Quinacridone Magenta A quintessential colour for every palette. Bursting with pure pigment, our Quinacridone Magenta is a favoured colour for blending and glazing. Because of its clarity and relative transparency the addition of yellows or blues brings about bright fire engine reds or deep meditative violets. A very versatile colour. Pigment: Quinacridone Classification: Synthetic Organic…
Brilliant Magenta A blushed rose pink with a cool glow. Excellent for landscapes, portraits and contemporary palettes. Quinacridone in the mix ensures that Brilliant Pink will remain clean and vibrant in further tints and mixes. Pigment: Titanium Dioxide/Phthalocyanine Classification: Mixture CI Name: PW6/PB15.3 Vehicle: Safflower Oil Hiding power: Opaque Pigment Loading: High Consistency: Buttery Drying…
Neon Violet Incredibly vibrant modern violet. Made from Quinacridone Magenta and Phthalocyanine Blue, this literally ‘pops’ off the canvas! Pigment: Quinacridone/Phthalocyanine Classification: Mixture CI Name: PR122/PB15.1 Vehicle: Linseed Oil Hiding power: Transparent Pigment Loading: Normal Consistency: Buttery Drying rate: 3-6 days ASTM: I Product Code: 08127 Series: 5 Safety Data Sheet Based on available information,…
Quinacridone Violet An elegant modern violet with a deep burgundy mass tone and sweet violet undertones. Quinacridone Violet mixes without dominating other colours and creates cool but not cold tints compared to Dioxazine Violet. Quinacridones are some of the most stable of all available pigments, tinting and glazing can be achieved with no loss of…
Manganese Violet Manganese Violet is a delicately rouged and opaque violet. Its buttery texture in oil makes it a joy to work with on the palette as well as on the canvas where it is excellent for luminous shadows in both landscape and portraiture. Pigment: Manganese Pyrophosphate Classification: Synthetic Inorganic CI Name: PV16 (77742) Vehicle:…
Ultramarine Violet Ultramarine Blue’s violet counterpart, this colour is deep, mysterious and elusive. Ultramarine Violet is very delicate in tints. When mixed with white’s some of the most etherial lavender hues can be achieved. Semi-opaque, highly permanent but less strident than Dioxazine with a natural tendency for use as a modulating colour. Pigment: Sodium Aluminium…
Dioxazine Violet With exceptional tinting strength and transparency, Dioxazine Violet is a very deep purple, almost black, in mass tone. However, when used in glazes it reveals its blueish violet undertones. Pigment: Dioxazine Classification: Synthetic Organic CI Name: PV23 (51319) Vehicle: Linseed Oil Hiding power: Transparent Pigment Loading: Medium Consistency: Buttery Drying rate: 2-5 days…
Indanthrone Blue Extremely dark mysterious blue with a slight purple undertone. A modern alternative to indigo, it’s dark interior creates highly complex tints and glazes. Unlike Prussian Blue, this colour veers towards the reds rather than greens. Pigment: Indanthrone Classification: Synthetic Organic CI Name: PB60 (69800) Vehicle: Linseed Oil Hiding power: Transparent Pigment Loading: Medium…
Ultramarine Blue Ultramarine is a beautifully bright blue with good tinting strength. Since the synthetic form became available in the 19th century, Ultramarine Blue has been the standard blue on many artists’ palettes. On the reddish side of blue, but not too violet, mixtures of Ultramarine tend to drop away and give airy depth. Pigment:…
Phthalo Blue Red Shade Red hued partner to our standard green hued Phthalo Blue. Very powerful colour. Tints can fill the colour-space of 19th Century cobalt and ultramarine blues but with far more intensity of chroma. Pigment: Phthalocyanine Classification: Synthetic Organic CI Name: PB15.1 (74160) Vehicle: Linseed Oil Hiding power: Transparent Pigment Loading: Medium Consistency:…
