightfastness: I Hiding: Semi-Opaque Product Code: 497 Series: 2 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria
- [Terre Verte Nicosia Pigment](https://langridgecolours.com/products/terre-verte-nicosia-pigment/) - Terre Verte Nicosia Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Native Earth (Italy) Classification: Natural Inorganic Colour Index: PG23 ASTM Lightfastness: I Hiding: Semi-Opaque Product Code: 491 Series: 2 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria
- [Terre Verte Pigment](https://langridgecolours.com/products/terre-verte-pigment/) - Terre Verte Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Native Earth (Italy) Classification: Natural Inorganic Colour Index: PG23 ASTM Lightfastness: I Hiding: Semi-Opaque Product Code: 491 Series: 2 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Chromium Oxide Pigment](https://langridgecolours.com/products/chromium-oxide-pigment/) - Chromium Oxide Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Chromium Oxide Chemical Constituent: Chromium Sesquioxide Classification: Synthetic Inorganic Colour Index: PG17 ASTM Lightfastness: I Hiding: Opaque Product Code: 414 Series: 3 Safety Data Sheet Based on available information, this material is not classified as hazardous according
- [Phthalo Green (Yellow shade) Pigment](https://langridgecolours.com/products/phthalo-green-yellow-shade-pigment/) - Phthalo Green (Yellow shade) Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Phthalo Green (Yellow shade) Chemical Constituent: Phthalocyanine Classification: Synthetic Organic Colour Index: PG36 ASTM Lightfastness: I Hiding: Transparent Product Code: 4119 Series: 4 Safety Data Sheet Based on available information, this material is not classified
- [Phthalo Green (Blue shade) Pigment](https://langridgecolours.com/products/phthalo-green-blue-shade-pigment/) - Phthalo Green (Blue shade) Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Phthalocyanine Classification: Synthetic Organic Colour Index: PG7 ASTM Lightfastness: I Hiding: Transparent Product Code: 415 Series: 2 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Cobalt Teal Pigment](https://langridgecolours.com/products/cobalt-teal-pigment/) - Cobalt Teal Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Cobalt & Aluminium Oxides Classification: Inorganic Colour Index: PB28 ASTM Lightfastness: I Hiding: Semi Opaque Product Code: 486 Series: 5 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria
- [Cerulean Blue (Chromium) Pigment](https://langridgecolours.com/products/cerulean-blue-chromium-pigment/) - Cerulean Blue (Chromium) Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Cobalt Aluminum Chromium Oxide Classification: Inorganic Colour Index: PB36 ASTM Lightfastness: I Hiding: Semi Opaque Product Code: 487 Series: 5 Safety Data Sheet Based on available information, this material is not classified as hazardous according to
- [Prussian Blue Pigment](https://langridgecolours.com/products/prussian-blue-pigment/) - Prussian Blue Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Ferric Ferrocyanide Classification: Synthetic Inorganic Colour Index: PB27 ASTM Lightfastness: I Hiding: Transparent Product Code: 412 Series: 2 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe
- [Phthalo Blue (Green shade) Pigment](https://langridgecolours.com/products/phthalo-blue-green-shade-pigment/) - Phthalo Blue (Green shade) Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Phthalocyanine Classification: Synthetic Organic Colour Index: PB15.3 ASTM Lightfastness: I Hiding: Transparent Product Code: 411 Series: 2 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Cobalt Blue Pigment](https://langridgecolours.com/products/cobalt-blue-pigment/) - Cobalt Blue Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Cobalt Blue Chemical constituent: Cobalt & Aluminium Oxides Classification: Synthetic Inorganic Colour Index: PB28 ASTM Lightfastness: I Hiding: Semi Opaque Product Code: 466 Series: 5 Safety Data Sheet Based on available information, this material is not classified
- [Phthalo Blue (Red shade) Pigment](https://langridgecolours.com/products/phthalo-blue-red-shade-pigment/) - Phthalo Blue (Red shade) Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Phthalo Blue (Red shade) Chemical constituent: Phthalocyanine Classification: Synthetic Organic Colour Index: PB15.1 ASTM Lightfastness: I Hiding: Transparent Product Code: 4120 Series: 2 Safety Data Sheet Based on available information, this material is not classified
- [Ultramarine Blue Pigment](https://langridgecolours.com/products/ultramarine-blue-pigment/) - Ultramarine Blue Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Ultramarine Blue Chemical constituent: Sodium Sulphosilicate Classification: Synthetic Inorganic Colour Index: PB29 ASTM Lightfastness: I Hiding: Semi Opaque Product Code: 413 Series 2 Safety Data Sheet Based on available information, this material is not classified as hazardous
- [Indanthrone Blue Pigment](https://langridgecolours.com/products/indanthrone-blue-pigment/) - Indanthrone Blue Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Indanthrone Blue Chemical constituent: Indanthrone Classification: Synthetic Organic Colour Index: PB60 ASTM Lightfastness: I Hiding: Transparent Product Code: 4131 Series 6 Safety Data Sheet Based on available information, this material is not classified as hazardous according to
- [Dioxazine Violet Pigment](https://langridgecolours.com/products/dioxazine-violet-pigment/) - Dioxazine Violet Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Dioxazine Violet Chemical constituent: Oxazine Classification: Synthetic Organic Colour Index: PV23 ASTM Lightfastness: I Hiding: Transparent Product Code: 492 Series 5 Safety Data Sheet Based on available information, this material is not classified as hazardous according to
- [Ultramarine Violet Pigment](https://langridgecolours.com/products/ultramarine-violet-pigment/) - Ultramarine Violet Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Ultramarine Violet Chemical constituent: Sodium Sulphosilicate Classification: Synthetic Inorganic Colour Index: PV15 ASTM Lightfastness: I Hiding: Semi Opaque Product Code: 4100 Series 2 Safety Data Sheet Based on available information, this material is not classified as hazardous
- [Manganese Violet Pigment](https://langridgecolours.com/products/manganese-violet-pigment/) - Manganese Violet Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Manganese Violet Chemical constituent: Manganese Pyrophosphate Classification: Synthetic Inorganic Colour Index: PV16 ASTM Lightfastness: I Hiding: Opaque Product Code: 469 Series 4 Safety Data Sheet Based on available information, this material is not classified as hazardous according
- [Ultramarine Pink Pigment](https://langridgecolours.com/products/ultramarine-pink-pigment/) - Ultramarine Pink Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Ultramarine Pink Chemical constituent: Sodium Sulphosilicate Classification: Synthetic Inorganic Colour Index: PR259 ASTM Lightfastness: I Hiding: Semi Opaque Product Code: 4114 Series 4 Safety Data Sheet Based on available information, this material is not classified as hazardous
- [Quinacridone Violet Pigment](https://langridgecolours.com/products/quinacridone-violet-pigment/) - Quinacridone Violet Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Quinacridone Violet Classification: Synthetic Organic Colour Index: PY42 ASTM Lightfastness: I Hiding: Transparent Product Code: 4103 Series 5 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe
- [Quinacridone Magenta Pigment](https://langridgecolours.com/products/quinacridone-magenta-pigment/) - Quinacridone Magenta Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Quinacridone Classification: Synthetic Organic Colour Index: PR122 ASTM Lightfastness: I Hiding: Transparent Product Code: 483 Series 6 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work
- [Cadmium Red Maroon Pigment](https://langridgecolours.com/products/cadmium-red-maroon-pigment/) - Cadmium Red Maroon Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Cadmium Sulphoselenide Classification: Synthetic Inorganic Colour Index: PR108 ASTM Lightfastness: I Hiding: Opaque Product Code: 41501 Series 4 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Perylene Crimson Pigment](https://langridgecolours.com/products/perylene-crimson-pigment/) - Perylene Crimson Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Perylene Classification: Synthetic Organic Colour Index: PR179 ASTM Lightfastness: I Hiding: Transparente Product Code: 459 Series 5 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work
- [Cadmium Red Deep Pigment](https://langridgecolours.com/products/cadmium-red-deep-pigment/) - Cadmium Red Deep Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Cadmium Suploselenide Classification: Synthetic Inorganic Colour Index: PR108 ASTM Lightfastness: I Hiding: Opaque Product Code: 433 Series 4 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Quinacridone Red Pigment](https://langridgecolours.com/products/quinacridone-red-pigment/) - Quinacridone Red Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Quinacridone Classification: Synthetic Organic Colour Index: PV19 ASTM Lightfastness: I Hiding: Transparent Product Code: 436 Series 4 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work
- [Naphthol Red Deep Pigment](https://langridgecolours.com/products/naphthol-red-deep-pigment/) - Naphthol Red Deep Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Monoazo Classification: Synthetic Organic Colour Index: PR170 ASTM Lightfastness: I Hiding: Transparent Product Code: 4121 Series 4 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe
- [Pyrrole Red Pigment](https://langridgecolours.com/products/pyrrole-red-pigment/) - Pyrrole Red Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Pyrrole Red Chemical Constituent: Diketopyrrolo Pyrrole Classification: Synthetic Organic Colour Index: PR254 ASTM Lightfastness: I Hiding: Opaque Product Code: 4102 Series 4 Safety Data Sheet Based on available information, this material is not classified as hazardous according
- [Cadmium Red Pigment](https://langridgecolours.com/products/cadmium-red-pigment/) - cadmium Red Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Cadmium Selphoselenide Classification: Synthetic Inorganic Colour Index: PR108 ASTM Lightfastness: I Hiding: paque Product Code: 406 Series 4 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe
- [Naphthol Red Pigment](https://langridgecolours.com/products/naphthol-red-pigment/) - Naphthol Red Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Monoazo Classification: Synthetic Organic Colour Index: PR112 ASTM Lightfastness: I Hiding: Transparent Product Code: 407 Series 4 Safety Data Sheet This material is hazardous according to health criteria of Safe Work Australia. Download full SDS
- [Cadmium Red Light Pigment](https://langridgecolours.com/products/cadmium-red-light-pigment/) - Cadmium Red Light Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Cadmium Sulphoselenide Classification: Synthetic Inorganic Colour Index: PR108 ASTM Lightfastness: I Hiding: Opaque Product Code: 410 Series 4 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Azo Orange Pigment](https://langridgecolours.com/products/azo-orange-pigment/) - Azo Orange Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Azo Orange Chemical Constituent: Benzimidazalone Classification: Synthetic Organic Colour Index: PO36 ASTM Lightfastness: I Hiding: Transparent Product Code: 4123 Series 5 Safety Data Sheet Based on available information, this material is not classified as hazardous according to
- [Cadmium Orange Pigment](https://langridgecolours.com/products/cadmium-orange-pigment/) - Cadmium Orange Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Cadmium Sulphoselenide Classification: Synthetic Inorganic Colour Index: PO20 ASTM Lightfastness: I Hiding: Opaque Product Code: 480 Series 4 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe
- [Pyrrole Orange Pigment](https://langridgecolours.com/products/pyrrole-orange-pigment/) - Pyrrole Orange Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Pyrrole Orange Classification: Synthetic Organic Colour Index: PO73 ASTM Lightfastness: I Hiding: Opaque Product Code: 4101 Series 5 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe
- [Titanium Orange Pigment](https://langridgecolours.com/products/titanium-orange-pigment/) - Titanium Orange Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Titania-Zinc-Tin Complex Classification: Synthetic Inorganic Colour Index: PY216 ASTM Lightfastness: I Hiding: Opaque Product Code: 41941 Series 6 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe
- [Cadmium Yellow Deep Pigment](https://langridgecolours.com/products/cadmium-yellow-deep-pigment/) - Cadmium Yellow Deep Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Cadmium Zinc Sulphoselenide Classification: Synthetic Inorganic Colour Index: PY35/PO20 ASTM Lightfastness: I Hiding: Opaque Product Code: 417 Series 4 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria
- [Diarylide Yellow Pigment](https://langridgecolours.com/products/diarylide-yellow-pigment/) - Diarylide Yellow Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Diarylide Yellow Classification: Synthetic Organic Colour Index: PY14 ASTM Lightfastness: II Hiding: Transparent Product Code: 4101 Series 2 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe
- [Nickel Azo Yellow Pigment](https://langridgecolours.com/products/nickel-azo-yellow-pigment/) - Nickel Azo Yellow Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Monoazo Nickel Complex Classification: Synthetic Organic Colour Index: PY150 ASTM Lightfastness: I Hiding: Transparent Product Code: 451 Series 4 Safety Data Sheet This material is hazardous according to health criteria of Safe Work Australia. Download full
- [Irgalite Yellow Pigment](https://langridgecolours.com/products/irgalite-yellow-pigment/) - Irgalite Yellow Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Irgalite Yellow Chemical Constituent: Arylide Classification: Synthetic Organic Colour Index: PY ASTM Lightfastness: I Hiding: Transparent Product Code: 4135 Series 2 Safety Data Sheet Based on available information, this material is not classified as hazardous according to
- [Arylide Yellow Pigment](https://langridgecolours.com/products/arylide-yellow-pigment/) - Arylide Yellow Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Arylide Classification: Synthetic Organic Colour Index: PY74 ASTM Lightfastness: II Hiding: Transparent Product Code: 418 Series 3 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work
- [Cadmium Yellow Pigment](https://langridgecolours.com/products/cadmium-yellow-pigment/) - Cadmium Yellow Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Cadmium Zinc Sulphide Classification: Synthetic Inorganic Colour Index: PY35 ASTM Lightfastness: I Hiding: Opaque Product Code: 419 Series 4 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Arylide Lemon Pigment](https://langridgecolours.com/products/arylide-lemon-pigment/) - Arylide Lemon Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Arylide 10G Classification: Synthetic Organic Colour Index: PY3 ASTM Lightfastness: I Hiding: Transparent Product Code: 431 Series 3 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe
- [Cadmium Lemon Pigment](https://langridgecolours.com/products/cadmium-lemon-pigment/) - Cadmium Lemon Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Cadmium Zinc Sulphide Classification: Synthetic Inorganic Colour Index: PY35 ASTM Lightfastness: I Hiding: Opaque Product Code: 41511 Series 4 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Paliotan Lemon Pigment](https://langridgecolours.com/products/paliotan-lemon-pigment/) - Paliotan Lemon Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Paliotan Lemon Chemical Constituent: Bismuth Vanadate/Diketo Pyrrolopyrrole Classification: Hybrid Colour Index: N/A ASTM Lightfastness: I Hiding: Opaque Product Code: 4122 Series 5 Safety Data Sheet Based on available information, this material is not classified as hazardous according
- [Bismuth Vanadate Pigment](https://langridgecolours.com/products/bismuth-vanadate-pigment/) - Bismuth Vanadate Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Bismuth Vanadate Yellow Chemical Constituent: Bismuth Vanadium Classification: Synthetic Inorganic Colour Index: PY184 ASTM Lightfastness: I Hiding: Opaque Product Code: 41931 Series 4 Safety Data Sheet Based on available information, this material is not classified as hazardous
- [Nickel Titanate Yellow Pigment](https://langridgecolours.com/products/nickel-titanate-yellow-pigment/) - Nickel Titanate Yellow Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Nickel Antimony Titanium Classification: Synthetic Inorganic Colour Index: PY53 ASTM Lightfastness: I Hiding: Opaque Product Code: 432 Series 2 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria
- [Unbleached Titanium Pigment](https://langridgecolours.com/products/unbleached-titanium-pigment/) - Unbleached Titanium Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Titanium Dioxide Classification: Synthetic Inorganic Colour Index: PW6.1 ASTM Lightfastness: 1 Hiding: Opaque Product Code: 437 Series 1 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe
- [Blanc Fixe Pigment](https://langridgecolours.com/products/blanc-fixe-pigment/) - Blanc Fixe Pigment Finely ground dry pigments suitable for artists who wish to prepare their own colours. Pigment: Blanc Fixe Chemical Constituent: Barium Sulfate (Synthetic) Classification: Synthetic Inorganic Colour Index: PW21 ASTM Lightfastness: 1 Hiding: Transparent Product Code: 4115 Series 1 Safety Data Sheet Based on available information, this material is not classified as hazardous
- [Lithopone White Pigment](https://langridgecolours.com/products/lithopone-white-pigment/) - Lithopone White Pigment White, slightly duller than PW4 or PW6 Insoluble mixture of precipitated barium sulfate and zinc sulfide. Barium sulfate (30%) and zinc sulfide (70%). Pigment: Lithopone White Chemical Constituent: Barium Sulphide/Zinc Sulphate Classification: Synthetic Inorganic Colour Index: PW5 (77115) ASTM Lightfastness: I Hiding: Opaque Product Code: 4124 Series 1 Safety Data Sheet Based
- [Zinc White Pigment](https://langridgecolours.com/products/zinc-white-pigment/) - Zinc White Pigment Clean and bright white colour. Less opaque than titanium white. Its relative transparency makes it useful for glazes in oil painting. Creates brittle films in oil paint. Pigment: Zinc Oxide Classification: Synthetic Inorganic Colour Index: PW4 (77947) ASTM Lightfastness: I Hiding: Semi-Opaque Product Code: 402 Series 1 Safety Data Sheet Based on
- [Titanium White Pigment](https://langridgecolours.com/products/titanium-white-pigment/) - Titanium White Pigment Brilliant and pure white pigment. High reflectivity in the visible spectrum. Chemically stable. Highly versatile making it a staple in the artist’s palette. Pigment: Titanium Dioxide Classification: Synthetic Inorganic Colour Index: PW6 (77891) ASTM Lightfastness: I Hiding: Opaque Product Code: 401 Series 1 Safety Data Sheet Based on available information, this material
- [Green Verditer Pigment](https://langridgecolours.com/products/green-verditer-pigment/) - Green Verditer Pigment xxx Pigment: 78-80% Lazurite xxx: Sodium Calcium Sulphosilicate Classification: Natural Inorganic Colour Index: PB29 ASTM Lightfastness: I Hiding: Semi-Opaque Product Code: 463 Series: 8 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Malachite Pigment](https://langridgecolours.com/products/malachite-pigment/) - Malachite Pigment xxx Pigment: 78-80% Lazurite xxx: Sodium Calcium Sulphosilicate Classification: Natural Inorganic Colour Index: PB29 ASTM Lightfastness: I Hiding: Semi-Opaque Product Code: 463 Series: 8 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Azurite Pigment](https://langridgecolours.com/products/azurite-pigment/) - Azurite Pigment xxx Pigment: 78-80% Lazurite xxx: Sodium Calcium Sulphosilicate Classification: Natural Inorganic Colour Index: PB29 ASTM Lightfastness: I Hiding: Semi-Opaque Product Code: 463 Series: 8 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Lapis Lazuli Standard Pieces](https://langridgecolours.com/products/lapis-lazuli-standard-pieces/) - Lapis Lazuli Pieces (Standard) xxx Pigment: 78-80% Lazurite xxx: Sodium Calcium Sulphosilicate Classification: Natural Inorganic Colour Index: PB29 ASTM Lightfastness: I Hiding: Semi-Opaque Product Code: 463 Series: 8 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Lapis Lazuli Pigment](https://langridgecolours.com/products/lapis-lazuli-pigment/) - Lapis Lazuli Pigment xxx Pigment: 78-80% Lazurite xxx: Sodium Calcium Sulphosilicate Classification: Natural Inorganic Colour Index: PB29 ASTM Lightfastness: I Hiding: Semi-Opaque Product Code: 463 Series: 8 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Interference Green Pigment](https://langridgecolours.com/products/interference-green-pigment/) - Pearl Green Pigment xx Pigment: Mica flake Chemical Constituent: – Classification: – Colour Index: PW20 ASTM Lightfastness: 1 Hiding: Transparent Product Code: 446 Series: 4 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Interference Blue Pigment](https://langridgecolours.com/products/interference-blue-pigment/) - Pearl Blue Pigment xx Pigment: Mica flake Chemical Constituent: – Classification: – Colour Index: PW20 ASTM Lightfastness: 1 Hiding: Transparent Product Code: 447 Series: 4 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Interference Lilac Pigment](https://langridgecolours.com/products/interference-lilac-pigment/) - Pearl Lilac Pigment xx Pigment: Mica flake Chemical Constituent: – Classification: – Colour Index: PW20 ASTM Lightfastness: 1 Hiding: Transparent Product Code: 452 Series: 4 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Interference Red Pigment](https://langridgecolours.com/products/interference-red-pigment/) - Pearlescent Red Pigment xx Pigment: Mica flake Chemical Constituent: – Classification: – Colour Index: PW20 ASTM Lightfastness: 1 Hiding: Transparent Product Code: 445 Series: 4 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Pearl Arctic Green Pigment](https://langridgecolours.com/products/pearl-arctic-green-pigment/) - Pearl Arctic Green Pigment xx Pigment: Pearl Arctic Blue Chemical Constituent: Mica/Phthalocyanine Classification: Mixed Colour Index: N/A ASTM Lightfastness: 1 Hiding: Transparent Product Code: 4136 Series: 4 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Pearl Arctic Blue Pigment](https://langridgecolours.com/products/pearl-arctic-blue-pigment/) - Pearl Arctic Blue Pigment xx Pigment: Pearl Arctic Blue Chemical Constituent: Mica/Phthalocyanine Classification: Mixed Colour Index: N/A ASTM Lightfastness: 1 Hiding: Transparent Product Code: 4137 Series: 4 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Pearl Arctic Violet Pigment](https://langridgecolours.com/products/pearl-arctic-violet-pigment/) - Pearl Arctic Violet Pigment xx Pigment: Pearl Arctic Violet Chemical Constituent: Mica/Dioxazine Classification: Mixed Colour Index: N/A ASTM Lightfastness: 1 Hiding: Transparent Product Code: 4138 Series: 4 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Pearl Arctic Pink Pigment](https://langridgecolours.com/products/pearl-arctic-pink-pigment/) - Pearl Arctic Pink Pigment xx Pigment: Pearl Arctic Pink Chemical Constituent: Mica/Quinacridone Classification: Mixed Colour Index: N/A ASTM Lightfastness: 1 Hiding: Transparent Product Code: 4139 Series: 4 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of Safe Work Australia. Download full SDS
- [Iridescent Bronze Green Pigment](https://langridgecolours.com/products/iridescent-bronze-green-pigment/) - Iridescent Bronze Green Pigment xx Pigment: Mica flake Chemical Constituent: – Classification: – Colour Index: N/A ASTM Lightfastness: 1 Hiding: Transparent Product Code: 449 Series: 5 Safety Data Sheet This material is hazardous according to health criteria of Safe Work Australia. Download full SDS
- [Iridescent Teal Pigment](https://langridgecolours.com/products/iridescent-teal-pigment/) - Iridescent Teal Pigment xx Pigment: Mica flake Chemical Constituent: – Classification: – Colour Index: N/A ASTM Lightfastness: 1 Hiding: Transparent Product Code: 449 Series: 5 Safety Data Sheet This material is hazardous according to health criteria of Safe Work Australia. Download full SDS
- [Iridescent Blue Pigment](https://langridgecolours.com/products/iridescent-blue-pigment/) - Iridescent Blue Pigment xx Pigment: Mica flake Chemical Constituent: – Classification: – Colour Index: N/A ASTM Lightfastness: 1 Hiding: Transparent Product Code: 449 Series: 5 Safety Data Sheet This material is hazardous according to health criteria of Safe Work Australia. Download full SDS
- [Iridescent Violet Pigment](https://langridgecolours.com/products/iridescent-violet-pigment/) - Iridescent Violet Pigment xx Pigment: Mica flake Chemical Constituent: – Classification: – Colour Index: N/A ASTM Lightfastness: 1 Hiding: Transparent Product Code: 449 Series: 5 Safety Data Sheet This material is hazardous according to health criteria of Safe Work Australia. Download full SDS
- [Iridescent Pink Pigment](https://langridgecolours.com/products/iridescent-pink-pigment/) - Iridescent Pink Pigment xx Pigment: Mica flake Chemical Constituent: – Classification: – Colour Index: N/A ASTM Lightfastness: 1 Hiding: Transparent Product Code: 449 Series: 5 Safety Data Sheet This material is hazardous according to health criteria of Safe Work Australia. Download full SDS
- [Iridescent Red Copper Pigment](https://langridgecolours.com/products/iridescent-red-copper-pigment/) - Iridescent Red Pigment xx Pigment: Mica flake Chemical Constituent: – Classification: – Colour Index: N/A ASTM Lightfastness: 1 Hiding: Semi-Opaque Product Code: 440 Series: 4 Safety Data Sheet This material is hazardous according to health criteria of Safe Work Australia. Download full SDS
- [Iridescent Copper Pigment](https://langridgecolours.com/products/iridescent-copper-pigment/) - Iridescent Copper Pigment xx Pigment: Mica flake Chemical Constituent: – Classification: – Colour Index: N/A ASTM Lightfastness: 1 Hiding: Transparent Product Code: 449 Series: 5 Safety Data Sheet This material is hazardous according to health criteria of Safe Work Australia. Download full SDS
- [Iridescent Bronze Pigment](https://langridgecolours.com/products/iridescent-bronze-pigment/) - Iridescent Bronze Pigment xx Pigment: Mica flake Chemical Constituent: – Classification: – Colour Index: N/A ASTM Lightfastness: 1 Hiding: Semi-Opaque Product Code: 439 Series: 4 Safety Data Sheet This material is hazardous according to health criteria of Safe Work Australia. Download full SDS
- [Iridescent Gold Pigment](https://langridgecolours.com/products/iridescent-gold-pigment/) - Iridescent Gold Pigment xx Pigment: Mica/Ferric Oxide Pigment Chemical Constituent: – Classification: – Colour Index: – ASTM Lightfastness: 1 Hiding: Transparent Product Code: 448 Series: 5 Safety Data Sheet This material is hazardous according to health criteria of Safe Work Australia. Download full SDS
- [Iridescent Pale Gold Pigment](https://langridgecolours.com/products/iridescent-pale-gold-pigment/) - Iridescent Pale Gold Pigment xx Pigment: Mica flake Chemical Constituent: – Classification: – Colour Index: N/A ASTM Lightfastness: 1 Hiding: Transparent Product Code: 449 Series: 5 Safety Data Sheet This material is hazardous according to health criteria of Safe Work Australia. Download full SDS
- [Iridescent Silver Pigment](https://langridgecolours.com/products/iridescent-silver-pigment/) - Iridescent Silver Pigment xx Pigment: Mica flake Chemical Constituent: – Classification: – Colour Index: N/A ASTM Lightfastness: 1 Hiding: Transparent Product Code: 449 Series: 5 Safety Data Sheet This material is hazardous according to health criteria of Safe Work Australia. Download full SDS
- [Aluminium Flake Pigment](https://langridgecolours.com/products/aluminium-flake-pigment/) - Aluminium Flake Pigment xx Pigment: Aluminium flake Chemical Constituent: Aluminium Particles Classification: Synthetic Inorganic Colour Index: PM1 ASTM Lightfastness: 1 Hiding: Opaque Product Code: 462 Series: 4 Safety Data Sheet This material is hazardous according to health criteria of Safe Work Australia. Download full SDS
- [Stainless Steel Pigment](https://langridgecolours.com/products/stainless-steel-pigment/) - Silver Pigment xx Pigment: Aluminium Particles Classification: – Colour Index: PM1 ASTM Lightfastness: 1 Hiding: Opaque Product Code: 443 Series: 4 Safety Data Sheet This material is hazardous according to health criteria of Safe Work Australia. Download full SDS
- [Nickel Pigment](https://langridgecolours.com/products/nickel-pigment/) - Nickel Pigment xx Pigment: Aluminium Particles Classification: – Colour Index: PM1 ASTM Lightfastness: 1 Hiding: Opaque Product Code: 443 Series: 4 Safety Data Sheet This material is hazardous according to health criteria of Safe Work Australia. Download full SDS
- [Silver Pigment](https://langridgecolours.com/products/silver-pigment/) - Silver Pigment xx Pigment: Aluminium Particles Classification: – Colour Index: PM1 ASTM Lightfastness: 1 Hiding: Opaque Product Code: 443 Series: 4 Safety Data Sheet This material is hazardous according to health criteria of Safe Work Australia. Download full SDS
- [Copper Pigment](https://langridgecolours.com/products/copper-pigment/) - Copper Pigment xx Pigment: Copper Classification: – Colour Index: PM2 ASTM Lightfastness: 1 Hiding: Opaque Product Code: 444 Series: 4 Safety Data Sheet This material is hazardous according to health criteria of Safe Work Australia. Download full SDS
- [Rich Gold Pigment](https://langridgecolours.com/products/rich-gold-pigment/) - Rich Gold Pigment xx Pigment: Bronze Particles Classification: – Colour Index: PM2 ASTM Lightfastness: 1 Hiding: Opaque Product Code: 441 Series: 4 Safety Data Sheet This material is hazardous according to health criteria of Safe Work Australia. Download full SDS
- [Pale Gold Pigment](https://langridgecolours.com/products/pale-gold-pigment/) - Pale Gold Pigment xx Pigment: Bronze Particles Classification: – Colour Index: PM2 ASTM Lightfastness: 1 Hiding: Opaque Product Code: 442 Series: 4 Safety Data Sheet This material is hazardous according to health criteria of Safe Work Australia. Download full SDS
- [Lemon Gold Pigment](https://langridgecolours.com/products/lemon-gold-pigment/) - Lemon Gold Pigment xx Pigment: Bronze Particles Classification: – Colour Index: PM2 ASTM Lightfastness: 1 Hiding: Opaque Product Code: 4129 Series: 4 Safety Data Sheet This material is hazardous according to health criteria of Safe Work Australia. Download full SDS
- [Fluorescent Green Pigment](https://langridgecolours.com/products/fluorescent-green-pigment/) - Fluorescent Green Pigment xx Pigment: Resin Encapsulated Dye Classification: Synthetic Inorganic Colour Index: – ASTM Lightfastness: 5 Hiding: Transparent Product Code: 4111 Series 2 Safety Data Sheet xxxxxx Download full SDS
- [Fluorescent Blue Pigment](https://langridgecolours.com/products/fluorescent-blue-pigment/) - Fluorescent Blue Pigment xx Pigment: Resin Encapsulated Dye Classification: Synthetic Inorganic Colour Index: – ASTM Lightfastness: 5 Hiding: Transparent Product Code: 4112 Series 2 Safety Data Sheet xxxxxx Download full SDS
- [Fluorescent Violet Pigment](https://langridgecolours.com/products/fluorescent-violet-pigment/) - Fluorescent Violet Pigment xx Pigment: Resin Encapsulated Dye Classification: Synthetic Inorganic Colour Index: – ASTM Lightfastness: 5 Hiding: Transparent Product Code: 4113 Series 2 Safety Data Sheet xxxxxx Download full SDS
- [Fluorescent Magenta Pigment](https://langridgecolours.com/products/fluorescent-magenta-pigment/) - Fluorescent Magenta Pigment xx Pigment: Resin Encapsulated Dye Classification: Synthetic Inorganic Colour Index: – ASTM Lightfastness: 5 Hiding: Transparent Product Code: 41010 Series 2 Safety Data Sheet xxxxxx Download full SDS
- [Fluorescent Pink Pigment](https://langridgecolours.com/products/fluorescent-pink-pigment/) - Fluorescent Pink Pigment xx Pigment: Resin Encapsulated Dye Classification: Synthetic Inorganic Colour Index: – ASTM Lightfastness: 5 Hiding: Transparent Product Code: 4109 Series 2 Safety Data Sheet xxxxxx Download full SDS
- [Fluorescent Red Pigment](https://langridgecolours.com/products/fluorescent-red-pigment/) - Fluorescent Red Pigment xx Pigment: Resin Encapsulated Dye Classification: Synthetic Inorganic Colour Index: – ASTM Lightfastness: 5 Hiding: Transparent Product Code: 41010 Series 2 Safety Data Sheet xxxxxx Download full SDS
- [Fluorescent Orange Pigment](https://langridgecolours.com/products/fluorescent-orange-pigment/) - Fluorescent Orange Pigment xx Pigment: Resin Encapsulated Dye Classification: Synthetic Inorganic Colour Index: – ASTM Lightfastness: 5 Hiding: Transparent Product Code: 41010 Series 2 Safety Data Sheet xxxxxx Download full SDS
- [Fluorescent Yellow Pigment](https://langridgecolours.com/products/fluorescent-yellow-pigment/) - Fluorescent Yellow Pigment xx Pigment: Resin Encapsulated Dye Classification: Synthetic Inorganic Colour Index: – ASTM Lightfastness: 5 Hiding: Transparent Product Code: 4108 Series 2 Safety Data Sheet xxxxxx Download full SDS
- [Malachite Green Dye](https://langridgecolours.com/products/malachite-green-dye/) - Malachite Green Dye Spirit soluble Basic dye. For staining of timber and absorbent media. Mix with Methylated Spirits to desired strength and apply with brush, cloth or spray. Contents may settle after filling. Series: 4 Product code: 476 Safety Data Sheet xxxxxx Download full SDS
- [Methylene Blue Dye](https://langridgecolours.com/products/methylene-blue-dye/) - Methylene Blue Dye Spirit soluble Basic dye. For staining of timber and absorbent media. Mix with Methylated Spirits to desired strength and apply with brush, cloth or spray. Contents may settle after filling. Series: 4 Product code: 473 Safety Data Sheet xxxxxx Download full SDS
- [Chrysoldine Orange Dye](https://langridgecolours.com/products/chrysoldine-orange-dye/) - Chrysoldine Orange Dye Spirit soluble Basic dye. For staining of timber and absorbent media. Mix with Methylated Spirits to desired strength and apply with brush, cloth or spray. Contents may settle after filling. Series: 4 Product code: 477 Safety Data Sheet xxxxxx Download full SDS
- [Spirit Red Dye](https://langridgecolours.com/products/spirit-red-dye/) - Spirit Red Dye Spirit soluble Basic dye. For staining of timber and absorbent media. Mix with Methylated Spirits to desired strength and apply with brush, cloth or spray. Contents may settle after filling. Series: 4 Product code: 479 Safety Data Sheet xxxxxx Download full SDS
- [Spirit Brown Dye](https://langridgecolours.com/products/spirit-brown-dye/) - Spirit Brown Dye Spirit soluble Basic dye. For staining of timber and absorbent media. Mix with Methylated Spirits to desired strength and apply with brush, cloth or spray. Contents may settle after filling. Series: 4 Product code: 474 Safety Data Sheet xxxxxx Download full SDS
- [Spirit Black Dye](https://langridgecolours.com/products/spirit-black-dye/) - Spirit Black Dye Spirit soluble Basic dye. For staining of timber and absorbent media. Mix with Methylated Spirits to desired strength and apply with brush, cloth or spray. Contents may settle after filling. Series: 4 Product code: 475 Safety Data Sheet xxxxxx Download full SDS
- [Safflower](https://langridgecolours.com/products/safflower/) - Safflower Description: Carthamus tinctorius. Produces yellow, pinks, orange, coral and reds, depending on method. Safflower is a thistle-like plant with yellow flowers that is cultivated mainly to make vegetable oil from its seeds, growing well in dry areas. It can be used to produce vibrant yellow and pink colours, orange/coral tones and even reds, depending
- [Red Pine Extract](https://langridgecolours.com/products/red-pine-extract/) - Red Pine Extract High in tannins and can be used as a natural dye to produce a range of yellow, beige and brown tones. Red pine is native to the eastern Mediterranean, and to Calabria in Italy. Originates from red pine grown on the west coast of Turkey. Before the timber is processed, the bark
- [Acorn Extract](https://langridgecolours.com/products/acorn-extract/) - Acorn Extract Description: Quercus Macrolepsis Tannin rich natural dye. For cold, hot and all-in-one dyebath techniques. Makes orange-brown colours. tannin mordant. The acorn is the fruit of varieties of oak trees. Oak is native to the northern hemisphere, and over 500 varieties exist. Acorn tannin has good wash and light-fastness. It can be used as
- [Walnut Husks](https://langridgecolours.com/products/walnut-husks/) - Walnut Husks Description: Juglans Nigra Product of Turkey. high in tannic acid. Makes brown textile dye. Black walnut hulls are high in tannins and can be used as a natural dye to produce a range of brown tones. Sourced from the Mesopotamia region of Turkey. Product code: 4152 Safety Data Sheet xxxxxx Download full SDS
- [Weld](https://langridgecolours.com/products/weld/) - Weld Description: Reseda luteola Natural dye for producing brilliant yellow colours. For cold, hot and all-in-one dyebath techniques. Also known as dyer’s rocket, dyer’s weed, dyer’s mignonette, and gaude. Used to obtain a range of light and wash-fast yellow colours. Weld can be combined with indigo or woad for emerald and leaf greens. Product code:
- [Buckthorn Powder](https://langridgecolours.com/products/buckthorn-powder/) - Buckthorn Powder Description: Rhamnus Petiolaris Flavanoid rich natural dye. For hot and all-in-one dyebath techniques. Also makes ‘sap green’ and ‘stil de grain’ lakes. Also known as Anatolian buckthorn or Persian berries. The seeds of these plants can be used to create a range of shades including orange-yellow, yellow, beige, green, and khaki, depending on
- [Buckthorn Berries](https://langridgecolours.com/products/buckthorn-berries/) - Buckthorn Berries Description: Rhamnus Petiolaris Flavanoid rich natural dye. For hot and all-in-one dyebath techniques. Also makes ‘sap green’ and ‘stil de grain’ lakes. Also known as Anatolian buckthorn or Persian berries. The seeds of these plants can be used to create a range of shades including orange-yellow, yellow, beige, green, and khaki, depending on
- [Oak Gallnut Powder](https://langridgecolours.com/products/oak-gallnut-powder/) - Oak Gallnuts Description: Quercus Infectoria Aleppo white gallnuts. High gallo-tannic content. Natural dye for producing black and grey colours. Makes traditional Iron Gall drawing ink when admixed with Ferrous Sulphate. Excellent source of tannin for use in natural dyeing with the use of mordants. Does not impart a strong colour to the fabric by itself.
- [Oak Gallnuts](https://langridgecolours.com/products/oak-gallnuts/) - Oak Gallnuts Description: Quercus Infectoria Aleppo white gallnuts. High gallo-tannic content. Natural dye for producing black and grey colours. Makes traditional Iron Gall drawing ink when admixed with Ferrous Sulphate. Excellent source of tannin for use in natural dyeing with the use of mordants. Does not impart a strong colour to the fabric by itself.
- [Madder Root Ground](https://langridgecolours.com/products/madder-root-ground/) - Madder Root Ground Description: Rubia Tinctorum Highest quality Levatine origin. High alizarin and pseudopurpurin dye content. Makes deep red dye for textiles. For manufacture of madder lake pigments. Madder has been used since ancient times as a red dye for leather, wool, cotton, and silk. Product code: 4144 Safety Data Sheet xxxxxx Download full SDS
- [Madder Roots](https://langridgecolours.com/products/madder-roots/) - Madder Roots Description: Rubia Tinctorum Highest quality Persian origin. High alizarin and pseudopurpurin dye content. Makes deep red dye for textiles. For manufacture of madder lake pigments. Product code: 4143 Safety Data Sheet xxxxxx Download full SDS
- [Stand Oil](https://langridgecolours.com/products/stand-oil/) - Stand Oil Non-yellowing oil for use in all oil mediums. Thick and honey-like oil, gives enamel-like qualities to paint. Should be diluted with solvent. Dries to a tough flexible film. Stand oil is manufactured by heating, in the absence of oxygen, linseed oil to approximately 570° F. The linseed oil polymerizes, that is, molecules of
- [Refined Safflower Oil](https://langridgecolours.com/products/refined-safflower-oil/) - Refined Safflower Oil Very pale, Refined safflower oil. Has little tendency to yellow and is often recommended for use with whites, blues and pale colours. Adds a slippery quality to oil colours. Slow drying. Care should be taken when used for underpainting. Drying time: 6-9 days to touch dry. Product Code: 031 Refined Safflower Oil
- [Refined Linseed Oil](https://langridgecolours.com/products/refined-linseed-oil/) - Refined Linseed Oil Highest quality Dutch linseed oil used as a medium for oil colours. Increases gloss and transparency. Adds a soft, ‘slippery’ quality when added to oil colours. Made by crushing steam heated flax seed to produce greater quantities of oil than in cold pressing. Treated with alkalis post-pressing and water washed to remove
- [Calcium Driers](https://langridgecolours.com/products/calcium-driers/) - Calcium Driers Accelerates the drying time for oil colours and mediums. ‘Through-film’ drier. Concentrated calcium carboxylate siccative in mineral spirits. Calcium driers do not react on their own but in combination with other reactive siccatives such as Cobalt Driers. Used to equalise stresses in drying rates within thick paint films to prevent surface wrinkling. Use sparingly
- [Zirconium Driers](https://langridgecolours.com/products/zirconium-driers/) - Zirconium Driers Accelerates the drying time for oil colours and mediums. ‘Through-film’ drier. Zirconium siccative in mineral spirits. Zirconium driers do not react on their own but in combination with other reactive siccatives such as Cobalt Driers. Used to equalise stresses in drying rates within thick paint films to prevent surface wrinkling. Use sparingly as its
- [Cobalt Driers](https://langridgecolours.com/products/cobalt-driers/) - Cobalt Driers Accelerates the drying time for oil colours and mediums. Surface drier. Contains cobalt salts, which act as catalysts to speed up the oxidation and polymerisation processes in drying oils, such as linseed. Add cobalt driers in small quantities to oil paints or mediums. Excessive dosage may lead to issues such as brittleness or
- [Impasto Medium](https://langridgecolours.com/products/impasto-medium-gel/) - Impasto Medium Incredibly thick clear-gel medium. Add to oil colours to for extra ‘body’ without altering the colour. Constituents Refined Safflower Oil, Fumed Silica, Cobalt Drier, Calcium Drier. Product code: 017 Impasto Medium Product Information Product Application Langridge Impasto Medium should be added to oil colours in quantities no more than 25%. Mixed with oil
- [Oil Glazing Gel](https://langridgecolours.com/products/oil-glazing-gel/) - Oil Glazing Gel A fast drying medium that gives a lasting brilliance to oils. Soft gel consistency designed for more robust glazing. Extends colours whilst holding brush marks. Constituents Alkali Refined Linseed Oil, Distilled Gum Turpentine, Damar Resin, Fumed Silica, Cobalt Drier. Product code: 030 Oil Glazing Gel Product Information Product Application Langridge Oil Glazing
- [Oleogel](https://langridgecolours.com/products/oleogel/) - Oleogel A solvent free, soft gel medium for extending oil colours. Aids fluidity and paint handling. Refined Safflower Oil base. Constituents Refined Safflower Oil, Fumed Silica, Castor Wax, Cobalt Drier, Calcium Drier. Product code: 027 Oleogel Product Information Product Application Langridge Oleogel may be added to oil colours to aid paint flow and brush handling.
- [Flow Medium](https://langridgecolours.com/products/flow-medium/) - Flow Medium Safflower oil based flow medium. A very pale and non-yellowing medium to add to oil colours for a ‘slippery’ and wet quality. Unlike Stand Oil based mediums, Flow Medium will remain open and can be worked over an extended period of time without becoming tacky. The Safflower base ensures colours stay bright therefore
- [Standard Glass Slab](https://langridgecolours.com/products/standard-glass-slab/) - Standard Glass Slab Safflower oil based flow medium. A very pale and non-yellowing medium to add to oil colours for a ‘slippery’ and wet quality. Unlike Stand Oil based mediums, Flow Medium will remain open and can be worked over an extended period of time without becoming tacky. The Safflower base ensures colours stay bright
- [Professional Muller](https://langridgecolours.com/products/professional-muller/) - Professional Muller Used in the process of dispersing pigments and binders to create a smooth, homogenous paint. Borosilicate glass. Dimensions: 8cm wide x 12cm high Oil paintmaking process: To create paint, pigments need to be dispersed (fully mixed) with a binder. On a glass milling slab mix together with a palette knife the pigment and
- [Glaze Medium](https://langridgecolours.com/products/glaze-medium/) - Glaze Medium A resin rich oil medium. Traditional recipe made with Damar Resin to add to oil colours for to increased translucency and gloss. Perfect for the creation of optical depth and soft suffusions of colour. Stand oil content ensures pale colours stay bright whilst deep tones are enriched. Constituents: Stand Oil (40 Poise), Distilled
- [Low Toxic Paint Medium](https://langridgecolours.com/products/low-toxic-paint-medium/) - Low Toxic Paint Medium Low-toxicity solvent (odourless) based flow medium. Non-yellowing medium to add to oil paints to improve paint handling and promote the brushing out of colours. Langridge Low Toxic Painting Medium has been constructed as an alternative to traditional turpentine based painting mediums for artists concerned about exposure to harmful solvents. Constituents Stand
- [Painting Medium](https://langridgecolours.com/products/painting-medium/) - Painting Medium Non-yellowing free-flowing medium added to oil and alkyd paints to improve paint handling and promote the brushing out of colours. Stand oil content ensures pale colours stay bright whilst deep tones are enriched. Constituents: Stand Oil (40 Poise), Distilled Gum Turpentine, Alkali Refined Linseed Oil, Cobalt Drier. Product code: 007 Painting Medium Product
- [Low Toxic Underpainting Medium](https://langridgecolours.com/products/low-toxic-underpainting-medium/) - Low Toxic Underpainting Medium Low-toxicity solvent based Lean medium used for ‘first-sketch’ in oil painting. Low oil content for rapid drying, minimises chances of cracking when overpainting with full strength colours. Ensures pale colours stay bright whilst deep tones are enriched. Constituents Stand Oil (40 Poise), Low Toxic Solvent, Alkali Refined Linseed Oil, Cobalt Drier.
- [Underpainting Medium](https://langridgecolours.com/products/underpainting-medium/) - Underpainting Medium Lean medium used for the ‘first-sketch’ in oil painting. Low oil content for rapid drying, minimises chances of cracking when overpainting with full strength colours. Constituents: Stand Oil (40 Poise), Distilled Gum Turpentine, Alkali Refined Linseed Oil, Cobalt Drier. Product code: 008 Underpainting Medium Product Information Product Application Langridge Underpainting Medium may be
- [Liquid Studio Soap](https://langridgecolours.com/products/liquid-studio-soap/) - Liquid Studio Soap Product Application Pump-bottle dispensing liquid soap for the safe removal of artists’ oils and paint from hands, brushes & equipment. Formulation based on naturally foaming coconut oil. Apply Liquid Studio Soap to skin until foaming. Rinse off with water. Non-toxic and solvent free. Completely safe in contact with skin. No phosphates, no
- [Safe Clean Up](https://langridgecolours.com/products/safe-clean-up/) - Safe Clean Up An ideal brush cleaner and conditioner equally suited for safely removing oil paint from brushes, skin & equipment. Wipe all excess paint onto a cloth. Vigorously work Safe-clean-up into oil colours until foaming. Rinse off with water. Dried oil and acrylic paint can be succesfully removed from brushes by coating brush in
- [Brush Washer](https://langridgecolours.com/products/brush-washer/) - Brush Washer Air-tight stainless steel Brush Washer holds up to 300ml of solvent Removable interior cleaning grate helps loosen paint as the loaded brush is pressed against it. The paint residue falls through the grate to compartment below, seperating it from the clean solvent above for continued reuse. The rubber seal gasket on the lid
- [Solvent 75](https://langridgecolours.com/products/solvent-75/) - Solvent 75 Lowest toxicity art solvent available, recommended for a safer studio environment. Diluent and solvent for oil colours. Highly refined odourless mineral sprits (OMS). 100% purity. Alternative to traditional artists’ solvents reducing exposure to the more harmful compounds associated with turpentine and general petroleum distillates that contain acetone & toluene. Completely odourless. Leaves no
- [Low Toxic Solvent](https://langridgecolours.com/products/low-toxic-solvent/) - Low Toxic Solvent Low toxicity alternative to traditional artists’ solvents reducing exposure to the more harmful compounds associated with turpentine, etc. Completely odourless. Leaves no residue after evaporation. Constituents Refined aliphatic distillate of petroleum. Product code: 021 Low Toxic Solvent Product Information Product Application Langridge Low Toxic Solvent may be added to oil colours, drying
- [Distilled Gum Turpentine](https://langridgecolours.com/products/distilled-gum-turpentine/) - Distilled Gum Turpentine Natural dilutent and solvent for oil colours and varnishes. Greater wetting power than other artists’ solvents. Has a pleasant pine odour. From the oleoresin of tapped Gum Thus Pine. Distilled from the sap of live trees and for artistic use must be completely anhydrous, or water-free. Constituents Distilled Gum Turpentine Product code:
- [Acrylic Binder](https://langridgecolours.com/products/acrylic-binder/) - Acrylic Binder Product Application Permanent, non-reversable acrylic binder. Artist-grade pure acrylic monomer solution. Mix with Langridge Liquid Pigment Concentrate for the manufacture of artist acrylic paint. Recommended maximum incorporation of 50% (by volume) of Liquid Pigment Concentrate to Acrylic Binder. Add desired amount of colour and stir till fully mixed. Drying time 30-60 minutes to
- [Encaustic Ground](https://langridgecolours.com/products/encaustic-ground/) - Encaustic Ground High absorbancy ground for encaustic painting technique. Allows waxes to correctly adhere to a priming coat. Constituents Acrylic copolymer, Titanium Dioxide, Calcium Carbonate. Product code: 036 Encaustic Ground Product Information Product Application Do not dilute. Apply two coats to sealed substrate. Once dry, waxes may be applied directly to the prepared surface. It
- [Alum](https://langridgecolours.com/products/alum/) - Alum Aluminium Sulphate. Added to animal, casein and starch glues to increase hardness and resistance to resolubility. Also used as a mordant in the manufacture of ‘lake’ pigments. Product code: 152 Safety Data Sheet xxx Download full SDS
- [Borax](https://langridgecolours.com/products/borax/) - Borax Sodium decahydrate. Used in the hydrolysis of casein powder. Emulsifier of shellac for acqueous solutions. Easily converted to boric acid. Product code: 162 Safety Data Sheet xxx Download full SDS
- [Iron Sulphate](https://langridgecolours.com/products/iron-sulphate/) - Iron Sulphate Known also as Green Vitriol or Green Copperas. Mordant for textile dyeing. Used in the manufacture of iron gall ink. Product code: 132 Safety Data Sheet xxx Download full SDS
- [Copper Sulphate](https://langridgecolours.com/products/copper-sulphate/) - Copper Sulphate Blue Vitriol. Used for patination of cupric metals. Component in the manufacture of green and blue verditers. Product code: 131 Safety Data Sheet xxx Download full SDS
- [Ammonium Chloride](https://langridgecolours.com/products/ammonium-chloride/) - Ammonium Chloride Sal Ammoniac Water soluble, mildly acidic crystalline salt. Used in the reaction of cupric metals. Product code: 139 Safety Data Sheet xxx Download full SDS
- [Rabbit Skin Glue](https://langridgecolours.com/products/rabbit-skin-glue/) - Rabbit Skin Glue Refined animal glue size. For sizing canvases prior to oil priming. Binder for gesso and distemper paint. Soak 1 part glue in 13 parts water. Melt in double boiler. Apply hot. Product code: 117 Safety Data Sheet Based on available information, this material is not classified as hazardous according to criteria of
- [Wax Varnish](https://langridgecolours.com/products/wax-varnish/) - Wax Varnish Final varnish that dries to a matt finish but may be buffed to a satin surface if required. For oil and acrylic painting. Constituents Refined Beeswax, Low Toxic Solvent. Product code: 019 Wax Varnish Product Information Product Application Langridge Wax Varnish may be applied to fully dried oil and acrylic paintings as a
- [Damar Varnish](https://langridgecolours.com/products/damar-varnish/) - Damar Varnish Traditional recipe final picture varnish and constituent of artists’ oil and egg tempera mediums. Imparts clarity and depth when applied to fully dried oil paint films. Dries hard and clear. Dries to a satin-gloss finish. Constituents Damar Resin, Distilled Gum Turpentine, Methylated Spirits (100%). Product code: 018 Damar Varnish Product Information Product Application
- [Matte Varnish](https://langridgecolours.com/products/matte-varnish/) - Matte Varnish Contemporary final picture varnish for the protection of oil and acrylic paintings. Unifies painting with an even optical reflection. Dries to matt finish. Constituents Paraloid B67 Resin, Matting Silica, Artists White Spirit. Product code: 023 Matte Varnish Product Information Product Application Langridge Matte Varnish may be applied to fully dried oil and acrylic
- [Satin Varnish](https://langridgecolours.com/products/satin-varnish/) - Satin Varnish Contemporary final picture varnish for the protection of oil and acrylic paintings. Unifies painting with an even optical reflection. Dries to satin finish. Constituents Paraloid B67 Resin, Matting Silica, Artists White Spirit. Product code: 022 Satin Varnish Product Information Product Application Langridge Satin Varnish may be applied to fully dried oil and acrylic
- [Gloss Varnish](https://langridgecolours.com/products/gloss-varnish/) - Gloss Varnish Contemporary final picture varnish for the protection of oil and acrylic paintings. Imparts clarity and depth when applied to fully dried oil paint films. Unifies painting with an even optical reflection. Dries to gloss finish. Constituents Paraloid B67 Resin, Artists White Spirit. Product code: 020 Gloss Varnish Product Information Product Application Langridge Gloss
- [Retouch Varnish](https://langridgecolours.com/products/retouch-varnish/) - Retouch Varnish Temporary varnish for oil paintings six months or younger. Revives dull areas caused by sinking-in of paint. Helps adhesion of subsequent paint layers. Dries to a satin finish. Constituents: Paraloid B67 Resin, Artists White Spirit. Product code: 016 Retouch Varnish Product Information Product Application Langridge Retouch Varnish may be applied to touch dry
- [Patina Sealer](https://langridgecolours.com/products/patina-sealer/) - Patina Sealer Use to ‘lock-in’ the patinated metal finish. Recommended when applying rust or verdigris finishes in exterior applications to prevent changes in the patinated finish when exposed to rain over extended periods of time. Leave to air dry. Product code: 206 Safety Data Sheet Based on available information, this material is not classified as hazardous
- [Oxidising Patina (Activator)](https://langridgecolours.com/products/oxidising-patina/) - Oxidising Patina (Activator) To activate your Rust or Verdigris finish simply apply Oxidising Patina and wait. The longer the oxidising patina stays wet when applied, the stronger the reaction and brighter the final patina will be. Try experimenting to find the effect you want. After approximately 45 minutes when applying to Rust Base a red
- [Black Decorative Primer](https://langridgecolours.com/products/black-decorative-primer/) - Black Decorative Primer Especially formulated for use with Langridge ‘metal bases’, new Langridge Black Decorative Primer will ensure optimum results with Rust and Verdigris Bases on a wide range of surfaces including plastics, timber, brick, render and cement. No prior sealing needed: Black Decorative Primer is a sealer and primer in one. It is both

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## Portfolio Categories

- [Langridge Oil Colour](https://langridgecolours.com/project-category/langridge-oil-colour/)
- [Langridge Standard Pigment](https://langridgecolours.com/project-category/langridge-standard-pigment/)
- [Langridge Historic Pigment](https://langridgecolours.com/project-category/langridge-historic-pigment/)
- [Langridge Metallic Pigment](https://langridgecolours.com/project-category/langridge-metallic-pigment/)
- [Langridge Fluorescent Pigment](https://langridgecolours.com/project-category/langridge-fluorescent-pigment/)
- [Langridge Spirit Dye](https://langridgecolours.com/project-category/langridge-spirit-dye/)
- [Langridge Paint Making Equipment](https://langridgecolours.com/project-category/langridge-paint-making-equipment/)
- [Langridge Drying Oils](https://langridgecolours.com/project-category/langridge-drying-oils/)
- [Langridge Solvents](https://langridgecolours.com/project-category/langridge-solvents/)
- [Langridge Raw Materials](https://langridgecolours.com/project-category/landridge-raw-materials/)
- [Langridge Varnishes](https://langridgecolours.com/project-category/langridge-varnishes/)
- [Langridge Primers](https://langridgecolours.com/project-category/langridge-primers/)
- [Langridge Driers](https://langridgecolours.com/project-category/langridge-driers/)
- [Langridge Dispersion](https://langridgecolours.com/project-category/langridge-dispersion/)
- [Langridge Raw Dye](https://langridgecolours.com/project-category/langridge-raw-dye/)
- [Langridge Ultra Saturate](https://langridgecolours.com/project-category/langridge-ultra-saturate/)
- [Langridge Antique Metal](https://langridgecolours.com/project-category/langridge-antique-metal/)
- [Langridge Drawing Ink](https://langridgecolours.com/project-category/langridge-drawing-ink/)
- [Langridge Aqueous](https://langridgecolours.com/project-category/langridge-aqueous/)
- [Langridge Fluid Mediums](https://langridgecolours.com/project-category/langridge-fluid-mediums/)
- [Langridge Thick Mediums](https://langridgecolours.com/project-category/langridge-thick-mediums/)
- [Langridge Gums & Resins](https://langridgecolours.com/project-category/langridge-gums-resins/)
- [Langridge Glues](https://langridgecolours.com/project-category/langridge-glues/)
- [Langridge Mordants](https://langridgecolours.com/project-category/langridge-mordants/)
- [Langridge Acrylic](https://langridgecolours.com/project-category/langridge-acrylic/)
- [Langridge Iridescent Pigment](https://langridgecolours.com/project-category/langridge-iridescent-pigment/)
- [Langridge Sets](https://langridgecolours.com/project-category/langridge-sets/)
- [Nitram Charcoal](https://langridgecolours.com/project-category/nitram-charcoal/)
- [Fisher Wells](https://langridgecolours.com/project-category/fisher-wells/)
- [Langridge Fluid Acrylic](https://langridgecolours.com/project-category/langridge-fluid-acrylic-paint/)
- [Langridge Acrylic Sets](https://langridgecolours.com/project-category/langridge-acrylic-sets/)
- [Langridge Oil Colour Sets](https://langridgecolours.com/project-category/langridge-oil-colour-sets/)
- [Langridge Gesso Grounds](https://langridgecolours.com/project-category/langridge-gesso-grounds/)