Quinacridone Crimson Quinacridone Crimson is a pigment with a cool masstone that reveals warm rose undertones when used in clear glazes. Developed as a modern alternative to Alizarin Crimson, it leans towards a violet or blueish red rather than an orange hue. Achieved through the blend of crimson Perylene, cool phthalocyanine and the vibrant, clear…
Quinacridone Magenta Quinacridone Magenta is an essential pigment for any artist’s palette, renowned for its vibrant, pure colour. This hue excels in both blending and glazing techniques. Its clarity and relative transparency make it highly versatile, allowing for the creation of vivid fire engine reds when mixed with yellows, or deep violets when combined with…
Brilliant Magenta A blushed rose pink with a cool glow. Excellent for landscapes, portraits and contemporary palettes. Quinacridone in the mix ensures that Brilliant Pink will remain clean and vibrant in further tints and mixes. Pigment: Titanium Dioxide/Quinacridone Classification: Mixture CI Name: PW6/PR122 Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: High ASTM: I Product…
Neon Violet Incredibly vibrant modern violet. Made from Quinacridone Magenta and Phthalocyanine Blue, this literally ‘pops’ off the canvas! Pigment: Quinacridone/Phthalocyanine Classification: Mixture CI Name: PR122/PB15.1 Vehicle: Acrylic Copolymer Hiding power: Transparent Pigment Loading: Normal ASTM: I Product Code: 08127 Series: 5 Safety Data Sheet Based on available information, this material is not classified as…
Quinacridone Violet An elegant modern violet with a deep burgundy mass tone and sweet violet undertones. Quinacridone Violet mixes without dominating other colours and creates cool but not cold tints compared to Dioxazine Violet. Quinacridones are some of the most stable of all available pigments, tinting and glazing can be achieved with no loss of…
Dioxazine Violet With exceptional tinting strength and transparency, Dioxazine Violet is a very deep purple, almost black, in mass tone. However, when used in glazes it reveals its blueish violet undertones. Pigment: Dioxazine Classification: Synthetic Organic CI Name: PV23 (51319) Vehicle: Acrylic Copolymer Hiding power: Transparent Pigment Loading: Medium ASTM: I Product Code: 0892 Series:…
Ultramarine Blue Ultramarine is a beautifully bright blue with good tinting strength. Since the synthetic form became available in the 19th century, Ultramarine Blue has been the standard blue on many artists’ palettes. On the reddish side of blue, but not too violet, mixtures of Ultramarine tend to drop away and give airy depth. Pigment:…
Kings Blue Traditional formulation. Dreamy pale blue with a slight violet cast. Atmospheric light azure, perfect for both landscape and non-realist applications. Pigment: Titanium Dioxide / Sodium Sulphosilicate Classification: Synthetic Inorganic CI Name: PW6/PB29 Vehicle: Acrylic Copolymer Hiding power: Opaque Pigment Loading: Medium ASTM: I Product Code: 08195 Series: 2 Safety Data Sheet Based on…
Phthalo Blue Red Shade Red hued partner to our standard green hued Phthalo Blue. Very powerful colour. Tints can fill the colour-space of 19th Century cobalt and ultramarine blues but with far more intensity of chroma. Pigment: Phthalocyanine Classification: Synthetic Organic CI Name: PB15.1 (74160) Vehicle: Acrylic Copolymer Hiding power: Transparent Pigment Loading: Medium ASTM:…
Phthalo Blue Green Shade A jewel-like versatile blue with green undertone, Mixed with whites, Phthalo Blue Green Shade makes vibrant aquamarine and azure blues. Many paint manufacturers try to tame Phthalos with fillers, but we at Langridge feel that our unadulterated Phthalo provides artists with a more powerful tool for painting. Fantastic for mixing and…
